{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/2v2c825n12/manifest","type":"Manifest","label":{"en":["Race pride, race hatred; Baltimore radio personalities, 1988-11-30"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5298"]}},{"label":{"en":["Date"]},"value":{"en":["1988-11-30 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Jaki Hall and B.T. Bentley discuss race pride and race hatred within the Black community with Dr. Janice Stevenson. Additional guests, Sandy Mallory and Randy Dennis talk about themselves and their careers as radio personalities. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-009-012 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Jaki Hall and B.T. Bentley discuss race pride and race hatred within the Black community with Dr. Janice Stevenson. Additional guests, Sandy Mallory and Randy Dennis talk about themselves and their careers as radio personalities."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/351/small/thumbnail_206351_1692296192.jpg?1692296197","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20240322-2906522-s8t11n.mp4"]},"duration":1787.229,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/351/small/thumbnail_206351_1692296192.jpg?1692296197","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/351/original/open-uri20240322-2906522-s8t11n.mp4?1711129423","type":"Video","format":"video/mp4","duration":1787.229,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-009-012.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Black on black crime, drug abuse, teen pregnancy and now violence in the schools. Everyone is concerned. Hi, I'm Jackie Hall. And I'm Harold Anthony. Our guest today on City Line is Dr. Janet Stevenson. And she'll talk about these issues from a psychological point of view. And on the lighter side. Well, you hear me every day now you'll get a chance to meet him up close and personal. I'm speaking of none other than a zany radio personality. From VH1 oh three, Sandi Mallory and Randy Dennis. That's coming up next. One satellite. Yeah. Yeah. Welcome to City Line. As we said, our guest today is Dr. Janice Stevenson, who is a counseling psychologist. Welcome to City Life. Thank you. Good to be here. You know, from the top of the show, we talked about some very serious issues drug abuse, teen pregnancy, violence in the schools, which, of course, is on everybody's mind right now in black on black crime. What's going on? I mean, this is just phenomenal. I think what I see more than anything else is a loss of hope in the ability to impact upon your life, to meet your needs. We're doing it as a person, as a family system, as a community system, and it's just spreading out. The ripple effect is enormous. Now, from a psychological point of view, is this a sign of a people just crying out for help? I'm in pain. I'm glad you put it that way. I think it is a cry for help. I know when I work with kids, what we see first is the kids acting out in an attempt to distract the parents attention from the real problem. Please look over here at me. I'm the one in trouble. Help me and then we'll all get help.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=85.54,197.39"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And that gets a lot of attention to a family system. We have our children acting out all over the place, trying to say to someone, Please help me. We're all in trouble. Please come and save us. Why aren't the parents hearing that cry from children? The parents are crying out just as strongly as the children are because the parents inside are trying to heal a child within them that they can't make touch with. They can't make contact with themselves. So we have children raising children, and then we have all our children crying out for help. None of us feel like we can actually impact or do anything on our lives. You know, in preparing for the show and you know, the title is Race, Pride, Race, Hatred. At the core of this, though, of the problems that we're seeing not only in Baltimore but all over the country, Is there an indication that black folk really don't like themselves? I think there's more an acceptance of an illusion that's been put on us by an outside system that says we should not like ourselves. In a lot of ways, we have accepted a victimization posture that gives credence and power to double messages and illusionary messages from the outside. And since we haven't figured out exactly how to question them or we've lost those structures in the past that allowed us to question them. We buy them and we don't even aren't even aware that they're in our skin. They're in our blood system. What do you mean by double messages? Well, one of the ones that I talk about a lot is just the use of the word [Unrecognized]. If someone other than me uses that word with me, someone other than a black person, then it's an insult.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=197.64,278.45"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's an outrage, and it's a call to arms. However, a black person uses that with another black person, it's a sign of affection. That's confusing, especially to children. It's the same word. What's the message here? You know, in my class, I hear my students responding to the whole issue of calling themselves black. Some of them are very, very uncomfortable with even using the term black. Is that also a double message? It is a very real double message, because in a lot of the society and a lot of the messages in the media and a lot of the messages in the literature and in other parts of the system, black is negative, black is evil, black is bad, black is wrong. Therefore, how can black be good at the same time? And if my identity is tied up with something that is so confusing, then who am I? Separate from my blackness, my identity is all tied to this thing. This. This caught up in all these. These double messages. I don't know who I am. I don't know what I'm about. All those around me who look like me don't know who they are, don't know what they're about. Is there no answer to this? And the only answer that seems available is the one from the outside. And that's confusing. And so if you don't like the term black. Right. And yet that's how you're labeled. Then what does that do to you internally? It creates a confusion. It creates a core that has a seething rage in it that's fed by other sources of rage going on in your life as an individual. And the result is that you have this confusion that you can't make sense of. There's another message that comes from within our own community that says, well, black is beautiful.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=278.96,360.86"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But wait a minute. I've got this heavy message here that says Black is not beautiful, Black is evil, black is voodoo, black is bad, black is whatever. How can black be beautiful and bad at the same time? I don't understand that even in the use of the word bad, bad as good and bad as bad. What's going on here? So what? What does the person then do? What does a black person then do with that kind of confusion swirling about him or her? Well, what I see and hear black people doing is accepting the role of the victim. And I say that cautiously as well as deliberately. If I'm a victim, I have to strike out against that person or that entity that I see is hurting me. Therefore, there's a lot of striking out against the powers that be. There's a lot of striking out against authority figures, authority objects. There's a lot of striking out against myself and other issues that I need to reject to bring some sense of clarity to a confusing topic. Now, speaking of the striking out and the confusion there in what about what's happening in the school systems now with so many acts of violence and murders and and rapes? And then the case of the case of sodomy? Mm hmm. Striking out again the anger. When I'm working with kids in a family and I use a family example to answer this, if I see a kid who's in trouble and who is concerned about a family that's in trouble. The first place I'll see that child acting out that pain or that rage is in the school system. The school has readily a. Available authority figures against whom defiance can occur with some reward and some punishment.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=361.64,446.05"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So if I see children acting out in the school system, I don't necessarily look first to the school for the solution. I look to the home for the solution. I also look to the home for some definition of at least some parts of what the problem is. And I think in our system we may need to start looking both inside our homes as well as inside the home community to see what our children are trying to tell us, what our children are trying to call attention to when they strike out against what is a real clear loss of contact with a humanity. If our children are coming to school, having their humanity having been violated at home, and then they violate humanity in the school system, we need to start hearing what that saying both about ourselves as well as about our children. Once we start hearing what they're saying, then how should we move on that to impact on it? If we know that our children are saying I'm terrified that my humanity has been taken away from me, we can start restoring that. We can start giving meeting the needs of our children in ways that we aren't currently doing. And we can stop the buying into the illusion that we are victims, that we are helpless, that we aren't able to do anything. We can restore the hope that has always been a part of our people. When we come back, we're going to take a break. But when we come back, we need to talk as well about the whole idea and concept of values and value systems and where they are in the scheme of things in 88. We'll be back in just a moment. So. Welcome back to City Line, where our topic is race, pride, race, hatred.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=446.86,630.65"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And we're talking with Dr. Janet Stevenson before the break. You know, we talked about some of the violence in the schools and we just saw the extent of at least last year's occurrences. This year is not starting off any better than last year. Again, the whole issue of values and the value system. I was really struck when you showed the stats that the second highest incident was in theft and vandalism. A theft is stealing something from someone else that you feel entitled to if you feel like you don't have sufficient in your life to feel valued or to feel are sufficient in yourself, to feel adequate in yourself, to feel good enough as a person, then you may choose to take from someone else for a couple of reasons. One is that it calls great attention to yourself because, look, I took something. I have asserted some ability to have some sense of power at my life. I'm in control of something. Exactly. But also, you have called attention to yourself, which means that if you follow a systems approach to this, to this issue, then you ripple out to see what else you have called attention to. Does this mean that the the home is not providing the value system and so the young people are making up their own or having mixed values? I don't want to set up parents to be blame for this. I think the community as a whole has lost a sense of its own humanity, lost a sense of definition somehow or another with the shift from segregation to integration. And then all of the anger that came as a result of that. I think as a community, we have lost our focus. We have we have said that we need someone to come in and tell us who we are, someone to come in and tell us what we're about.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=631.13,722.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"When the goal Now Act is to shift our attention to within ourselves, the value of our life occurs within our life inside ourself. The quality of an oppressed life is lived within the life, not from outside the life. And the quality of a free life is also lived inside. If I don't feel a sense of freedom inside myself, I'm not going to reflect a sense of freedom outside myself. Now, talking about how one feels now when we look at the statistics for the black on black crime, it is the leading cause of death for black men from 15 to 34. Killing someone who looks like you. Yeah. Is that race hatred? It's. It's a displacement of. Of a hatred of the self. I have a conversation with a friend of mine who's a black male who frequently says to me to take time to look at our black men because they really are in much more trouble than any of us give them credit for. They probably represent the most disenfranchized and the most disempowered part of our community as a people. And when we don't hear that cry for help, what we hear instead is a rejection. I would say this of the self. I can't kill myself because that would be suicide and that's harmful to me. But I can kill those who look like me because that's a sort of a suicide and it's a way of taking care of this pain. And this race is seething inside of me. It has to be express. It has to be vented. I can't express it against those that are more powerful than me because I might get hurt and kill myself. But I can't express that here because nobody cares anyway. And it continues the loss of humanity that I was talking about a few minutes ago.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=722.66,812.87"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"What's the solution there? How do you think the solution is to stop buying? Stop buying the illusion that come from our side? We are not a powerless people. I am not a powerless person. And whether somebody tells me that or not does not make me powerless, does not make me a victim unless I accept the role. And, you know, it seems to me, as we look at all of these issues, that at the core of it as well is the whole idea of nurturance. Yes, a lot of it seems to be missing. And so people are outside doing things to make themselves feel better when inside they don't feel good at all. What about the whole issue of nurturance, even in terms of teen pregnancy, for instance? Yeah, actually in teen pregnancy I see three ways in which our girls in particular are crying out for love and for nurturance. One is that if I give this baby to my mother, then maybe she will love me again. But a second one is that I have learned that sex equals love. I have watched it, I have seen it. And that must be the answer, because I haven't seen any other answer. So if I have sex with this boy, then I will feel love, even if his for a moment. And that is the ultimate illusion, I think, in a lot of ways. But also, if I have this baby, I will have someone to love and my immaturity will not allow me to see that there's more to this baby. There's more to parenting than simply making a baby and giving me someone to love. But there's another piece to it, which is that this need for nurturance is as pervasive in our psyche and our community psyche and our self psyche as any of the other issues.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=812.99,893.48"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The loss of humanity is pervasive. I hear it in the double messages that I hear parents giving to that to the children as early as a year old, as early as two or three years old. These confusing messages about not having a value, not having a humanity, not having a life is worth anything. Now, when you look across the spectrum of all of these problems, only the four that we've talked about today, the school violence and the teen pregnancy in the black. On black crime and so forth. What do we do to stop it? What do we do to turn it around? How do we begin to resolve the issues? To begin with, we have to have a reason to make the change. And as long as we are busy fighting some illusionary force outside of us, we have no reason to change. Because we'll just stay on the path of least resistance, which is to maintain the status quo. Our status quo right now is very painful after we start buying into the illusion. The second thing we do is to look inside ourselves and heal ourselves first. Once we are healed, then it will radiate out and we will find that we do more loving acts with sincerity. This is a Christian society, the American culture. And yet the double bind message that comes from that alone is one that supports hypocrisy. We can stop it. What role can the community play? What role can the government play? It has to have a stake. If we are if we don't stem the tide and we're talking about several generations lost forever, the role that the government plays and the role that the powers that be or the systems should be play are determined by us.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=893.87,978.05"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We don't yet know what we want them to do. If we come together as a person, as a family, and as a community, then we'll be able to tell them what it is that we need. We will need resources from them that allow us to feel proud in ourselves. It may mean that we will need to mandate that we do need more taxes so that we can put more security in our schools, or we may need to have more services in our community mental health clinics so that we can work on those issues of personal pain. Briefly, is there hope? Oh, of course there's hope. All these issues that our children are acting out for us are statements of hope. They're calling attention to a problem. They're asking us as the adults to please help solve the problem. Okay. Dr. Janet Stevenson, thank you for coming by. We didn't resolve them, but I think we put a new perspective on the issues. Harold Anthony is up next with Sandy Mallory and Randy Dennis of the Winter three. Oh. To him, it's as simple as a twist of the knob on your radio. So I figured I'd give you a chance to see him up close and personal. I'm speaking of none other than the sassy Sandy Mallory. And of course, that morning Mad man, the mouth that roared. And another thing. Mr. Randy Dennis, thank you both for spending some time with me on city life. Well, thank you for that. It's a pleasure. Before we go any further, Sandy, I have to ask you, it's been a while since I've seen you. Your hairstylist changed this this a fashion statement, a religious statement, ethnic state. But it Sandy statement. Okay. Actually, it was something I said I was going to do all my life.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=978.62,1102.91"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I said at a certain point in my life, I definitely was going a lot. I look for cultural reasons, for personal reasons, and because I enjoy the hairstyle, I think it is befitting and a positive image for all black women and looks very lovely. Thank you very much. Now let's get down to the business of what you both make your bread and butter on. It's talk about the deejay business. You both are so comfortable in your positions. Obviously, you had some ideas before you started deejaying and that's what you wanted to do. How about you? Well, actually, I kind of, like, fell into it and then really made a career out of it because I was originally studying English education. I wanted to teach folks how to speak properly. But I had someone who thought a lot of me that worked in the English department, they kept saying, Sandy, there are no jobs for English teachers. There are no jobs for English teachers. And I was using radio as a minor. I decided to flip flop and used radio as a major. And so radio, television and film became my major education, became my minor. And the next thing you know, there I was. Okay. Well, Randi, you've been in it, what, about 15 years now? Yes, yes, yes. I'm almost grandfather, but I've been at it for a while. Yeah, I actually it's something I wanted to do. Mm hmm. Yeah. As a kid, I used to listen to the old timers on the radio, and I would look at the radio and say, My God, what are they doing? Are they coming through there? And I was just so curious. But before I actually saw a studio, I would mutate what they were doing.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1103.21,1193.69"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As I heard it, I had this little metal recorder and they say, I got my finger on the trigger. I'll get ready to put on some of the hottest 45 of whole piece around. This is number 11111. Oh, I can do that. I can do that. The button I pick up the thing. It's a very close 45 piece around. This is the one I listen to. It begs all that is I like them, but I'll, I'll get there. It was really it was a childhood dream. And you are? Yeah, well, in a roundabout way, I sort of lost the dream and I stumbled. Stumbled back across it. In college. If you look at the history of radio personalities, particularly in Baltimore, you very rarely hear of anyone retiring from radio. Is this a cause of concern for either of you? You know, the fact that nobody stays in radio 35, 40 years, retires with the gold watch and this, that and the other? Can you retire from radio? It just goes on and on and on and on and on. No, I don't think you want to retire. I think you want to just do the next thing, whether it's open up your own production company, whether it's do voiceovers, want to do industrial film work or something. I don't think you want to retire. I just think you want to move on with your career. Well, as far as opening up your own production company, Randy, you are making steps in that direction, aren't you? Yes, I am. It's funny that you and I have a part. You know, I have a production company. Randy does Productions. My wife and I built a recording studio, and we're also in the managing groups. And, you know, I don't say too much to conflict with my contract, but it's something that one must do in order to prepare yourself for, like, life after radio.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1195.39,1288.64"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know, life goes on. I don't want to be one that when the microphone is taken away and generally that's how it is for black radio personalities. We don't have as many options as our white personalities, but when it's taken away, a lot of them are lost. And it's so sad. You see them and, you know, see, he was really great. I remember the day when he was he was on top of the world, but now no where. He had nothing to fall back on and didn't really plan for the future was only into the immediate right now, hey, I'm happening. It's on. I'm making money. The women like me. Hey. And then the numbers drop. It's all over me. It was nice having you. Have a nice day, but it's good to have something to fall back on and prepare for the future. It must be a maddening pace, you know, while you still have your jobs and everything's going on. Is it everything people imagine? You know, I'm talking about the big cars, movie stars, loud bars, you know, the whole deal. Yeah, it's the truth. It's all of the above. But you know, the singing, All that glitters. Is that gold? Correct? Well, you're both married. Is it a strain on your marriage for you? Oh, I mean, the fan education and things like that. Is it a strain? In my case, it's really not, because my husband is an entertainment, so it's not so hard for me. A lot of people say, how can you keep the pace and the schedule that you do with somebody else really in entertainment understands that you don't really sleep long. You don't stay home long and you're always out and want to go. But that's what you have to do to keep your career going.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1289.48,1380.32"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's the same thing for him, So I suppose is as he is his understanding of me, I have to be as understanding of him how to say and react to you. The Sam is Sam is my wife. Please clarify that. It's a big acted. Unlike Joe, her husband, who's in the entertainment field. She is something that I just threw into it, you know? Here it is. And she said, wow. I mean, you're not, you know, at home. It isn't that you got to be all these things to all these people. And, you know, I don't get much of you to, you know, what? Isn't anything sacred anymore. And I want you know, and she's a great person and I'm really trying to compromise. But it's it's hard. It's hard. But, you know, we're getting there. We're getting there about some of the rough spots. I mean, I'm sure you had like entertainers that you have interviewed or spent some time with most of the fans. I will. All of the above have some good stories and some bad stories, Others some very interesting stories because they said all the weirdoes, for some reason, they come out looking for me. I don't know if there's a sign that says Sandy attracts the weirdos or she accepts the weirdos, but I've had some strange things. For instance, What? I'll tell the truth. Yes, a true story. One time, a young man was released from a hospital. Mm hmm. State hospital. Broken leg? No, I think he had had some psychological problems, but it was not. In a way. He was listening to his radio, and he said that. I said it was a national holiday. Don't go to work. And he came up to the station to, you know, to meet me and give me a whole bunch of grief.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1381.13,1480.43"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Needless to say, I didn't meet him, but management carefully escorted him back to the door and sent him somewhere else. How about you, Randy? Very quick. Yeah. I've had strange things happen to me. Or. Or are we talking about artists or either, you know, either or. Well, we don't have a lot of time. I wanted to tell you about the time I fell asleep working midnight to six. Police had to break in in order to wake me up because I was sprawled across the console, you see, And the phones do not ring. They flash. Everybody was trying to not bright enough. And they all lined up, including the coroner and the sergeant, and they tested the body and I rose up and started laughing. Well, well, let's just hope nothing like that happens in the future. We can continue looking forward to hearing you both on the air. Congratulations to you both and success to both of you. Thank you. We're going to skip over to the community calendar right now. We're going to feature the latest from Nancy Wilson. It's called Quiet Is the Fire. We'll be right back. Feelings that I can. Describe. Sweet through me. No, I miss. Have I? And before. I don't care. Who knows how good is low. When he lights my fire. Never. Have I? Before. Feelings that I've never. I'm. Never. Felt. See, that makes my head go. From love's warm desires. Never like this. Me. You've said. We. Glad to see that lady making such a strong comeback. You know, folks, I just want to remind you, before we let you go, that if you have any suggestions or any show ideas or show topics, anything you'd like to see discussed on satellite, don't hesitate to drop us a postcard or a letter.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1480.77,1704.91"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Remember, mail your letter to City Line. Jay Z Television Hill, Baltimore, Maryland. Two one, two, one, one. We looking forward to hearing from you, Jackie, Next week. Next week, we have the first black female astronaut. Dr. Mae Jemison will be our guest. And joining me is a certifiable mad man, Mr. Roy Ayers, king of the keyboards. He'll be here. That's all next Sunday on City Life. Until then, I'm Harold Anthony. I'm Jackie. All Enjoy your day by control room through. Carol Anthony's clothes, provided exclusively by Rivers Ltd of Baltimore, where fashion is never out of style. Never like this. Found people. Never like this. Why?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1705.15,1764.88"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/transcript/48985/annotation/17","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/985/original/open-uri20230817-2859-sspqqb?1692305636","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/985/original/open-uri20230817-2859-sspqqb?1692305636"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857","type":"AnnotationPage","label":{"en":["Race Pride; Race Hatred, 1988-11-30 03-22-2024 21:31 [Index]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857/annotation/18","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"News clips","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=67.0,139.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857/annotation/19","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=139.0,1065.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857/annotation/20","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Dr. Janice Stevenson, Family and Children Psychologist ","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=139.0,1065.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857/annotation/21","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1065.0,1530.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857/annotation/22","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Sandy Mallory; Fandy Dennis; V-103","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1065.0,1530.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857/annotation/23","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Music video feature; Community calendar","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1530.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351/index/82857/annotation/24","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Nancy Wilson ","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105581/file/206351#t=1530.0"}]}]}]}