{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/ft8df6mq7c/manifest","type":"Manifest","label":{"en":["Dub of Gorgeous George wrestling"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/25731"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. 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Here he is coming out directly to ringside. The one and only the original. The toast of the coast. The human orchid. Gorgeous George now entering the ring. Coming up the steps into the ring now. And his own starlet, Woodrow is coming up, following him up the stairs. Is psycho living while Perry is holding the ropes apart and the gorgeous one steps into the rain. Woodrow is handing the train to his second. I. Right? Right. That's the Hellenic look. Gorgeous George is wearing by Frank and Joseph of the Hollywood. They just presented yours truly with some gold Georgie pins. They're really beautiful and gorgeous. George is going over there, is going on all evening long for the second and has been spraying the rain. Gorgeous. George is over there. And now I'm going to bring the microphone up here for a moment and get gorgeous George before he takes off the road with our microphone. Good to see you here, gorgeous. And I understand that is the Hellenic Lodge you are wearing? Yes, it is with this Grecian contour. Grecian. Present in the black corner and wave 220. That's great. Canadian wrestler Larry Moe Queen. Weighed 210 pounds, got tossed out of a car. No. Billings is giving the boys their instructions. He examines Mary Martin. See, there's no reason. Only blood for St George's. Do not touch my roll. There's no oil on me. I. Harder to perfection. Brothers. The commission, they could open the door. I don't know if you and. Protect yourself on the break. All right. What? Yeah. What is the question? That makes me mad. Makes me nervous. George gives Larry disdainful look as he tries to shake hands with him. Larry, is one of the leading exponents of the dropkick.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896#t=86.91,391.98"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896/transcript/71652/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So watch this boy. Watch his feet and legs in this match. Gorgeous. Georgia is one of the most powerful residues in the book is Ted Hall. And he wins most of his matches where there's a side headlock and a flying, rolling hip lock. He's also very expert in taking leg locks off the ropes. Guards. This one is pulling up the robe and putting it on the tray. Irving Laffer is taking it now on the train, stepping outside the raw, handing into his college wardrobe. He's a male and we're ready for action. Or just say, Just wait. I'm not ready. Brother. Ha ha ha ha ha. This is the gorgeous George strut prance around the ring. He really bounces around. He turned to the crowd. Listen. Quiet, you peasants. Ha ha ha ha ha ha ha. Was a rolling bill beautifully executed by Larry Flynt. It's a reverse wristlock. It's an arm breaker at the elbow to the way it's applied and some pressure hold. But it is not a submission on Barry Jones, is it? To a gig? Your father is like and gorgeous. George steps outside the ropes. On the break. He must look gorgeous. His hair. Ha ha ha ha. It is all. It takes in the Bush defenders on and off balance so he can come in with a whole. Zelig like my gorgeous jaws off the ropes. Billings is telling him to break. One, two, three. Don't try. George won for a cradle, but he missed the his mobile phone still. The gorgeous one got up and the rain cleared. He really gave the guard his won the full 3.0 lines that goes into the meditation while George was spreading. Other. Georges. Georges, I. Citizen. Well, I thought he was feigning, came up with that leg lock and using the rope.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896#t=392.61,624.31"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896/transcript/71652/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"George comes up in the leg. One, two, three. Before, says Gorgeous George to break before the count of five. We must break on a fast break before the kind of five. Well, there was the fault of the opponent. It gives Morgan a chance to flex their muscles in that leg that judge is working on. George steps outside the room. George goes for a rolling bill on local news very fast when he starts to move, but Billy tells him to break. Hi. You broke before The kind of fun, but just barely. That. I'm on that call. George has more going over the ropes. Denise gave him another card and Georgia Sovereign went up. Wow. No wonder George hit it. Nobody does anything. There we go. All this. Peter out. The law. To be brought on the road. There's a drunk when goes into the ropes and George is on top of it to raise. That's all, brothers. I've seen a lot of. The legs were through the rope. I don't. Gorgeous George and saw Jason with Morgan. Look what naturally is hot under the collar. And a lot of the fans think it's a pull me finish. George is putting on his wedding roll up one of his fancy rolls in. They're gorgeous. George even has a snow boy. Wow. He really let it go. There we go. Here we go. He had. This match will be the greatest heavyweight champion of all time. The man the sheep taught how to wrestle his very dear friend. The one and only Muhammad Ali could stretch it out. It's a natural back. Gonna look for dark. It's no place for a man. And to lie down with your eyes. Go back to her. Well, I never know why I thought people.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896#t=644.6,923.53"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896/transcript/71652/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For her and for. I like her. Good. Couldn't hurt her memory. A good game watching for the build up to the drill through there. No, you're hurting. What are you. Now I'm going back to kiss your leg. You're not really ready to come back to your normal home. Hurt people is one of my charms. I'm going to smash. We're going to crash. I'll have Carmody crash and hurt, first of all. I'll work your neck. Recall to make sure you watch closely to see what you look like now. Now you call the pope when you're tied to him, but he's arrested free in your own home with a gun. Well, you've got a little girl, the little girl who disappeared last fall. I left our home for. All right. Go ahead. Yes. Good. You got to hurry. Go and make them run home to Mom. I like to hurt people for my much. Yeah, I. Her. Right. So for now. Yeah. Come down. Hurt me. Hurt you anyway. All right. Sure. It's a natural back and a little too dark. It's no place for a man and to lie down with dry eyes. Because of that don't hurt Well. And you know why? Thank God for all the hurt. And boy, I like a good girl for her. Big boy for a big. Somebody back and bite your face. I think your dead cat. People.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896#t=926.48,1090.8"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896/transcript/71652","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136884/file/253896/transcript/71652/annotation/5","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/071/652/original/trint_WJZ-FLDTP-006-006_transcript.vtt?1728353162","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/071/652/original/trint_WJZ-FLDTP-006-006_transcript.vtt?1728353162"}]}]}]}