{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/8k74t6gb4g/manifest","type":"Manifest","label":{"en":["Baltimore Radio Personalities; Baltimore Big Brothers Organization, 1987-03-01"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5260"]}},{"label":{"en":["Date"]},"value":{"en":["1987-03-01 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["On tape label: City Line #214 (Container Summary)","Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Jaki Hall and B.T. Bentley interview Baltimore's best radio personalities. Additionally, members of Big Brothers discuss how they turn young men's lives around. Guests include Randy Dennis, from WXYV; Sandy Mallory, from WXYV; Alfie Williams, from WWIN; Barry Young, from WEAA; David Settles, from Big Brother Big Sister of Central Maryland; Lee Braxton, a little brother; Raymond Cain, from Black United Methodist Preachers. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-007-015 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["On tape label: City Line #214","Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Jaki Hall and B.T. Bentley interview Baltimore's best radio personalities. Additionally, members of Big Brothers discuss how they turn young men's lives around. Guests include Randy Dennis, from WXYV; Sandy Mallory, from WXYV; Alfie Williams, from WWIN; Barry Young, from WEAA; David Settles, from Big Brother Big Sister of Central Maryland; Lee Braxton, a little brother; Raymond Cain, from Black United Methodist Preachers."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/288/small/thumbnail_206288_1692277256.jpg?1692277259","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-483-7w8koe.mp4"]},"duration":3746.152,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/288/small/thumbnail_206288_1692277256.jpg?1692277259","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/288/original/open-uri20230817-483-7w8koe.mp4?1692276325","type":"Video","format":"video/mp4","duration":3746.152,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-007-015.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's 12 noon. We're live on City Line. Hi, I'm Jackie Hong. And I'm Betty Bentley. And waking up in the morning to putting us to bed at night. There's some of Baltimore's best radio personalities who play the best music Alfie Williams of WWII in Barry Young of WEAA, Sandie Malory and Randy Dennis of VH1, All three. And they're here today live in Channel 13 Studio, just waiting to talk to you on City Lines Airways. To charge or not to charge. That is the question. I'm two months into their news gap. The answer is looking into the credit system. Hi, I'm Harold Anthony. Just in case you missed George Howard at the Meyerhoff Tuesday night, he'll be making an encore appearance on today's edition of the Entertainment Dave. Also today on City Line, we'll find out more about a program that turns young men's lives around, a program called Big Brothers. And right now, there are needles, black adult males. Find out more about it today. But first, you've heard them. Now make them put the face with a melodious voice. As we meet some of Baltimore's favorite radio personality. So don't move that dial. It's all up next, live on City Line. Good afternoon and welcome to this week's edition of The City Line. I'm glad that you're there at home making it because we had to make it through that fog tonight. I haven't. I thought I was in San Francisco. I felt like Tony Bennett or somebody felt like one of those old Twilight Zone movies. We drive through the fog and find out that the town is no longer on the planet or something like that. Yes. And we owe a great deal to this live audience who braved the adulation. Thank you for appreciate you all making it in here to the station to get some other folks who braved the fog to make it in.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=55.35,179.76"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And there are people whose names and voices you're very familiar with, but perhaps not their faces. So our purpose here today, one of our purposes is to introduce you to the other side of them. And right now, I want to start and read off the whole list. Kathy Williams, good morning. Good afternoon. Yes, it is technically WW II and very young. Good afternoon. EAA ha Sandy Mallory v103. Good afternoon, Randi. It's also going to be one of you. Welcome. Yes. Okay. Now, what's hot in music and what's not hot, Alfie? Well, that's that's a difficult question in that it depends on what you like. Dancing music is always a hot rap. Music is hot to some people. Instrumental music to other people. But to those who are listening to what they call contemporary radio these days, it's a mixture of things. Nice vocals. Anita Baker. Spectrum A wide spectrum of things. Sandi and Randy. What? What is the number one song right now, most requested song on your stations? Well, I would say anything about Anita Baker and Janet Jackson control. I just got back from the Grammys. I was very disappointed that Janet didn't get a Grammy, but Anita Baker did come through. So I'm not mad. But Randy Jackson is hot. He's got the number one record, I believe, on Billboard and a few of the other charts. Okay. Now, Mary, your chart is a bit different from the ones these folks are used to keeping an eye on. EAA, You really program a what they call an alternative music format? Yeah. And in doing such, we have more jazz than we do popular ballads, although we do play the ballads. Anita Baker is a strong performer on our airwaves. But of course, we have Najee, who is from New York.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=180.0,297.9"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Thank you. You know, they listen to the he's real good. And of course, the the mainstream jazz artist and the contemporary artist. And we've just had Bob James, who was in town. He was at the station. He's popular on the station. And the coal trains and the mainstream staples in jazz music are always popular to our audience because, again, we're the alternative and they love jazz music. Now, at least three of you have something in common, and there you know what it is. And and the two ladies know what it is. I'm not sure about rain. All right. And that is being alumnus of WEAA. Does that mean that that your your interest in music necessarily is very broad? Well, WEAA was not my first job. I had worked at a number of stations before I went to WEAA, But when I went to WEAA, I had been unemployed for a couple of years. So in a way it was like starting over, at least in this area. But yes, I think it means a wide spectrum of interests. Bob James, for example, was a favorite, even though I'm into rap music. Yeah, that's right. And our WEAA was my first job in Baltimore when I came back from school, where I know Berry from because we worked at WFMU. See College Park College Park Radio. I did start at EAA and I do like jazz. I do like all kinds of music. I was really lucky because I didn't stay not not lucky that I didn't stay there, but I left there and went to the very early in my career. Mm hmm. Okay. Let's invite our home audience into our conversation. Now you can talk and look at and speak directly to the radio personalities that we have here.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=299.07,402.42"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You can call us at four 113, 13. That's 41, 13, 13. Talk to the radio personalities. Talk to these voices you normally hear. Let me ask, what characterizes your station from WEAA? From the VA. What makes all of the stations different? Why would one choose the V over WWII in or WEAA, for instance? What are your plan to start with? Well, in the morning I was a wild and crazy guy. You know, a lot of people need that in. In addition to the different things that I give them that are essential to morning people. You know, time, temperature, weather. I do a lot of characters and a lot of crazy things Like. Like what? What do you do? I don't want to give away all my trade secrets, but tomorrow. Yeah, well, you might hear me do a variety of different characters. Just. Just say that, you know, I don't want to give away any trade secrets, but, you know, we do have characters on morning time that a lot of people can identify with. And a lot of people still today, they say, who is that? Who is this? You know, I just don't want to give that away at this particular time. And they want to know if he's the real Randy. Dennis. Yeah, the one we have yesterday. I really like to think I'm just easygoing, nice and easy, mellow. I'd like to be a positive inspiration and I like to think that at some point I'm very thankful that everybody is a little bit different. Otherwise it'll only be me for one station and one set of jokes to be working and the rest of us would have no job. So I'm really glad that there is an option and music and and option and style so we can all remain positively employed.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=402.93,496.39"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So we got to take a break right now. We're going to get back to talk with you that personalized a little bit more. You'll stay with us. Don't change that. We'll be right back. This past my friends with. No, no. But there. You have to. It's clanging terribly. I ain't taking it all. I'll make a shorter. I'm going to leave it all. Radio personalities on City Line today, Barrie, Just before that break, we were talking about what is unique about your own approach to radio. Now when I listen to you, Barrie, I always get the feeling that I'm getting my black history lesson for the day. Hmm. Well, that's good to know. That started off with Jackie Lynn near who had a book by Jay Rogers called 100 I'm sorry 100 Amazing Facts about the Negro with Complete Proof. And in skimming it, it was fascinating. A lot of things I didn't know. So they were quick and able to get them up and out and understood real quick. So I thought I'd incorporate that in the morning. Just to add a switch from Randy Dennis and his craziness, at any rate. So that ended up being rather popular on the air. Surprisingly so, because I just did it. A lot of things that I do on the air because of our format at the station are done because I think it would be interesting. What else do you do? Oh, well, let's see. We do have an Annapolis report that comes in from Annapolis. And every morning or in the mornings, in addition to that, sometimes I will opt to read the black fact and just wow them and read scripture. I got my pen, but it's really said I'm not going to give away all my secrets.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=497.9,681.97"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, let's see. Let's hear from Alfie on that. Well, one of the things I like most about WWII in and I guess the reason I've been there seven years is the fact that it is black radio and we are allowed to be black personalities. What is black radio? It's a lot of personality saying things off the, you know, the tip of your tongue or being able to relate to the music relating to black experiences, using different cliches that only black people know, perhaps what it is, you know, it's something like that, you know, And I can be myself and be yourself, like in the morning. And I might say, you know, Yes. Or baby. And I have people that, you know, come right behind me. Yes. How are you feeling this morning? If you're waking up on the right side of me, say yes. Yes. Okay. Well, our our our home audience has said yes. And they want to hear you say a little bit more than that, of course. All right. We're going to go to the lines right now. I call Are you in touch with the four radio personalities? You're on the air. How you doing? Okay. Yes. One of the most dominant features and black life is their character built on faith, surviving this rocket system for 400 years. And the character of a people is supposed to be reflected in the music. Now, it has been the question I want to ask is asked in each can respond. I hang up and listen. Is it true that the music that you're pushing or program is such that it does not reflect the larger sentiments of black people? And that is just called black music? Well, I have responses. I don't mind answering.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=682.38,792.66"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay, I'll hang up. Okay. Thank you for the call. Very intriguing, Sandy. One of the things that I have often said, that it is not just we, the deejays that play the music, because remember the artists that make the music and the people, especially the people in the audience that purchase the music really make the difference. Because what you may play for your personal preference at home may not be what everybody is buying, which of course we have to promote. What is really happening now? So it's really a ball that goes around every every hand washes the other hand the art is putting out with people are demanding. The people are demanding that we play what they want to hear. Is it black music? I think that was at the crux of this. But black music is all music. It's classical. We have roots in classical. We have roots in jazz. It's not just the slave songs where we're singing about how we're going to overcome, but it's also dancing. It's gospel, it's rejoicing music. It's a wide spectrum. So just because WWI, it may not play gospel, it doesn't mean that we are not relating to our black experience. One of the things I like about E.R. is that they do expose you to more black music. The pop stations like us, we just mainly gear in on one kind of music, but EAA. And we need more music exposed, but we need more radio stations. It is a reflection, though, of daily experiences in our lives. Prime example Shirley Murdoch. As we lay, I guess, about somebody. It's a it's a it's about someone that had an affair. That is reality. Yes. And that's a part of the black experience you can't ignore.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=793.14,886.92"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In our spectrum, it's rather it's somewhat easier only because jazz was built around jazz musicians who actually defined what jazz was. And then there have been others who would interact with these jazz musicians and take some of that music away with them. And jazz has just gone off to so many different things that no matter if the artist is white, black, there's Japanese, Japanese jazz players who are really doing some good music. And if they interact with us and we see some people who are in part have played with some of the jazz musicians of Great, then we put them on the air because that influence is there. It's it's it's in some way, shape or form picked up by that artist and we play it. Okay, Another question from home. I call her. You're on the air. I would like to come. This is for Randy Dunham outside, a big fan of the show. And I listen to her every morning. Why do you think Brandi Now I would like to know who is made up of Mabel. Is Mabel. One of the secrets? Oh, come on, Brandi. Come on. Give us a scoop here on the air. Mabel is Mabel. She should be back in from Hollywood. She was snowed in, from what I understand. I got out of here Sunday. I understand you had eight inches of snow Monday. She had one of those eight 189 super saver flights that left out Monday. She got caught up in that. I don't think she got out to the Grammys until Tuesday, but nevertheless, she got out there with great clarity. A little bit about the industry, which has been undergoing quite a bit of change in recent years and over time was when an artist would come up and stay with a label for years and years and years.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=888.21,997.16"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You think of an artist, you think of the way we think of a label, you think of an artist. Now it seems that that it depends on the project that the artist is working on. There seems to be a lot of artists doing work under multiple labels. How is that affecting what you program, what what you feel see fit to play? There was a time I used to work at U. You Are, and when I was at U are we would not play music by white artists. And then there came. Things changed. A few years later they started playing white artists. And now you can't just play black artists or white artists because everybody's doing it together. They crossover. So that that's the change. You have black and white in music. There is no color or there isn't supposed to be. I think that's what we have to remember now, that music is universal and what we're really looking for is good music, you know, and what we should demand, not just from ourselves, but from the musicians that they make good music that have good, positive influences on our society. Do people really want to talk to you? This is great. I call R, you're on City Line live. Hello. First of all, I would like to say congratulations to the gift that you have on for being a part of the major radio stations here in Baltimore. Living in Baltimore, I've seen radio stations come in. I've seen them go and ask them. And I would like to congratulate WWE for crossing over to the FM station because it was kind of successful. Like, CAA is fantastic. So is the 103. I listen to you all. CALLER Do you have a question? Yes, I would like to see a spot crossover.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=997.46,1091.27"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I see black white as black crossing over to the part and getting I mean, the pop stations are getting more money for say, than the basically the black stations. I mean, as far as the advertising. Do you feel that black stations are I mean, these are against somewhat for the dollar because they sound more black in part. Okay. Thank you for that. I couldn't quite hear part of that question. I think he was asking whether or not the black stations suffer. Those who program to black suffer as a result of playing. I think they do in record companies. They have black departments that promote black music. Now, as soon as an artist crosses over, he's taken out of the black department, moved to the a white department that's promoted by whites. So then the blacks have nothing to do. Lionel Richie isn't really promoted by white blacks anymore because he's the pop artist he's crossed over. So it's the same in in our playlists once we start playing, you know, certain things. I'm not doing well explaining it, but it hurts. Okay. Take a moment and think about that because we're going to take a break and we'll come back and pick up that very point and maybe then we'll get some explanations. Stay with us. We'll be back in just a moment. Hello, Deb. Now. Now, here's this week's community calendar. Hello. I'm Andre Lucas of the Lucas Youth Foundation. Our Community Awareness Committee will hold a scholarship luncheon at Duke Martin's Continental cuisine, located at 5507 Reisterstown Road. Featured will be the Lucas Exquisite models with a performance from the Dynamic Dancers film. Also, singer Rene Colwell, along with award winning vocalist Anthony of Washington, D.C., will render a spectacular performance. The fun begins at 1:30 p.m.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=1092.59,1342.29"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the dining room of Duke Martins Continental cuisine. For tickets and further information, please call 7923932. Hello. My name is Dwayne Rigby. Voice of the Electric Presents, a second annual tribute to Black History on Sunday, March the first. Today, you are invited to a costume celebration at the Eubie Blake Cultural Arts Center from 5 to 8 p.m.. The evening will include live entertainment, an art display, a special program, and a reception. For further information, please call six, seven, five, five, six, three, five. If your group, the organization, would like to announce an event, please write us in care of Cityline. WJC TV Television Hill, Baltimore, Maryland 212, one one. Or call us for further information at 4660013. Between the hours of nine and five. Welcome back to City Line. We're talking with some of Baltimore's radio personalities. And just before we left on the break, we were talking a little bit about how certain artists are programed for certain audiences. And certainly I think he has that. Wanted to add to that. When we were talking too, about advertising dollars. And do you lose advertising dollars because you're programing to a black market? And we have to remember a lot of times you get national spots like we get prerecorded national spots, we have different spots that are made geared towards different audiences. Sometimes we as Busted have a rap beat in the background, a country sound in the background. So the advertising dollar is definitely affected by who you're programing in what sense. So black radio doesn't get as much advertising revenue as white radio, but I think we have to fight harder. So that's simply because you can have a wider base of black audience. You know, the advertisers say, Well, I think I'll go to a more general type setting, a general market station in the listening of habits of blacks.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=1343.01,1496.32"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That's something that we underestimate. We have black people in this city who listen to easy listening. They'll listen to ab104 And so if the audience is broken up, so why some advertisers will go with the white station that blacks listen to and forget about the rest of the stations because they know they're going to get blacks anyway. Okay. Right now we've got some representatives from the FM side up there on the the set right now. Here's a gentleman from one of the AME stations. W.E.B. Yeah, how are you doing? My name is J.R. and I think that you're the real radio anyway. I think that the people should hear more about how the music has progressed as far as age demographics is concerned, you know, because I think they know you hear them talking to rap music, then you hear them talking jazz music, and then we're hearing we're talking about crossover music. Now, there's a lot of folks out there that don't really know what crossover music is. Okay, Now we have I'd say, for example, let's get with the Human League, things like that. This is white music. These are white artists playing black music. And I think that the folks that would like to really hear about how you guys blend that into your format every day. All right, guys, guys and girls. I don't know if the guys on the average white band now use that name because of the name of it's some blue eyed white soul brother. Get down. You know, we have to remember, too, is that we played the best artist and not just an artist because they're black, a black artist or a white artist, but that they're good. Let me just say something to you, John.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=1496.82,1594.15"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm surprised you didn't mention it. Now, we've talked about black radio up here or black music. Yours is actually the only black owned radio station in any anymore. I think Brunson or her efforts in what she's doing, I think she is a one of the only black owned and operated radio stations in the city. I'm glad to hear that, you know. Also around Memorial Day. So what we do is we're not totally geared to a total black audience. What we try to do is get as much music as possible into our music rotation and play it all so that everybody would have a chance to hear everything that there is to be heard. Josh Do you like all the music you play? I can't say that. I would say that I like everything, but we have to play it. It's not. It's not for us. It's for the listening audience. Okay, let's now go to the audience and the viewing audience and take a question from home. I call it You're on the air. Yes. Thank you. I would like to ask about artists being socially, except that for, say, at the Grammys, Whitney Houston and Lionel Richie seem to be more except for, say, in the eyes of the way didn't foresee Run-D.M.C.. I see Run-D.M.C. being a black group that, you know, that have made it from the ghetto to top of the stairs. They they're making money that they would dog out a at the Grammys at the American Music Awards outside of. Okay. CALLER let's get a response to Don because we're running out of time. Thank you. Okay. Can you pick up what is what was just a question? Really excitability in a way. I was thinking some would be accepted as opposed to a Run DMC.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=1594.6,1698.49"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And Whitney Houston is really a crossover artist that is acceptable in just about everything now. But not everybody likes Run-D.M.C.. Their music is difficult to listen to. It's loud and it's hard, and sometimes it sounds like they're yelling it and it's grassroots, or believe it or not, it's Run DMC is starting to crossover and one of the rap groups that are starting to crossover and they've paved the way for a white rap group, Beastie Boys, to come right behind them and crossover. And MTV is playing these videotapes and everybody. Let me let me ask you something. In the few remaining minutes that we have, how responsive and responsible to the black community are you? You know, I constantly think of 32nd news news. And I'm wondering, do black people deserve more news in 30 seconds? This falls under probably other things. This comes under programing. And what the program director, news director and those people decide are for some reason, white management still believes that blacks won't listen to news. I don't like that. But it's program, Barry. Yours is a different animal altogether. Different because we don't have a white hierarchy to answer to not only our music but our news. Public service announcements are totally geared toward trying to inform our listener. As a matter of fact, jazz lends itself to an audience who will do more listening than they will movement. Now, not to say they don't, but they listen more. And because of that, and because we have captured their ears, we want to tell them something that's going to be beneficial to them. So you have talk radio to the two way talk. Oh, yeah. And that's very popular and that's on that's been extended to 2 hours and it comes on every night.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=1699.39,1799.71"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And that's a real good way to find out what black people in Baltimore are actually thinking, the response of the community to every day with the people. Poor question. We try to find out what's topical for today, maybe news wise or what people are talking about and put it before the people and let them respond. And that's okay. We also have team news. We also are constantly trying to put facts in so that even though it may not come under the guise of a news cares, what can I say? Letting you know anything in a public service, announcements, the community, things that we're doing, what's going on, what's happening. And very quickly, I might add that it's all depended upon the announcer themselves to the degree of information that we're going to put out there, because there are a lot of restrictions that stop us from doing it. But it's your dedication to your listener that makes you want to take that chance and tell them. Right. I just like to throw in that I'm in the process of putting together what I call the Alfie Williams Revue, and I'm recruiting talent comedians, dancers mainly solid goals as like a commercial it. A good place to break really is looking for the best bets with the best prices. You see what the problem is right for you. We want to thank all of you for being with us. This Sunday afternoon has been we've had a lot of fun here. We hope our audience has, too. We've got to take a break right now. But there's more City Line coming right up. Stay with us. Thank you. I do want to you coming up on News Corp, we take a look at the advantages and pitfalls of credit card use.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=1800.04,1906.42"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Don't even think about touching that doll, because if you do, you'll be missing George Howard performing his latest smash called No, No. I'm Howard Anthony and I'll be bringing it your way very shortly. Go figure out. Brooke. Good afternoon. Topping today's news capped the news of AIDS, the respecter of no man and no race in California. Controversy is growing over proposed cuts in a program designed to assist drug users affected by the deadly disease. We get a report from Sandra Stricker. Howard Grayson owes his life to the program the state now wants to cut. For years, Grayson shot speed and shared needles like thousands of other users who fall through the cracks in the system. Grayson didn't know much about AIDS. Now he does. But showed me a factor of how I could catch eight more. AIDS are using drugs, using a needle, and the high rate of being black and being gay. Know it's easier for me to catch a if I kept on using drugs. The outreach program that helped Grayson also counsels young runaways about AIDS. It provides bleach to users and shows them how to disinfect their works. At night, the staff works the streets. So far, they've given out 25,000 pamphlets and 8000 condoms. Now, the program is slated to fold in 30 days. The state is withdrawing funding that's going to have drastic impact on services and on lives. Some people think the state legislature may be dragging its feet on funding this program for another year because the program benefits straight people and drug abusers. But health officials are quick to point out that that imaginary line that separates them from us doesn't exist when it comes to AIDS. State Assemblyman Art Agnes is sponsoring a bill to provide emergency money for the program.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=1908.04,2110.46"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"People think, Well, that's not me because I don't go on the street to use drugs and all that. But they have to understand it quickly moves in to the suburbs and to every part of our society from the street if we don't catch it there. Howard Grayson says it's true. You learn a lot of things on the streets, but how to protect yourself from AIDS isn't always one of them. In San Francisco, this is Sandra Stricker reporting. In other news, credit and credit cards, something that most Americans would probably welcome. Yet we may regret it in the end. Michelle H. Dyson is the president of Banking and Lending Information, a company that specializes in lending information. And she joins us now to talk about some of the advantages and pitfalls of using the credit system. Mistysyn, we want to thank you for joining us this afternoon. Hello, credit and credit cards. This is your area of specialty. What is your ultimate analysis? Is it a good thing or is it a bad thing? Well, I think basically it depends on the person. And I don't think that we in general, as consumers evaluate our own personal finance and often we take credit cards when we really shouldn't. What should the consumer be aware of when dealing with credit cards and this whole issue of loans? Well, I think you should look at the interest rate, what types of the credit card the bank is offering you, and also to beware of your own net worth analysis, to be aware of your own budget and be aware of your own financing because too many times will accept a credit card, not understanding what money goes out, what money comes in, and we are pushing ourselves to the limit.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2111.24,2198.84"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"One thing that's been in the news lately that we've been hearing a lot about, and that's the C.R., a the Community Reinvestment Act. And what could you tell us what CRT is, first of all, and how will it benefit the lender and minority businesses? Well, community Reinvestment basically has stated that the banking institutions will put certain moneys back into the community. I don't really think it's going to mean much to the community if they're not aware of what the banks are promising to do. For example, Maryland National and American Security have just merged. It is one of the biggest mergers in this area. People should be aware that they have promised to spend over $5 million within the next five years to put money back into the community, to provide loans to small businesses, to minorities, to communities for housing and districts that have previously been redlined. Let's get back to credit cards for a moment. Would you say, Ms.. Tyson, that most people have a tendency to abuse credit card use? And in reading some of the information provided to us, even the IRS, I believe the person wants to get in on the act, and that is allow taxpayers to use their credit card to pay off their back taxes. What are your feelings on that? Well, I think that in general, they say that people have at least 6 to 7 credit cards, and that's a little bit too much. And again, they're not taking. If you have a $2,000 or $5,000 limit and you've got five credit cards, that's an awful lot of credit. And oftentimes you don't think about the actual cash. No, cash is really transferring hands. So in your mind, you don't think of that as being cash.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2199.74,2295.11"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it really is. And you can get yourself in a lot of trouble by backing yourself into a corner. What about the IRS and wanting to use credit cards to pay back taxes? Do you think that's a wise move? Well, it's. Odd that that the tax laws are now reducing within the next five years, reducing the interest rates that you can take off your taxes. Recently, in the paper, the IRS has requested that credit cards be used to pay back taxes. That hasn't been approved yet. If you had to give three pointers on credit card use and this whole issue of credit, what would they be? Quickly, understand your own finances. Limit yourself to credit card use and understand your net worth analysis. If someone would like some follow up information from you or your company Mistysyn, is there a number that they can call? Yes, you can call 2029439138. Thank you for joining us this afternoon. Thank you. And finally, Carla Gilmore, a bright and promising first grader at the Monroe Sanders School, a city line student of the week, already a near-perfect student in school. Six year old Carla can boast she loves learning. Her report card reflects that with all the A's she receives when she is not studying for school, Carla has time to turn to our other interests, which include piano lessons, ballet and reading. When asked what her future ambitions would be, Carla says she's not quite sure, but certainly has a lot of time to think about it. And we agree. Congratulations and keep up the good work too. Ms.. Carla Gilmore, City Lines Student of the Week. And that is today's news cap Anti-matter. Most of the line is up next. Have a good afternoon. Who's going to make it and leave.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2295.5,2408.18"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You do and say and be a part of this whole conversation, do you hear? Right. Oh, great. Oh, no. You know you were. You all right? You are fabulous. Yes. Take for granted. There is meaning. We are switching gears here on the city line, and we're now going to talk about a very important issue to the black community and to our youth in particular. We'll be talking about the Big Brothers program with and there was a great need for that. With us are David Settles. And we welcome Cityline Lee Braxton, eight year old and Mr. Raymond Cain of Black United Methodist Preachers. Welcome, all of you. Thank you. How great is the need for big brothers, David? The need is is really tremendous. Over over the last few years, we've seen a dramatic increase in the number of single family homes. And that has led to a large application of little brothers seeking adult companionship. So we're we're really aggressive in trying to recruit big brothers. Lee Hello. You have a big brother, right? How long have you had your big brother? A couple of months since last year has been a lot of fun. But what's most important to you about having Big Brother? They're nice. They're nice. What kinds of things? When we went bowling, we walked around the harbor. It's pretty neat. We're waiting to talk to him often by phone. Yes. And testing. Is it. Is the program really kind of a support system for the kids or is it just companionship? Well, the it is a support system and companionship because it supports that little brother or sister. And in growing up and also, I don't believe you can separate the two. So they are encompassed. And what kind of what kind of requirements are there? If you need a big brother, what do you need to have or do? Become a big brother to become a big brother? Big brothers are 21 of age 21 years of age.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2408.79,2593.94"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The basic requirements is there's an application process in which we have the agency is manned by professional staff workers and they would evaluate the individual to make sure that they would fit in to the program. So there's an application process into what we call intake, which is an interview at the person's home. Mm hmm. Now, I know that there's no no official cost or anything, but realistically, what type of financial commitment would one be looking at who's sincerely interested in getting into the program? The quite the cost would vary depending on the individual the volunteers desire. You can you can put a lot into it or you can put a minimal amount. The program is really geared towards stressing the ideas of companionship and role modeling. We found that consistently that if if a child, when he's young, has a role model who can provide him with alternatives in terms of how to go about approaching problems in life, that that will have a dramatic impact. And that's what we emphasize. Anything else is kind of extra as we look. Raymond, how long have you been involved with the program? 17 years. A long time. You get from a. I can imagine what you give to a young man, to your little brother, or what do you personally get from it? Well, I believe that I get back from that young person the same thing that I give to that young person. The satisfaction that I'm helping probably to shape a young person's life so that they might grow up to be responsible citizens. Tell me now, why would a black male not become a big brother? Well, probably a lot of people are under the conception. That requires a lot of time. You know what? Well, I've become a big a big brother.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2595.2,2706.8"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I won't have time to do anything else. Really, what we're asking people to do is. Is to incorporate these young people into their own lifestyle and just share some of their time. So it really doesn't have to take any additional requirement of time. It's really just incorporating a child and including them in activities that you might already engage in. And so far as the finances are concerned, that's something that you decide just how much you want to spend or what you and your little brother wants to do now, or whatever you do with the money that is spent on your little brother or your little sister. Is tax deductible as a contribution to the organization? Okay. Lee, how often do you talk to your big brother? Every. Every week. Every week. Is that pretty much the norm to have that kind of in the first year? We we require the volunteers make contact with a little at least on a weekly basis, hopefully for about three, 3 to 5 hours a week. But that varies. And you see, as they've stated previously, there they are professional caseworkers that should, oh, something arise. You always have the benefit of using the services of the of the professional caseworkers to assist you in whatever you want to do. Now, I understand you have something very important coming up, what, next week? A week from now? Yes, that's about that. Next Saturday. It will be our kickoff and ball for kids sake. And this will take place at 130 at Shake and Bake on Pennsylvania Avenue. And we invite all of you to come out, take a sponsor sheet and bowl and help support the organization and every dollar that you raise or that you help raise. If you can't ball, you can sponsor someone and this will be going towards a worthy cause.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2707.13,2824.07"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And we have positive proof that this money is B is going in the right direction and will be used for to support fellows like this. Well, we'll quickly let let's get get a clear understanding of how great the need is for Big Brother. What kind of numbers are we talking about? Well, we have a waiting list now of 900. And so children that is predominately in the Baltimore City area, that's predominantly black males. So he's really very lucky. He is. He he's quite lucky. We seem to to be more successful up to now in recruiting adult females, but we haven't had the success that we want in recruiting adult males. So we're like we like I said, we're very aggressive and the need is tremendous. And one one last question. What kinds of things are you looking forward to doing, Lee? What do you want to do with your big brother soon? Go somewhere near. Great. You probably will, too. Thank you so much. We're going to put up a phone number just before we go off the air today to encourage those out there, big brothers out there, to come forth and help a child. It's great experience. Thank you. Thanks for having us. Lee Braxton, Raymond Kane, thank you for coming by. Is this the closing? Yes, we can. Do I have time to save one more? One quickly. Well, the bomb be them. P. This stands for the Black United Methodist Preachers has formed an alliance with big brothers and big cities of central Maryland. And we will be. We have asked them that we be allowed to come into their churches. And if they can o each church, if they can give us one big brother from each congregation because they feel the need.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2824.43,2931.28"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes, it will be great. Okay. Thank you, Mr. Cain, for that. We'll be back in just a moment. Hi, Harold Anthony here. You know, George Howard doesn't like the terms pop, R\u0026B and jazz. According to George, he just plays his music and people can call it whatever they want with do number one albums. To his credit, he has reinforced that conviction following the path of such illustrious players as John Coltrane and Wayne Shorter. Philadelphia born Howard is the new soprano saxophone Pathfinder. His album, A Nice Place to Be. His first for MTA Records is even more adventurous than its predecessors, utilizing contributions from some outstanding guest performers and showcasing Howard as a vocalist for the very first time. The success of 1985 Dancing in the Sun. Howard's first number one album thrust a musician into the spotlight and sent him on the road for the first time. He has opened shows for Bill Cosby, Gladys Knight and my fiancee, Whitney Houston. Early in 1986, Love Will Follow was released and quickly followed the path of dancing to the sun, to the top of the jazz charts, resounding at number one for several months. There were a few roadblocks before success came calling, however. He started classical music training on the clarinet at age six, switching two years later to the bassoon shortly thereafter, and he switched to the soprano sax later on down the road because it sounded similar to the bassoon. At the age of 15, he began touring with Philadelphia based groups such as Blue Magic, First Choice and Harold Melvin and The Blue Notes. These jobs gave him exposure, and in 1979, his expertise with Reeds led him to Grover Washington Junior, who hired him for his touring band. Now George Howard is blazing his own trails musically, and we all stand to gain from it.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2931.61,3189.62"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"To give you an example of what I'm talking about, he is George Howard with No, no. Oh, I know. No, no, listen. With his debut as a vocalist. That was George Howard with No, No. If you missed Howard at the Meyerhoff last Tuesday night, this ought to be reason enough for you to be first in line on his next trip to down. But I'll tell you what. It's not too late for you to catch Tennessee Williams fame production, A Streetcar Named Desire. The Bureau of Parks and Recreation Cultural Arts Program proudly presents that Kat and George Theater Company and their adaptation of this classical production on March six and seventh at 7 p.m.. The show is a benefit fundraiser for the Cultural Arts Program. The program offers theater, dance, music and art to low income children at no charge. Thus, they must continually raise money to keep the project afloat. The project will be held at the Green Spring Middle School, located at 4701 Green Spring Avenue. For further information, call Shirley Duncan at 3960932. Also, the fashion show that has the whole town talking is about to take place. That's right. The Travis went to a magical fashion event will be held next Sunday, March 8th at the Palladium, located at Liberty Heights Avenue, Andrew at Park Drive. This fashion extravaganza will feature 40 models from around the country wearing some of the most provocative fashions from Chicago, New York, Philadelphia, New Jersey, Baltimore and Washington, DC. Proceeds will be used to support fashion conscious institutions and to sponsor some deserving student majoring in fashion design. For additional information, call 2257753 or 4625373. And that just about wraps it up for another week. I'm Harold Anthony hoping you all have a great Sunday. Oh, how we will see in the next week on our part of the show.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=3189.92,3531.91"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Next week we've got a very interesting show. It's on Safe Sex and I will be answering the question. Everything you ever wanted to know about safe sex? If you'd like to be in the audience, call us. Now for reservations And the following week, it's two career marriages. That's right. In a great show. We had a lot of fun. Thanks for being here. I'm Betty Bentley. I'm Jacki Hol. Do the way he likes me.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=3532.15,3552.94"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/transcript/48947/annotation/27","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/947/original/open-uri20230817-2092-jod1ky?1692288669","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/947/original/open-uri20230817-2092-jod1ky?1692288669"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542","type":"AnnotationPage","label":{"en":["Baltimore Radio Personalities and Baltimore Big Brothers Organization, 1987-03-01 02-26-2024 19:19 [Index]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/28","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=149.0,2006.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/29","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Randy Dennis, WXYV; Sandy Mallory, WXYV; Alfie Williams, WWIN; Barry Young, WEAA","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=149.0,2006.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/30","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Newscap with Tea Montier","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2006.0,2387.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/31","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"AIDS; California state legislature; Howard Grayson; Credit cards; Interview with Michelle H. Dyson, Credit specialist; Student of the week: Carla Gilmore, The Monroe R. Saunders School","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2006.0,2387.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/32","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview ","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2387.0,3085.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/33","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"David Settles, Big Brother Big Sister of Central Maryland; Lee Braxton, Little brother; Raymond Cain, Black United Methodist Preachers","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=2387.0,3085.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/34","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Entertainment Page with Harold Anthony","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=3085.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288/index/82542/annotation/35","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"George Howard","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105529/file/206288#t=3085.0"}]}]}]}