{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/251fj2b76p/manifest","type":"Manifest","label":{"en":["PM Magazine: Hollywood on Potomac"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Publisher"]},"value":{"en":["MARMIA"]}},{"label":{"en":["Agent"]},"value":{"en":["WJZ-TV (Television Station: Baltimore, Md.)"]}},{"label":{"en":["Date"]},"value":{"en":["1981-07-22"]}},{"label":{"en":["Description"]},"value":{"en":["Hollywood on Potomac Air Date: 7/22/81 Story Length: 7:23"]}},{"label":{"en":["Format"]},"value":{"en":["video"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-PMMAG-007-004"]}},{"label":{"en":["Subject"]},"value":{"en":["WJZ-TV (Television Station: Baltimore, Md.)"]}}],"summary":{"en":["Hollywood on Potomac Air Date: 7/22/81 Story Length: 7:23"]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/162/493/small/thumbnail_162493_1668298303.jpg?1668298307","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20220712-508-krfpwc.mp4"]},"duration":594.704,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/162/493/small/thumbnail_162493_1668298303.jpg?1668298307","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/162/493/original/open-uri20220712-508-krfpwc.mp4?1657654882","type":"Video","format":"video/mp4","duration":594.704,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/transcript/38959","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-PMMAG-007-004 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/transcript/38959/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Tonight. I'm visiting historic Antietam in Sharpsburg, Maryland, which is the site of one of the bloodiest battles and one of the most important battles of the Civil War. Have you ever wondered when you visit a national park? Well, where things like authentic looking cannons come from, where they come up with the slideshows, the films, the wonderful visuals that help you understand history. Well, tonight you're going to find out who puts these things together. You're going to see that Hollywood combines with history. Up the road in West Virginia. The National Park Service's Interpretive Design Center in Harpers Ferry, West Virginia, happens to be the support center for all the national parks and historic sites around the country. Every display case, graphic design, woodcarving, historic figure or artifact you see in a national park was either made or refurbished at the Harpers Ferry Center. And if the priceless saddle cover used by Abraham Lincoln when he rode from the train to give his Gettysburg Address, begins to deteriorate. It is stabilized in the textile lab. Furniture, like General Robert E Lee's recliner or Lincoln's toy wagon, is also restored in the furniture shop. All the furniture from the Park Service museums and the White House collection gets fixed up here. Those slideshows and films that we see in our national parks, they're also done right here in Harpers Ferry. Mark Sagan is the manager of the Harpers Ferry Center. The purpose of all these things is to help people understand and enjoy the parks so that we'll start with what the park has to offer and do our planning, and then produce what we feel is necessary to accomplish those objectives. Right now we're doing a film for and Peter and. Shot. Spring and summer. It's in the rough cut stage now and I suppose within the next few months it'll be finished.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493#t=70.34,194.93"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/transcript/38959/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now the Park Service produces two basic kinds of film, the nature oriented documentary on one of our national parks and historic reenactments like the film on Antietam. For National Historic Sites. Too many months of hard work have gone into the production of the Antietam Battle reenactment. The project started to take shape last fall when the producer, Tim Radford, met with the support staff to discuss the objectives of the project and the days of filming that were ahead. Associate producer, production assistants, photographer, artistic director, Ed and department heads conferred to make sure the filming would go smoothly. I'm shooting this cornfield that is the most momentous moment at the battle. It starts at daybreak. And the fog and the glint of the bayonets has been talked about in every book ever written. It's worth going after. We'll cut what we get. And the only time you got to get that fog is at 630. So before the sun burns it off in 630 it is. The film on Antietam was shot in three days. After that, it's editing and re-editing. After the rough cut is assembled, the narration is written and rewritten. For right now, Tim's voice is used for the narration, but it will be replaced once the final script is decided on. We have a lot of numbers still in the narration that will vary. Some people say 23,000 words were wounded. Some people say 27,000. And then it was a masterpiece. I made the mistake of saying 40 acres of corn, and I've now been told that there are 30 acres of corn. So all that, the accuracy gets more and more important as you get down and get these lines finalized. And in the park, historians know better than than anyone. And we have to kind of make sure we've linked with the information that's in the other interpretive devices.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493#t=198.81,319.11"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/transcript/38959/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"With a limited budget available for these films, the producers can afford to go out and hire thousands of extras to play Civil War soldiers. So how does Tim reenact a major Civil War battle? Know. Just be amazed. There are a lot of people are very enthusiastic about recreations. Not so much for the movies that must have been pushed back. Reenactments are occurring all over the place. We put together a group of them and asked them to do a whole multitude of different things beyond just being a foot soldier in a lot of different roles played in this thing. They come fully equipped. They have the right weapons, the right uniforms. They know how it's worn. They know the language. I'm a smoker. I'm down there. And I asked this guy for some matches. He pulls out. He's got a little box of civil war matches. Just beautiful, just every little detail they have seen. They will not miss a trick. And they're real enthusiastic about involving themselves in this movie because they generally feel people do not understand a the civil war and how how thing fingers thought it was a gruesome way to go to a military obstacle. To be defeated here was to die. The Park Service films are perhaps best known for their glimpses of seldom seen wildlife and beautifully scenic vistas. Tom Gray, a veteran of over 150 Park Service films, is responsible for a lot of those memorable shots. Well, it takes a lot of time. We rely very heavily upon the park naturalists and the park people who know where the wildlife are located, where they're hanging out, where their dens are, where their water holes are. Las Palmas took us about four trips to shoot. Long hours, lot of waiting for wildlife, finding certain spotters.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493#t=321.18,431.64"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/transcript/38959/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We found a lot of snakes, a lot of stuff we pick up at night and keep until the daytime and cycle or keep them from getting away too soon. You put them in a refrigerator and come down a little bit. It seems like every place I go to do a story, there's always one unforgettable character. At Harpers Ferry, it's an old world craftsman named John Sagarin. At 81, he's still doing most of the wood carvings for the national parks around the country. Up till now, until I keel over. Well, you're 81 years old, and you look like you're only 60 because I take a brandy every night. I have to try that. You bet your life is good for you. So now you know all the hard work that goes into making history come alive. By the way, the finished product, the Antietam Film, will be ready for viewing here at Antietam in the next couple of months. Of course, there are some Hollywood show business aspect involved. For example, there's little Hollywood Technicolor blood still on the bridge. But the difference between Hollywood producers is the people you just met have an incredible dedication to history and to authenticity. We'll be back with more Evening Magazine in just a minute.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493#t=432.9,512.2"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/transcript/38959","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/76293/file/162493/transcript/38959/annotation/5","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/038/959/original/open-uri20220712-1149-p613p9?1657664194","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/038/959/original/open-uri20220712-1149-p613p9?1657664194"}]}]}]}