{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/2f7jq0tz01/manifest","type":"Manifest","label":{"en":["Black Memorabilia, 1989-02-15"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5306"]}},{"label":{"en":["Date"]},"value":{"en":["1989-02-15 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Jeannette Carson and Edward McIntosh display Black memorabilia and discuss why it is becoming popular among Black Americans. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-010-005 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Jeannette Carson and Edward McIntosh display Black memorabilia and discuss why it is becoming popular among Black Americans."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/369/small/thumbnail_206369_1692300675.jpg?1692300679","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-109546-fsk2id.mp4"]},"duration":1775.951,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/369/small/thumbnail_206369_1692300675.jpg?1692300679","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/369/original/open-uri20230817-109546-fsk2id.mp4?1692297240","type":"Video","format":"video/mp4","duration":1775.951,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-010-005.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Hi, I'm Jackie. And I'm Harold Anthony. Welcome to City Life. Did you know that to date, nearly half of the estimated 10,000 collectors of black memorabilia are black mammy dolls, and slave documents are fast becoming popular items among black Americans. On today's City line, we have two experts in the business of black memorabilia, and we'll find out what all of this is about. Stay with us. A city line coming up next. Yeah. Yeah. Okay. Once again, I'd like to welcome you to today's edition of City Life. And I'd like to begin by introducing our two distinguished guests that we have joining us today. On my left, we have Miss Jeanette Carson, publisher of the Black Ethnic Collectible magazine. And also joining us is Mr. Edward McIntosh, president of the National Black Memorabilia Collectors Association, which is a mouthful in itself. Let me begin by asking both of you. Either one of you can feel the question, what is black memorabilia and how does it play an important role in society today? Well, black memorabilia are artifacts that are collectible that depict the story of our history being that of African American history. Those artifacts are things that are worthy to be remembered that tell certain stories, be they negative or positive about our history. When did these items that were once rather degrading and denigrating to black people, when did they become so fashionable, especially among black Americans? Well, I would say perhaps about six years ago. And I feel that we have had a great deal to do with that. We're in the business in addition to the magazine and the national organization of promoting black memorabilia shows this is where it all began. And we've had several shows around the country in different cities.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=95.47,225.02"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This has helped to awaken the consciousness of people, particularly black America. So you don't see them, these caricatures of the past. You don't see them as stereotypical and denigrating. Even today, we see them as tools that were once there. They were used as decorative tools at a certain period of time, but now they are part and part of history that should not be forgotten. So the history will not repeat itself in that negative way. And I want to add to that. Most people, when they talk about black memorabilia, they think readily in terms of the negative items. And this is something that I put a lot of stress on. Black memorabilia is all inclusive, and when we speak of it, we should think in terms of the positive items as well as the negatives, because there were many positive items. It just so happens that commercialism in the United States prior to the turn of the century had to do with producing dolls and advertisements and everything that portrayed blacks in a very negative way. And that's probably why the brunt of your collection here is, you know, I guess, embarrassing to a modern day black. But let me ask you, on the other side of the coin, there are people who say proponents of black memorabilia who say there's a vast amount of history that can be learned from some of the things that you've collected here. There is a vast amount of history. For example, some of the the Harper's Weekly, which was a very popular magazine at the time of slavery and for a short period after slavery, depicted blacks in some negative ways, in some positive ways. This is a picture of Uncle Tom, who was a gentleman portrayed in a book that was part of the cause of the slave emancipation.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=225.95,325.28"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Is this from Uncle Tom's Cabin? Yes. But that is the cover of a Harper's Weekly magazine. Also from Harper's was a depiction of the emancipation, which was a very positive. And you have to turn it this way. Okay, great. Here we see the emancipation as it is in the hope and dream of an artist and how things were going to be much better for black Americans after their slave freedom. So basically this then it becomes what I say, a slave document or what? This is a collectible item that is during the period of slavery. And it is a document, a document documenting that period of history. So the types of memorabilia can run the gamut from what to what to what. From slave documents, photographs of slaves, photographs of blacks in certain activities that were not necessarily derogatory come upon these dolls. I mean, some of these things are very, very rare. How did you come upon some of them? They're not easy to find. We find them in flea markets, antique shows, other people selling their collections, their families that pass, you know, some of the items on to us. This is how I managed to come across this doll. About that. This is a folk art doll that was done by a slave. Made by a slave. It's a bottle doll. And it's been passed down through family for many years. And it was made in the late 1800s. So this is original. This is originally was all handmade. Yes. Right. Well, you just raised another interesting point, John, that the selling of these items, I imagine I was in Fells Point just a few weeks ago and I saw a placard that was no bigger than I guess a no smoking sign is today.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=325.95,429.11"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it said restroom whites only. And that placard, a little metal placard sold for like $400. So I imagine some of this stuff is highly marketable. Very much so, yes. And because of the increased visibility on the items, now, the items have skyrocketed in price. It can be a tremendous investment for some people. They buy them and they know the prices are going to increase tremendously and then they sell their collection. How do you determine what you pay for a doll or a poster or a bottle cap or what's just a matter of knowing the market? Really, you you have to visit antique shows and flea markets and get a feel for the prices. This is another thing that we are attempting to do with the magazine. The magazine is little less than two years old now, and that's what we when you mentioned education, that it's a lot of education. This is what we are doing with this magazine. We are giving you the historical background of the of the collectible items, giving you price guides to follow. And there are many things that that this magazine is attempting to do as far as collectibles are concerned. What are some of the other items that you've brought with you down so that we're sure that we get a full sense of them? Some other items. So let's just look at them now. They entered my my characters. Is this one of them? Now, this is called a topsy turvy doll. And that's why doll at one end and a black at the other. And this was also this is a doll that was originated by slaves. They were made by slaves, and they won in that would play and this would represent the white child and the other one would represent the black child.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=429.68,522.36"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's called a topsy turvy doll. Okay. This one was made in the early twenties. And what else do you have here? These are some of the more negative images. This is Mommy's chocolate. So this is a sheet music piece. And we also have another one back back to Baltimore here. These two pieces did show some derogatory images of blacks, but they are highly collectible now. Now, who probably prepared and did and drew and manufactured much, much of the black memorabilia. Most of the negative image items probably was manufactured by whites. Yes. They were not African-Americans. Yes. Most of them were mass produced, particularly the figurines were mass produced by white manufacturing companies. Now, there are a lot of opponents to black memorabilia who say that what you're doing is taking stereotypical products and helping to perpetuate, you know, the image. I mean, is this almost like collecting pornographic material? No, it is not. We are opposed to what the Japanese are doing. For example, they are recreating some of the more negative caricatures in their fashion. And we have taken a stance, even in the magazine, against what they're doing. An outgrowth of the magazine, my association, the Black Collectors Association, is to promote collecting and to educate black persons, white persons, all Americans, what to collect in the world of black memorabilia. And why collect it now? In connection with Harold's question, the NAACP has been against this since day one, hasn't it? So they are they're really not in favor of what you're doing. Well, we we're trying to educate the public. We feel that you have to know where you came from in order to know where you're going. They the negative stereotypical items are just like, to me, a black holocaust, just like the Jewish race keeps these items ever more before the public.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=522.78,639.33"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So that as a reminder of what we've been through in our past and in order for us to try to prevent these kinds of things from happening again. For instance, with the Japanese situation, there's been a lot of protests. There's a petition that's being circulated nationwide to try to protest the the introduction of these items. If you don't know that they existed, then you're not going to take a stand again. So for you, what are the key points that we learn from black memorabilia that's so crucial, crucial to preserving history that it was these were items that existed during a particular period of time in our history and that they should be preserved, be they negative or positive in a very critical part in our history that our black youth may know nothing about. And we want to educate them about something that was there which we do not want to be repeated. Well, you know, I've heard on the positive side, I've heard stories about some of the figurines and things that I used to see. For instance, the the the lawn ornament. Jocko, they say there's a very interesting story surrounding the lawn ornament. They said he was the keeper of George Washington's horse on the crossing of the Delaware, and he actually froze to death. You know, during and this is what the magazine does. This is the kind of thing that we're doing. We are giving you background information on this, just this particular type of thing. Now, suppose I wanted to start my own black memorabilia collection. I mean, because I've been in friends houses and I've just been flipping through books and they have some pictures that are absolutely amazing. And I'm certain half the people who are watching today's show can go up in their attics or down in their basement and they can find memorabilia that I'm sure is worth a lot of money and worth a lot historically.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=640.02,743.49"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes. How can I go about starting my own collection? One of the most simplistic ways is to start with family items. Family photographs. Those from parents, grandparents. You may find some that date back to slavery, starting with family history or oral history as collectible. Making tape recordings of your family history. One item I found here is a document of a graduation from one of the Negro colored schools. Now what gives that value? All of us would have that colored normal industrial agriculture. The word colored makes it valuable because we know that word is no longer going to be used on graduation documents. That gives it value. Also, knowing the history of it yourself, knowing the story behind it, you may have one of these of a particular person. You may not know that person. But if you know the history of that particular person, it's something about their life. It adds more value to the piece. We have noticed that a lot of your documents are kept in a rather cavalier fashion. Isn't it true that though the value of a document is is you can enhance the value of a document by taking good care of it? Yes. Shouldn't this be wrapped up, some of this stuff? Well, we took them out just so that we could bring them to show. Okay. Yes, we do exhibits quite often, so we're displaying them, taking them down and displaying so we have certain items that we use for display. Certain ones that are more valuable that we do not bring out as often. So let's talk about some of the other things that would enhance the value of black memorabilia, such as a historical content. Name a piece that you currently want in your own collection that is maybe a little bit on your price value.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=744.35,840.71"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yeah, I've seen some of the African carvings of comments that were made by slaves also, but they have some of the, I guess, flavor of what was brought from Africa. And then those may run to three or $4,000. Those are some pieces that I would definitely like to purchase a lot because of the value. I may not be able to purchase them at this time, but they are out there and I've seen them at different antique shops around the country. So you don't concentrate your efforts strictly on American black memorabilia, but you also go back to the days before we were brought over on slaves. That is a part of our history also. This is in a very interesting discussion. We'll pick it right back up right now. We got to pay the rent. We'll be right back with more of city live right after this. We're continuing our discussion concerning black memorabilia with our guests. And we want to talk about the postcards which we're holding now. Tell us about these a little bit more and what and what's so spectacular about them and so meaningful. Some of the postcards to pick negative stereotype images, some positive images. What is really spectacular about them is that they're dated. They do have postmarks on them. They were sent between family members during the early 1900s, 19 tens, 19 to grab the postcard that we're looking at on the screen. We see a depiction of a little black children. These are some of the, I guess, more rural scenes of black lifestyle. There's a nice little article on the back, a note on the back of the postcard. Mm hmm. And this one And this one is the scene of what was called, I believe, shot gun houses.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=841.99,988.43"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Those houses that had a front door and a back door where they both faced each other. There you see a black family on the front porch of that house. You know, there's a note at the very top of that. You can hardly see it in handwritten that says, do these chocolates look good? This was an item that I picked up from a white family, and it was a card sent between family members in that family. Okay. The next one here, we have another black family. I guess we have the mother and her children there. Okay. It's a beautiful colors. Cotton is a central theme. A lot of the postcards because cotton was a major marketing item item marketed in the South. A lot of them do depict Southern scenes. I'm wondering if the next one that thought it would be the good old watermelon saying this is one of the more common scenes that you will find, as in some cases a very negative stereotyped image of black. Okay, great. Okay. Now, tell us about this item. I don't know if we pre-taped it or why. This is called a daguerreotype. Daguerreotypes were one of the first types of photographs that were manufactured in the United States and also in Europe. In this particular daguerreotype, you see a black woman. One of the interesting things about this particular picture is that you have gold painted on the earrings. You have gold also painted on the on the thing, the ringer, the fingers showing her rings there. Fantastic. Now, what would something like this be worth? These are sold for two, 300, $400, depending on the quality, depending on the condition. We see that there is a carved case that is laid within. That's fabulous. There's a way for your audience to see many more of these items at a show that we're going to be having a black memorabilia show that's going to be held at 2000 university next week, the 23rd through the 25th.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=989.42,1104.05"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's going to be held in the student union building. And we invite the audience to and you have a chance to see many of these items in the show and also to bring maybe some black memorabilia that they may sell in their house houses. Yes. Mm hmm. Who are some of those folk, well known folk. And I remember one name who happened to be in Baltimore looking for some of the collectibles. Who are some of the well-known folk who collect black memorabilia? Bill Cosby. Michael Jackson. Oprah Winfrey. Whoopi Goldberg subscribed to a magazine. Jerry Brown was on the show. To our shows, there are many, many, many blacks. When we we've had shows on the West Coast in California. We've had a number of the stars, movie stars to attend the shows. Fantastic. So we can just from that list you describe, we have prominent black folks from, you know, from the area of entertainment and politics. So you can see that the feeling about memorabilia is indeed kind of like split right down the middle. You have a lot of folks who are in opposition and a lot of folks who endorse what you're doing here. Yes. That that is also generated. The reason why we formed this national organization to we now have over 250 members. It is the president. It's a national organization and it's a little less than a year old. But one of the purposes is to bring collectors together so that they can share their collections to get more information. We're going to have various seminars and we have an annual convention every year that will be held in different cities around the country. And so the whole area of collecting black memorabilia has just grown tremendously in your own collections, both Ed and Janette, what are your favorite items? What do you like best? My favorite items would be those that depict a story.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=1105.01,1213.7"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I started off with a family collection that's showing the story of my family history. It has grown into a collection that has some historical accounts within it, and those are my favorite pieces. I also, being a musician, I love to collect musical items. Okay, What about you? My. Well, I've been collecting African art. I've traveled widely throughout Africa and I've been collected for the past 15 years. So that is my favorite collection. It has a lot of history behind it. I know the history of a lot of the pieces, and they're very meaningful to me. What the African art have as much value, especially to an American collector as some of the American pieces would have. Very definitely. Yes, very definitely. In some cases, more so. If one wanted to get in touch with you and your organization, how could we go about it? Well, we can be reached out of is for ethnic treasures and for the magazine and for the black memorabilia organization is 1401 Asbury Court in Hyattsville, Maryland. So you're local? Yes, we are local, yes. And our phone numbers, area code 3015596363 or 3012411491. Okay. Before we go, we want to try to touch upon as many of these other items as we can. Now, I'm holding a tiny piece of paper, which I feel is perhaps a little too valuable, valuable for me to be handling this way. Tell us about what this is. You probably can't read it or take a very expensive collectible item and a very popular item. This is a slave receipt. Mm hmm. This is a receipt for purchase of a slave. I believe it was 1857. That's right. Mm hmm. And for $30 or $30, Yes, but it sells for much, much more than that now.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=1214.51,1317.22"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"How did you get your hands on this? Oh, networking with different dealers and going into different antique shops. You'll find them. Mm hmm. Is there ever an item that you would not sell that's in your collection? And in other words, I couldn't offer you any price that would get you to sell it. Most of the items in my collection I do not sell at all feel that they are so valuable and I'm so interested in their preservation. I wouldn't sell. And they all become heirlooms. Yes. Okay. Now, this is a piece of black memorabilia that really didn't look that old, but it was from the 1940s. And one of the, I guess, the first issues of Ebony magazine. This is one of the more, I guess, popular collectible items because they're very accessible. EBONY is a very accessible, especially the larger versions that were out, I guess, up until maybe two or three years ago. Now, I wouldn't have thought that would have been considered old enough now. Well, then what isn't black memorabilia, if you can answer that? Well, black period covers many eras from the older pieces. That's why we referred to it as memorabilia and collectibles, because you can have some of the newer items that are considered black collectibles that will become memorabilia, you know, in years in the future. And this is the kind of thing that we have in the shows. We have both the old and the new. So it gives you a complete cross section of what's available. For example, the Jesse Jackson campaign buttons, those are collectible, but they're not that old. Something from last year, something from four years ago. So would you advise people who have this these artifacts to hold onto it? Yes.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=1317.4,1404.64"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm holding something more valuable if it doesn't run again. Okay. I'm holding something in my hand now, that seems almost like a predecessor to what we call the chocolate single magazine. Yesterday, an old Pulse magazine published in, what, 1944, 1945 out of Washington, D.C. That's highly collectible because you can't find them on the market now, especially with some of the prices I see on some of these services offered in the back. You can tell exactly how old this is. So that's what our purpose is all about, is to bring these items to light so that you are aware of the various kinds of items that do exist on the market. When I first got into collecting, I had no idea that so many of these items were available. I was raised in a period where there was a lot of segregation, but I never saw any of these items until I got into the business of collecting. Okay. We thank you both for coming by, especially during African-American History Month, to talk about the black memorabilia. Thank you so much. We'll be back in just a moment. So stay with us. Well, as Bill Cosby said of black memorabilia, the pick isn't always easy, but they're always good. We'll be back to tell you more about next week's special show right after this video by George Benson. And you'll also see the concerns about. Is it worth it? I think you know, when you go. And so for. A little. When it comes to giving. We know something like your number one. It can get you. I'll be. But it's just in. The. The debate. During the week they were here dancing. But we better stop now. Next week on City Line, we continue our African-American History celebration with a storytelling festival called Down Home Roots Reunion.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=1405.61,1701.35"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We'll tell you more about that. And we also don't want to forget we have a city line special coming up on February 25th. It's called Mental Athletes. You'll Want to catch US. I'm Harold Anthony. I'm Jackie Hall. Have a good day. I don't want to. Oh. But look, you're one of the.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=1702.16,1748.49"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/transcript/48976/annotation/15","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/976/original/open-uri20230817-2857-m46bb5?1692305020","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/976/original/open-uri20230817-2857-m46bb5?1692305020"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/index/83073","type":"AnnotationPage","label":{"en":["Black Memorabilia, 1989-02-15 04-09-2024 18:36 [Index]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/index/83073/annotation/16","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview ","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=145.0,1577.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/index/83073/annotation/17","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Edward McIntosh, President, National Black Memorabilia Association; Jeannette Carson, Editor and Publisher, Black Ethnic Collectibles Magazine","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=145.0,1577.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/index/83073/annotation/18","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Music video feature; Community calendar","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=1577.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369/index/83073/annotation/19","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"George Benson","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105613/file/206369#t=1577.0"}]}]}]}