{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/804xg9gz7z/manifest","type":"Manifest","label":{"en":["Frederick stills and exteriors, circa 1990"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/25719"]}},{"label":{"en":["Date"]},"value":{"en":["circa 1990 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Content includes photographs by Monroe Frederick and exterior shots of his photography business. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 Betacam"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-FLDTP-006-024 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["Field Tapes"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Content includes photographs by Monroe Frederick and exterior shots of his photography business."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/253/884/small/thumbnail_253884_1728349776.jpg?1728349779","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20250109-552-ogmgmb.mp4"]},"duration":754.218,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/253/884/small/thumbnail_253884_1728349776.jpg?1728349779","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/253/884/original/open-uri20250109-552-ogmgmb.mp4?1736438627","type":"Video","format":"video/mp4","duration":754.218,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/transcript/71625","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-FLDTP-006-024.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/transcript/71625/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Go ahead. You're welcome. Stand by. Go ahead. Okay, go ahead. The prototype. Monte Irvin is born. The key to. Okay. Okay, Go ahead. Yeah, I just was taken out. Now you're just going to be working. Okay, go ahead. I. Go ahead. Couldn't take it now. All right, fine. My. That was what you said. That was when he went to the Hall of Fame up in Newport. When? God. That's before he got East. 10 or 15 years ago when he went to the Tennis Hall of Fame. And his whole family. And, of course. Yeah. So you're particularly proud of that, I suppose. When I finally found it a negative, when I moved, I couldn't find a lot of things that I found, and they just made up some prints. And I'm going to send his wife one that I can read. Okay. That's one of my favorites of the Jimmy Carter one. The track team autographed performance. Let me say it. Who's with him? And the young man you talked about, I stayed outside of the UN eight hours to take four pictures. That's Eartha Kitt and her daughter. And grandma and grandson. That's her daughter. Yeah. Who's that woman? That's the other one here on the left. That's his wife. Okay. Eartha Kitt was one of your money. You got to stop walking, because every time you walk, you shake the floor. She did. Did she offer you some of those fresh vegetables? Yeah. In fact. What I should go grab. She has an old farm. This is the Martin Luther King crowd. Yeah. Sparkle around us, Hieronymus. Okay. And this is the Martin Luther King Memorial. I like players. And that was Memorial Stadium and the ball Camelot. Can anybody remember the first year they had the all star game? Yeah.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884#t=7.01,333.98"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/transcript/71625/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes. Right. Okay. And this was the all the Negro League players players that are still around. Yeah. That could come. Okay. That's one side. I have another. So you were proud to shoot that? Yeah. I bet that that filled your glove full. Yeah. What do you heard about all these guys? And she. Monae Irvin. I knew well from New York when he was with the commissioner. Go ahead. Okay. Good as fast. But you can write about. Okay. And that's your art? Yeah. And she showed me three three form. She taught for 40 years. What's your name? And Spike. Go ahead. Okay. Go ahead. Okay. Can. Right. But. It was a Diahann Carroll wedding up in Atlantic City when the Golden Nugget. You know, to do that to the pitch up here. I did it in a room in Waldorf with her leaning on, sitting on the floor, leaning on the bed. On a street in both Britain and Europe, the gangsters from the Black Panthers. Now that they. To saw these go back to the mid 70. I'm almost finished here on your mind. Just a second. Well, in a hurry. How many words? Got votes? Seven, eight? Nine awards. And watch the Alan Evans from the New York Daily News for photojournalism or for significant contribution to the black community. That was Marilyn Corona. She was a good looking woman. Before. Before he was only one film. It's kind of like test colon. It. That is you? Yeah. Find out what I want you to do. Keep it right there. Now you're adjusting it, and then I want you put up to your eye and check everything out. Check the focus. Line up. But right now, I'm tight on you. Your hands in the camera.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884#t=334.28,661.25"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/transcript/71625/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So go out and play with it, then put it up to your eye. So he got this tip and we got this. Yeah. I do think they got. Also.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884#t=661.55,740.31"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/transcript/71625","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136872/file/253884/transcript/71625/annotation/4","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/071/625/original/trint_WJZ-FLDTP-006-024_transcript.vtt?1728352810","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/071/625/original/trint_WJZ-FLDTP-006-024_transcript.vtt?1728352810"}]}]}]}