{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/707wm1511n/manifest","type":"Manifest","label":{"en":["Jerry “Ice Man” Butler, 1988-05-07"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5285"]}},{"label":{"en":["Date"]},"value":{"en":["1988-05-07 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","This episode appears to be a shorter version of WJZ-CTYLN-010-015. (Processinfo)","Jaki Hall and B.T. Bentley interview Jerry Butler and his manager, Charlie McMillian about Jerry's career. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-008-014 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","This episode appears to be a shorter version of WJZ-CTYLN-010-015.","Jaki Hall and B.T. Bentley interview Jerry Butler and his manager, Charlie McMillian about Jerry's career."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/336/small/thumbnail_206336_1710957052.jpg?1710942662","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-483-i67x7p.mp4"]},"duration":1893.802,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/336/small/thumbnail_206336_1710957052.jpg?1710942662","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/336/original/open-uri20230817-483-i67x7p.mp4?1692288195","type":"Video","format":"video/mp4","duration":1893.802,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-008-014.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The following program is a Cityline encore presentation. Good afternoon and again. Happy Mother's Day. I hope you're enjoying your day in. The girls were behaving themselves. We've got a great show and obviously a wonderful surprise here in the person of Mr. Jerry Butler. And joining Jerry on our set today is Charlie McMillan, who's just been Jerry's manager for what I guess for 20 some years now. Only about ten. Oh, just ten. Well, welcome to both of you. You're here to Grace Baltimore once again with your singing presence. How long has it been since you've been here? What, about a year? Well, once in Baltimore. Always. Know, I'm not sure that this is a correct tidbit, but as I recall, the only live album you ever recorded was recorded right here at Morgan State University. Exactly right. Does that make Baltimore special among the places that you visit or just one memory? No, actually, I think the reason that we used Morgan State was because it has one of the better acoustical auditoriums in the country. And at that time, I think it just recently been completed. And we were doing a and when I say we I'm speaking collectively now, the guys in the band, Fontella Bass, there were several other acts on the show. We were doing concerts at most of the black colleges and using the moneys to set up scholarships and music chairs in the different schools. And Morgan State was one of the first, and because of the acoustics of the auditorium, we decided to record the album. Now Okay Tastic. I hope that album went well for you. It did. I remember some of the cuts on it specifically. Well, I can't either. Yeah, Precious love, all that. Oh, well, I know the refused to let it be me.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=69.19,208.17"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, now you're talking about my kids. Love those things. But in reading about you today, it is exciting to know politician, businessman, father and still performing. Yes. A gifted. I don't know if it's any of that. I just think that one of the reasons I'm able to do the other two is because of what I've been able to achieve as a singer. The whole politics kind of thing is not really what I'm about. I'd like to consider myself a public servant. And with a name like Butler, I guess that qualifies. But half of the whole political game, or maybe even better than half, is to win. And so because of my notoriety as a singer and folks having taken Jerry Butler records home with them for some 30 years or so, yes, I had a decided advantage over most folks who enter into the political arena. My reason for doing it, we had seven wards in the city of Chicago that the federal courts had said were drawn in a discriminatory fashion, that the effect of the way that they would drawn and your accounts were discriminatory. You know, I'm a county commissioner, county commissioner, and I don't know if you will get Channel nine and news from Chicago out this fall, but our late mayor, Harold Washington, was having this terrible fight with the chairman of the Democratic Party. We were aware of that. And the Democratic Party had within his power to appoint almost people to the county board. By that, I say, even though it's an elected office because of his power to slate the candidates and because Chicago was such a highly Democratic area, that usually being slated is tantamount to being elected. And so we ran as an independent against his slate because we didn't think that the elective office should be turned into a selective office.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=208.68,342.6"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Charlie, when will the two of you hooked up Some ten years ago. Did you know that this man had that additional power? And in addition to that, that that musical talent and the ability to play with those words on those lyrics and on the tunes? It goes back farther than ten years. We actually met in 1962 in Washington, D.C., at the Howard Theater. We became friends at that point. And then in 1969, he made an offer to me that I couldn't refuse. So then I relocated from the East Coast to the Midwest, being Chicago. And time after time I was totally surprised by things that happened with Jerry Butler. But then as I got to know him more and more, then I became this surprise every time. Well, we're going to find out a lot more, I hope, about what Jerry's doing now, what he has on his sleeve for the future, as well as a little reminiscing. And I hope he'll help us out with that. Right now, we're going to take a break and invite you to stay tuned. We'll be right back. So. No, no, no. Well, the only thing I can say if you beg me, I won't send my son your precious love. But maybe we could get you to think of Jerry Butler. It's a pleasure having you here. No, I knew you would let me do it. Your precious loan means more to me than any love could ever be. Far as I can go without. You have known her mother's. Well, I tried. I can rest easy. My head on the pillow. Let me take me back on some of those trips that you must have had on the road when the two of you hooked up.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=343.23,536.84"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"What are some of the funny things that stand out when you travel from city to city? Before, I hate to tell you, please do. You know, every town is similar and different at the same time. We could just about tell, usually from one town to the next what song was going to get the most applause. What song would get the least applause? What jokes would get the most laughs? What jokes would not get laughs at all. And usually when we got to a city, New York City, for instance, there's this whole aura of foolishness that goes along with being in show business that makes folks think everything that you have is worth a whole lot of money. And when we first started singing and most of us were making just about enough money to go get some money. And so we used to always buy these zircons and flashy rings and things. And whether that's what I was singing for a precious love at the Apollo. And this girl came up and she shook my hand and I shook my hand and she started to slide this ring off. So I was laughing at I let it take it right. And everybody said, Oh, better take that expense, I think. But 95. But, but, but being in the season performer that you are. I would just have to imagine that over the years you've come up with places that you kind of dreaded going into, but yet when you get there, you're the professional and you get up there and you and you give that performance. Does that happen a lot or is that something that you've managed to avoid? Well, there's the old saying that the show must go on. And it's kind of a true saying, why does it have to go off? One of the reasons is, is that you don't usually get a chance to perform in a child maybe once or twice a year.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=537.26,644.96"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"If you have fans there, they have taken out some time from their life to spend listening to you do whatever it is that you do. So I find that if paid to listen to you, do whatever it is that you do, and then after you finish doing it, they're going to applaud, tell you how much they love you for doing whatever it is that you do. And so because of that obligation to do it and to do it the best you can is tied up in that relationship. And so, yeah, that's sometimes when you don't want to go to this town and you don't want to do that show. But once you step on the stage, then it becomes a relationship between one soul and all of the souls that came to be involved in it, as opposed to just a show. Charlie What about some memories that you have of your experiences together? What about some of those performances that you really wished you hadn't taken and didn't turn out well and the crowd didn't love you and maybe wanted to throw bananas pegs at you? Well, I have to speak about one engagement in particular. We were traveling from Baltimore to University of Alabama, and we had about 28 pieces of luggage, and I guess about 10 to 12 of those pieces were musical, uh, musical instruments and equipment. And there was a connection in Atlanta. By the time we got to Alabama, they lost our musical equipment. And this was around 3:00 in the afternoon on a Saturday, maybe even later. And the show was that night. The show was at 8:00. We have no equipment. So I says, well, what are we going to do? I said, Well, number one, we're playing at a college.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=646.13,749.27"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Hopefully they have a music department. So I got in touch with the head of the music department and told them the equipment that was lost. Can it be replaced? Make a long story short, the show hit at 8:00 and one of the best shows, borrowed instruments, instrument equipment. How would you rate his voice now to that, that melodic sound that we have on Your Precious Love, which you know is my favorite song by very well, I must say, not only did you see how I cut myself, but in many cases after a show or during the intermission, I'm single in the audience because people have no idea who I am. And I listen to their comments and I've heard people say recently, within the last four years that Mr. Butler sounds even better. The iceman, the icy x ray. He liked that term. Well, relative to me, it started as a joke. And it's always been a joke and I've always played jokes. That's not a joke that they're used to it. I started walking Coon. It's not a joke to your fans. Well. Well, you know, that's what's nice about it, is that the disc jockey and. Philadelphia. George Woods, who coined the phrase being on the air, was able to spread it. And then later Kenny Gamble and Leon Huff and I did an album called The Iceman Cometh. And what happened with that? We were in New York, and the Eugene O'Neill play was on Broadway, The Iceman Cometh, and we were stuck for a title for this album. So we said, That is true. Providence gave it to us. So we stuck it on the album and it became the biggest album that we've ever had, and it just kind of flowed from that.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=749.84,857.57"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yeah. Let me ask you, you know, we talked a little bit before about a lot of the other things that you are involved in these days. Do you plan to continue combining all of them for an indefinite period, or do you have some type of plan worked out where you're going to step back from something and enjoying yourself that much? Well, you know, man makes plans and then God disposes of them and then you have to make new plans. I never had envisioned myself as a political person until the opportunity presented itself and reason for doing it presented itself. So we did it. Singing is my love. I would sing for free as I just did. And I do it because, you know, I enjoy it. I find myself in elevators sometimes and folks to sounds. My wife says, you know, are you trying to get an audience? But I mean, it's so I'm unconscious of the fact that I'm doing it cause I do it. The business aspect of it is I don't know if I can leave my sons a voice in name. I can leave the business. And if they mess it up and good, you know, at least they had a shot at missing something. Okay. We're going to talk more about your business endeavors when we come back after this break. Stay with us. This. Maybe people. I just. Welcome back to City Life and our Mother's Day's gift to you. Jerry Butler and his manager, Charlie McMillan, told me, ask you, in terms of you mentioned earlier that you consider the whole thing a business. We mentioned the political side of Jerry. We mentioned the entrepreneurial side as well as the entertainer. How does all this fit together? I mean, it would seem to me that we're looking at three different enterprises.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=857.84,1122.72"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"How do you make it work as one? Well, in essence, I handle the entertainment side of Mr. Butler's career. The staff at his, uh, uh, better stewardship. And he has staff at his commissioner's office. So we try not to, uh, we don't conflict. Uh, we have scheduling. As far as Mr. Butler's concerts are concerned, we basically work on weekends, Friday, Saturday and Sunday. Mm hmm. If there's a commission meeting on Monday morning, I can have him back in Chicago by 7:38 a.m. gets an early flight from wherever we are, and he's there for his meeting. So it's been flowing, uh, very easily. You know, it's a well-oiled machine now that are. No, it's MATTHEWS. Every now and then, Jerry shows up at the commissioner's meeting and is wearing a tux and so forth at 730 on a monday. Not quite close. Did you by chance, were you involved in The Impressions reunion show? Not too many years back. Yes. In 1983, we submitted a proposal to some major corporations for corporate sponsorship, and we were successful in doing that. And, uh, the tour was magnificent, successfully from one coast to the other. We played the first date was on April 13 of 1983. We ended up in August in St Louis at the headquarters of the major corporation that was our sponsor. That was along with Curtis Mayfield. Curtis Mayfield, The Impressions and Jerry Butler. Bring us up to date. Curtis Mayfield. Yes. What's he doing alive and well, living in Atlanta, Georgia, starting on his third family, uh, flying back and forth to Europe and living off Superfly. Who else was of note in that group that we would still remember? Well, because you kind of dominated that group really well, you know, whenever you are the lead singer, you wind up in a dominating posture as one of the reasons why they kicked me out, because I was too dominant, I was too much in front.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1123.71,1262.19"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And most folks thought because it was Jerry Butler and the impressions that I owned the group, when in fact I was just a member and had one fifth of a vote like the other four. But people have a tendency to focus on the name that's out front. And so that happened. Curtis Then after I left, became the lead and the focus, and then after that guy by the name of Leroy Hutson, who was from this area, as a matter of fact, went to Howard University. And after him, Ralph Johnson, who is now the lead singer of the group Fred and Sam, who were the other two members of the group, are still functioning as they always did and still sing wonderfully well, but they have never been in front of the group. Couldn't you as an individual, when we look back at some of the other groups that first made it big in that era are unique? I think to a large extent. Do you think that that overall in 1988, the the management, the agreement between groups are significantly different in terms of having prospered from the mistakes and trials and errors that groups such as the Impressions and others went through. Sure, you see information. Is a great thing. When Curtis and I started, we had no information. We were a bunch of kids from one of the housing projects in the city of Chicago who had some talent that we did not think was extra special. We just thought it was good and maybe a little bit better than the other guys on the corner. Most of the groups were a gang and most of the gangs were group and they used to sing, to vent their frustrations and play basketball and things of that nature.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1263.24,1371.84"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"When we went to Vee-Jay Records, which I must tell you was Black owned Recording Company in Chicago, the first company to record The Beatles and Gladys Knight and The Four Seasons. And yours truly had gospel and jazz long before other record companies thought you could do all of those things at the same time, and were even recording country and Western music as early as 1962 successfully. When we walked into their studios, they just listened and said, Hey, you guys are good. Sign this contract. We didn't ask how much we were going to get or when we were going to get it because we wanted to do it. Two years later, we found out that there was money in this business and that it was a business. We started to look into that and then we started to tell the future generations what to expect. Okay. Let me ask you then, concerning today's crop of groups and in the quality of music, do you do you feel the turn back to the beautiful romantic music of your era? You know, lyrics seem to be much more satisfying now than it was, let's say, a couple of years back. Oh, like your precious love. Let me see that. Even in 1958, there were songs that you would hear that you would say, 20 years from now, someone will be singing that song. And that was songs that were hits that you would say, 20 minutes from now, I won't remember a word of it. And that prevails today. There are songs that I hear today that I know 20 years from now, the people who are singing those songs will still be around and performing where there are other kids who are making records today that two years from now, nobody will remember their name.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1373.34,1486.38"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it comes with every generation. I don't think that our generation is any different from the generation of today. It just seems like, I guess, that that, you know, it hasn't been that long, that the music is still fresh. When they start promoting the tours and everything, they start playing the music of radio a little bit more. It still sounds fresh as good as it did then. Well, usually what folks, quote unquote call hits always sound good because there's always an element of truth in them that supersedes time and transcends institutions and boundaries and goes right to the heart of the matter. And so they never sound old because, you know, like, how old is shake? Well, we will tell you one thing. Now we know why you are a good politician, an exceptional entrepreneur, and, of course, an exciting entertainer. We thank you for having graced our premises here today. And you, too, as well, Charlie. Thank you so very much. Thank you. We'll be back when the violence is going to start before it starts. So we sit down and work out individual step by step where I'm going to put this away. I'm going to take this to a neighbor's house. I'm going to get all my important papers together. I'm going to have this extra set of keys, this little bit of money, or however much money a woman will need so that she won't feel so isolated and alone when it happens again and that she can get out and be safe and have some kind of resources. Many times women come to shelter, no shoes on the clothes on their backs. So we try to work out a plan for them. So in the event that they can anticipate that the violence is getting ready to start again, they can get out.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1487.46,1585.56"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They have much time left. Let me ask you, is there any way, any advice that you can give to women, any type of assistance you can give them before it reaches an absolute crisis stage? Are there any signs that a woman can look for a spouse? Look, I don't want to put this strictly a male against me, especially in an instance where there may be a listener right now in an environment that is injurious to her health. What would you say to a woman? Well, what I would like to say to her is that she's not alone and that there is help. She needs to pick up the telephone. She needs to call the House truth hotline and speak with a counselor and we can get her help. We may not be able to bring her into shelter immediately. We could refer to another shelter, but we can talk to her to reassure her that there's something that can be done. I think that the most important thing for women a woman to know is what she can do. And most women don't know what they do. They only. You know what their husbands tell them when they call the House of Ruth? We give them options and we tell them everything that's available to them. That's all they need is that information. And they can make a decision as to what they want to do. So part of it is the woman's regaining her own self-esteem and her own control over her life. Women are looking to empower women. That's why that sounds like a general community concern, doesn't it? Empowerment of women. Any parting words from you? Just to use the system that we're there to help? We have a pro-prosecution policy in the state attorney's office, and the system is responsive to her needs.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1586.28,1674.71"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay. We're just about at the end now. Susan. David, what about you? What are your prospects now? How do you feel about yourself and where are you going? And I feel the direction that I'm going in is and I feel I'm in the right direction. Now, since I've volunteered to move, I've also accepted quakes as my savior. And, you know, I look at things differently, I see things differently. I look at women differently and I look at myself and my situation and the way I live a lot differently than I did before. Okay, Susan, real quickly, how about you repeat the question again? Just just how do you feel about yourself and your future prospects? Do you feel good now? Better, just like I feel like this, just like my self-esteem was slowly taken away. I'm slowly getting it back. Okay. Well, all righty. We thank you, David. And we thank you, Susan, for having come here today and all of our guests for sharing information on a very vital issue. Thanks for being with us. I'm Betty. I'm Jacqui Hall. Have a good, good Sunday about. Well, with that, I'll have to wrap it up for another week. I'm Howard Anthony, hoping you all have a great Sunday.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1675.28,1784.86"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/transcript/48951/annotation/14","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/951/original/open-uri20230817-2094-8npj1h?1692293272","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/951/original/open-uri20230817-2094-8npj1h?1692293272"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/index/82826","type":"AnnotationPage","label":{"en":["Jerry “Ice Man” Butler, 1988-05-07 03-20-2024 17:50 [Index]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/index/82826/annotation/15","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=13.0,1554.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/index/82826/annotation/16","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Jerry Butler, Musician; Charlie McMillian, Manager","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=13.0,1554.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/index/82826/annotation/17","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Entertainment Page with Harold Anthony","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1554.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336/index/82826/annotation/18","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Michael Jackson","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105567/file/206336#t=1554.0"}]}]}]}