{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/cc0tq5sp5q/manifest","type":"Manifest","label":{"en":["Craig Rideout Murder, 1988-09-10"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5290"]}},{"label":{"en":["Date"]},"value":{"en":["1988-09-10 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["On tape label: House #:799517 Title: City Line \"Craig Rideout\"  Taped: 9/10/88 Air Date: 9/18/88 12:00 noon  Recorded By \u0026amp; Date: Brenda Alford (Container Summary)","Diane Rideout discusses the murder of her 14-year old son, Craig, who was killed on his way home from work. Brenda Alford talks about the waning jazz scene in Baltimore, and what she is doing about her career. (Scope and Content Note)","Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-009-007 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["On tape label: House #:799517 Title: City Line \"Craig Rideout\"  Taped: 9/10/88 Air Date: 9/18/88 12:00 noon  Recorded By \u0026amp; Date: Brenda Alford","Diane Rideout discusses the murder of her 14-year old son, Craig, who was killed on his way home from work. Brenda Alford talks about the waning jazz scene in Baltimore, and what she is doing about her career.","Be advised that this video may contain sensitive, triggering, and offensive language and content."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/341/small/thumbnail_206341_1692291807.jpg?1692291808","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-483-msd1do.mp4"]},"duration":1921.596,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/341/small/thumbnail_206341_1692291807.jpg?1692291808","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/341/original/open-uri20230817-483-msd1do.mp4?1692292085","type":"Video","format":"video/mp4","duration":1921.596,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-009-007.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Welcome to this new season on City Line. Hi, I'm Jackie Hall. And I'm Harold Anthony. Teen Homicide. It's become a common story, but for the families, grief and suffering are personal stories. When one of their own is shot down in the street. Diane Rideout is my guest today. She's the mother of slain 14 year old Craig Keone Rideout killed on his way home from work early one August morning with just $0.09 in his pocket. Jackie, the rising homicide rate is a cause of concern for all Baltimoreans, and I'm glad we have a chance to address it on today's City Line. However, on the lighter side, we'll be joined later on in the show by jazz pop vocalist Brenda Alford, and she'll tell us about her budding career and what's happening to the waning jazz scene here in Baltimore. It's all here for you today on City Line. Yeah. Yeah. Over the years, City Line has done too many stories with the same topic, and it seems that the situation just continues and in many instances it may very well be even worse. But today we will try to paint a human side, a personal side to the story. And our guest is Diane Rideout. And we thank you so much for coming today to be with us. We know that it must be very trying for you. And I can only say that you're very courageous to be here. Let me just from what I understand about the details of your son's murder in August. Just you just try to highlight them and then you can fill me in if there are any that I miss. It happened on August 30th, and he was coming home from work. It was about 1:01 a.m. in the morning.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=37.45,158.66"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"From what I understand, he was just two blocks and one block from the house. One block. He'd gotten off the bus and was walking towards home and was struck down just one block from the house. That's correct. When did you realize that something was wrong, that, you know, he hadn't gotten home? For instance, the next morning? I had fallen asleep because he usually would call. And I woke up very early and I was like, you know, where's Craig? And I checked his room and I called his stepbrother and he wasn't there. And then I felt really strange and I just jumped into my clothes and I got my son, Corey, and I said, Come on, we're going to look for your brother. And he said, William. I said, I don't know, but we're going to find him. So this was about, what, seven in the morning? This was about about quarter of seven. Now, I'm just seeing as you walked to look for him in the community, which which is what? The Arlington area. Yes, the west Arlington area, not far from the Wabash. Wabash. Wabash, rather, Metro station. That's correct. So you went out looking for him with Corey and. No, we went to go get in the car because I was hoping, well, maybe he just got beat up or something like that. And we seen police coming down the street and I said to Corey, you run up the street, and if there's anything I should know about you back in your hand. And at the same time I was still walking up the street, he began to slow up and I began to walk faster because suspect something then? Yes. Yes. He started slowing up. I began to walk faster. And as I cross the cross street, leaving my street, I could see my son laying on the ground.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=160.07,258.86"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I was just praying, you know, Lord, just don't let him be dead. Just don't let him be dead. But he was. What were your feelings when you realized that that was your baby on the ground? I don't correctly remember. I do remember jumping all the way down the street, you know, And I was very angry. I was really angry all that day. I was I you know, I was mad with God. I was mad with everybody because it shouldn't have happened to him. This is the way I felt at that very instant. But you've grown to accept it is of cause It's only been three weeks. Is it a little bit easier today than it was when you first realized? Yes. I'm very strong in my faith with Christ and through prayer from me praying and others praying for me. God has brought me to where I am now in doing research for this. And in talking with you earlier, I wondered, tell us about Craig, a key, as you called him affectionately. Tell us what kind of young man was he? Seems it seemed from all the accounts that he was special. He was he was a child, that he challenged anything and he wouldn't leave it until he had mastered that. And that would be whether it would be carpentry or playing with the computer game or whatever, you know, and working. He he really learned to work. You know, he just wanted to get out there and help me. He figured if he got a job on his job, that he could buy his own school clothes. He could give his mother maybe a pack of cigarets and, you know, he wouldn't have to bother me or be a hindrance, you know, But I don't know.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=259.82,368.42"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know, he was just a good child. He was never in any trouble. He had friends wherever he went. And he never spent the night out. He wasn't a street child, you know, even at 14, he never got in a fight. What about the relationship with your father, his grandfather? He was very close to my father. My father taught the boys how to play checkers, and he was considered the checker king in our house after my father passed because no one could beat him. He liked games like Monopoly and my father, he would play games. He taught them to read, you know, he would take them with them and show them how to clean fish if they come back and tell me how hard their grandfather worked them. But they'd always want to go with him again. You know, it was a. Way of making money, honestly. And my father, you know, he said to them, you know, this is the way when I came along, you made your money. You didn't take from someone else. You got out there and you worked hard and you made your own money. So Key had learned the work ethic from your father. And he was a hard worker. Yes. And earned an enterprising young man. We're going to take a break now. When we come back, I want to ask you, what do you think is wrong in the community that a 14 year old man with a young man with so much promise could be cut down like that? And we'll talk about that when we come back. Stay with us. We're back on City Line talking to Diane Rideout about the incident that occurred to her son, Craig. Before we went to the break, I asked you, what do you think is wrong? What's happening in the community that this could happen not only to your son but to so many young people? First, I think it's the easy accessibility for young people to get guns.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=368.6,539.3"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I don't mean what they call Saturday night specials. I think it's called I mean, these kids, they have something called Uzi and shotguns and, you know, and 350 sevens, I mean, something that would blow a person in half. Now, your son was shot by with with a sawed off shotgun. And the other thing is, I think it's the turning away of people when they see things happen or if they heard something happening. And my son's case, they said, you know, neighbors did state that shots started at around 1130 until 130 and no one called the police. Were there any witnesses in your son's case? None has come forward. None at all. Even today. Are there any suspects to date? Not really. They only know that you know the type of car. And they said that they have a good lead on that. But that's about it. Let's talk to some members of our studio audience and see. I'd like to talk with you if you were just standing here, camera and your last name is Hughes and you work with youth. Tell me what you feel is wrong or what is happening that this could happen so often in communities? Well, first of all, we have a breakdown in terms of a sense of community spirit. Years ago, when I was coming up, everybody in the community felt a part of that community and would do whatever was necessary to see that that community was held together and it was happening as it should be. Sort of like a sense of family. There's a spirituality. More folks just don't have the same vibe. What is it going to take, though, to turn that around? What are we going to have to do? How much longer do we have to go through this? Well, I hope we don't have to go through too many of cases like this right up.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=539.87,651.35"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's hard, but it tends to galvanize some segments of the community when we have a crisis where folks say, well, we've got to do something because the next time it might be my son or it might be somebody that I'm concerned about, unfortunately has to come to that. But there are some things that can be done. We have to start being involved. We have to start knowing who our neighbors are. We have to in fact, you can live in a community sometimes and not even know who lives next door. And we have to get away from that thing. So those are very simple things that make a great deal of importance in the community and make sense. Thank you for that. I want to talk to someone else. Reverend Vashti McKenzie is also in our audience. And you're doing some work at your church in terms of outreach with the youth in the area. Tell us about it. Yes, we are. We have a program in our church that involves young people. We're trying to provide a positive alternative, that there are other things in life to do besides shooting, killing drugs and alcohol and sex before time. And so we try to involve our young people in education, uplifting. We're looking ahead to tutorial programs to help them in school. We just completed our back to school rally where we encourage the young people to do the best that they can in this school year. One of the things that we are going to be encouraging in this year is one adult, one child. We may not be able to go and put our hands on thousands of young people, but if one person, one adult, will commit to put their hands on one child where there's theirs or someone else's and walk that young person through the school year, it'll make a difference.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=651.71,743.63"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It'll make a difference in that child's life. And then, of course, our church is involved in picking up the pieces crisis, intervention and support groups. Great. Thank you so much for that. I want to talk to one of the young people in the group, if you would, stand up. What is your experience? You know, it's happening to your age group on the streets every day. What are your feelings? Are you afraid? Yes, very. One of my neighbors was shot down and he was going into his house when he was killed. And it's it's really bad. And I am afraid I'm afraid to go to school because I don't know. You know, maybe I have something that someone wants and, you know, is the problem. How do you protect yourself? Well, it's it's nothing that I can really do to protect myself from it. But I pray and I keep my faith. And I know that the Lord will see me through. Well, I keep for that. Diane, let me get back to you and ask you an additional question. How has your family been sustained through all of this? What has kept you going? It's been three weeks and it's still come right from the memory. Well, God's grace. Prayers from everyone. Prayers to our God from ourselves, you know, and family unity. That's the most important thing. We have always stuck together as a family. And I don't mean just the family that lives in that storey building. I mean, the family, the aunts, the uncles, the cousins they have constantly. They are still calling, you know. What do you think needs to be done in the community? I think the community needs to band together. You know, they need to start making a telephone call.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=744.41,846.91"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Even if they don't say who they are. Because my feeling if a person is going to retaliate, they're going to do it. Even if they thought that you called or told something on them. So they need to start speaking out, because if they don't, then the destroyers are going to destroy our world and this is our world. And I taught my kids that if you're afraid of dying, then you are afraid of living. And in this world, you can't be afraid of either. How much has your family changed, though, in terms of its emotional well-being as a result of what happened to Greg? What's the impact on on the son who was with you when you discovered Greg? I think I know that my son Cory will never forget, you know, seeing his brother laying on the ground, seeing the wound where it entered and where it came out, and I don't know, it kind of with children, they are a little bit more revengeful than adults. Me as an adult, I can pray to God and asked him to let vengeance be he because he did see that. And I can forgive that person and pray for that person with the children. I have to work a little harder with them because they are not. So forgive me. Any message to other parents, any message to young people who are carrying guns as if it were the wild, wild West. My message to parents would be to make their children aware of their surroundings. A lot of times children go to or come home and to to and from school on the same route, and they're really not aware of people watching them traveling either way. Sometimes that person could be following them and they they really don't pay any mind, you know, because they're talking with their friends and lollygagging up the street or whatever.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=847.45,961.99"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But they need to be aware of who is around them. They need to be aware of cars and people that they haven't seen before. Okay. We thank you again so much for coming by. Such a recent, terrible occurrence to your family and we wish you the best. Again, if there is anything that you can do by way of information that would help in the arrest and apprehension of the person who is responsible for this, we hope that you will take the time, even anonymously, and call the city police. Again, we thank you. And we'll be back in just a moment. Harold Anthony is up next with Brenda Alford a. You and me as well. Let's not. We. Deep down this. Welcome back to City Line. Joining me today, for those of you who are not in the know is the first lady of Baltimore Jazz. Ladies and gentlemen, please help me. Welcome to the city line. Set, Miss Brenda Alford. You know, Brenda, you have an inside track on jazz in Baltimore, and I'd like to kick off our conversation today with something that's a major cause of concern for me. What's happening to jazz in Baltimore? At one time, we could go to a famous ballroom. We could go to the jazz closet. We could go, you know, there were several places we could go and enjoy jazz, and we could go there at the drop of a hat to see a top name entertainer, someone internationally known. Now everything's dry up. Yeah, well, the institutions seem to be dying in Baltimore, and it's very upsetting to me because these are the places that I could go and listen to my peers and jam, and the top name artists from all around the world would know these places.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=962.35,1156.91"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The Jazz Closet Herald is closing and it's going to be sold. And from what I understand, there's a group of Korean businessmen looking at it to turn it into a grocery store, the jazz closet. Now, okay, we're talking about the the owner, Henry Baker, was the first person to bring Miles Davis into Baltimore. Okay. We're talking about a place where Horace Silver would leave Ethel's after his big time gig and go to jam, come down and sit in with me, because I was the little singer there, you know, And we're talking about Bill Hardman and Junior Cook and Leon Thomas and all these great preservers of black American music. And jazz is the classic American art form. And this institution is dying. Hopefully there's a rich person out there somewhere who loves jazz, would like by the closet. If not, we're talking about, you know, I guess the same thing that Mrs. Rideout mentioned, just becoming a community again. And these issues are things that people are not made aware of and that Gary Bartz is up in New York right now. He's not playing in Baltimore. You know, three weeks ago he was here and he was really cooking class, being closed at those closed down. Well, hopefully Blues Alley will breathe some life back into the jazz scene here, and I really hope for that. Well well, jazz has a reputation of being segmented and a lot of the folks who are involved in jazz, I respect them greatly because they haven't sold out, even though they can do different kinds of music. Yeah, they stick to what's close to their heart and they continue to do jazz. You're one of those folks. Did you did it ever crossed your mind to just abandon ship and go on with what would bring you more capital gain? Never to abandon ship, but people really don't realize.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=1157.72,1272.5"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm always billed as a jazz singer, but I really am a pop singer. I sing much more than jazz. Jazz always holds a special place in my heart simply because it appeals to my mind and my artistry. And I think that's what it is. With a lot of jazz artists, it's always appealing to be offered money to do something else. Maybe if I was offered enough, maybe I would try it. I'm not going to ever say never. Mm hmm. Well, you know, I came to see you at Cross Keys just a few weeks ago, and I got a surprise because I did not know that you were also a composer, Composer, Crowe. Whatever terminology you would use. And, you know, how long have you been doing that? I've probably been writing songs as long as I've been singing them. They stemmed from my life experiences. I've written songs about my relationships. I've written songs about my my beautiful daughter. I've written songs pertaining to life in general. So it's not something new. It's been a hard road for you. And I can't complain because I've loved it. Or I think that I'm really blessed to be able to do something that I love to do and get paid for it. Yeah, well, you know, there's there's absolutely no bitterness there at all. I mean, the fact that, you know, you're not, you know, one of the great international stars such as Sarah Vaughan or something like that, because you do have the talent. I can't be bitter about that. I didn't go that route. I stuck close to home. Whenever I get on a plane and go abroad, I'm an international star. So in that sense, I haven't I don't feel as if I've lost that on anything.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=1272.83,1375.94"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I haven't been very aggressive about getting on the road because I wanted to stay close to home. My family's here, I am a mother and it's important to for me to maintain those roots, at least for now. Now I know it's inevitable that I do get out there, but I feel blessed. I can't be bitter about anything because I. I consider myself successful. I love Baltimore. I just like they love me. I guess that's one of the reasons why you don't make your home base someplace else where jazz may be more popular. It's a larger place to showcase your talent. They struggle in New York. I struggle in Baltimore. I was not cut out for struggling. Hmm. Okay, so Baltimore is a place where I've worked nonstop since I began in 78. And I just feel like it's an honest to goodness blessing that I call myself a walking miracle. Would you advise some of the young folks that say, if I was a jazz artist, then, you know, I was going to start a career here? I had a record called She Walked Out the Door. So I hit her with a brick like that and every other word. What would be your advice to me as far as starting my career here in Baltimore? Well, I you know, if you were a young artist, I would say go to New York and make yourself known. I started singing when I was 28, 29 years old, so I was pretty well said. I didn't feel like doing that. But if you had the energy and if you have the the the youth, I would say go to New York and be heard. And the way to do it is to go in and introduce yourself to the musicians and say, my name is such and such, and can I sit in with you? And it's amazing how wonderful I find musicians to be.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=1377.47,1480.13"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They're friendly. They open their arms to me. And that's how I started working. They invited me up because one of my choir members, her name is Debbie Jacobs, and I'll give Debbie Jacobs a plug because she's got a record playing now. And she she invited me up on the bandstand and I started saying the musicians heard me, got my phone number, and I was working six nights a week. So you're one of the lucky ones. Very quickly, we have about 30 seconds left. What's new for you? What's coming for you? Well, I've just signed with a production company that's a subsidiary of CBS. It's a three album deal. So you'll get to hear some of these songs that I've been writing over the years. I'm really excited about that. And then there's a group in town called Jazz Expressways. They host jazz breakfasts periodically, and on October 1st I'll be their featured artist at the Five Mile House, and I'm going to be doing a benefit concert for AIDS in Wilmington, Delaware. You are certainly busy, and I want to wish you continued success. And thank you for joining us on today's show. But right about now, we have to cut through the community calendar. And we'll also have a look at Margie's latest effort. It's called Personality. We'll be back with more city immediately following that. Well, that's almost it for today's show. But we want to tell you about next week's show. You know, 58 years ago in 1930, a 23 year old black autoworker who was afraid of losing his job went to the Soviet Union to work. Well, after 44 years and what he found there was a great deal of discrimination, hunger and suffering. He wrote a book about it, and he will be our guest on Cityline next week.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=1480.52,1705.36"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And also next week, I'll have an internationally known star who will be here now to offer me money. Maybe I'll tell you who it is, but you're going to have to tune in next week to find out exactly who it is. And we hope that you enjoy today's show. And would you please write us at City Lawn Care of WGC TV, Television, Hill, Baltimore, two, one, two, one, one. We would love to hear from you about today's show and about any suggestions you'd have future shows. I'm Jackie Paul. Thank you for joining us. And I'm Harold Anthony. Have a great week. Teen homicide. It's becoming a common story on our city's streets. This Sunday on City Line. I'll talk to one mother whose 14 year old son was shot down on his way home from work. And I'll talk with local jazz vocalist Brenda Alford. Join us Sunday at noon on City Life. Sunday at noon on City Line. We'll talk about teen homicide and visit with jazz artist Brenda Alford. Join us for the new City Line. One. Teen Homicide this Sunday at noon on City Line.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341#t=1705.87,1902.02"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105574/file/206341/transcript/48948/annotation/15","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/948/original/open-uri20230817-2853-1juwb4?1692292847","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/948/original/open-uri20230817-2853-1juwb4?1692292847"}]}]}]}