{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/jm23b5xp8p/manifest","type":"Manifest","label":{"en":["Hot Line; Sunpapers Strike, 1987-06-14"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5269"]}},{"label":{"en":["Date"]},"value":{"en":["1987-06-14 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Jaki Hall and B.T. Bentley take questions from viewers about what's happening in our world, our nation and our community. There is a musical performance from Sweet Honey in the Rock. Guests include Arthur J. Gregg, a United Cable of Baltimore Consultant. Isisara Bey interviews Michael Fletcher, an Evening Sun reporter about the Baltimore Sun Papers strike. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-007-003 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Jaki Hall and B.T. Bentley take questions from viewers about what's happening in our world, our nation and our community. There is a musical performance from Sweet Honey in the Rock. Guests include Arthur J. Gregg, a United Cable of Baltimore Consultant. 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Hi, I'm Jackie Hall. And I'm Betty Baddeley. It's 12 noon. We're live on City Line. Hi, I'm Jacqui Hall. You know, I bet that way today's City Line is a very special cause. We're going to have a hotline. Yes, because City Line wants to hear from you, your questions and comments about what's happening in our world, our nation and our community. Find out the latest on the failing PTL Club. Put Colonel Oliver North on trial. We'll learn what chances Jesse Jackson has to win the Democratic presidential nomination. It's an open forum for you. What issues are on your mind? Let's hear it today on city Lines, Hot line. Today on News Corp. The real issues in the Sun Paper Strike on my sister a bay. Hi, Harold. Anthony here. The one time lyrical force behind La Belle has stepped out on their own. The result has been one dynamic hit after another, known to Hendrix as the featured artist on today's entertainment page. Also today, we'll learn what cable television means to Baltimore and how public access will allow you to produce and air your very own TV show. Now, to start the show off, a special treat to musical guests, Sweet Honey in the Rock. And then later in the show, we'll turn the mics over to you. Where City lines Hot line here live. Welcome. Welcome to the very thing where you got to a show full of a lot of things today. This is one of those unusual shows for City Line where it is just jam packed. We have so much for everybody. A lot of fun to start things off. To start things off. We have a musical selection called Echo by Sweet Honey in the Rock.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=0.57,139.07"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Let's bring them on now. Could. Echo. Oh. Echo. Oh. Nothing at all. Oh, okay. No, no, no, no, it's not. Nothing but. Oh, okay. Here is the problem. You really. Just a few. A few. Does this the. You may. Jeff. The. Baby. The baby. The new star. Each and every day. We don't you know, there is nothing. But can. Oh, okay. There's nothing. Nothing good. Oh, okay. Here is the. The sounds from the dailies, though, will be to the Wilmington Del. Hot air goes. A massacre. That is keeping BlackBerry going like this. Sound stronger. When our political world. O. F. O. Look, this. Your father killed his mother. Don't you know you can steal my. Go on. I dare you to try to hide. Try to hide. My Oh, my scream. The three of you will. Yeah. We got to be centering on. Don't you know that It's nothing? Nothing. But. Oh, play. Oh. It is nothing. Nothing. And it was. Goes. Oh, it Echo. Oh. Oh. It goes. Oh. Not letting. Oh, but. Know. Sweet honey in the rock, we will be able to so we can get you first to perhaps introduce the ladies in the group. A leading echo is an intangible a. Aisha Kahlil. Evelyn Maria Harris is our Maria Barnwell. And I'm Bernice Johnson Reagon and the person doing the signing. Shirley Childress Johnson. Okay, Now, is that is that something that you've always had as part of the group? No. We began to work regularly with a sign language interpreter in 1979, after about two years of getting requests to have our concerts made accessible to the deaf and hearing impaired community. Ernie, How did the group get started? And the name Sweet Honey in the Rock, which is so beautiful.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=139.37,567.44"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We got started in 1973. I was vocal director of the D.C. Repertory Theater in Washington, D.C., which had been organized by Robin Hooks, went out with the artistic director and the first group of singers in Sweet Honey in the Rock were actresses out of my vocal workshop, and the song is a black song. It can also be found in white Southern sacred music, and it talks about a land that is so rich that when you crack the rocks, honey flow from the rocks. That's beautiful. It's absolutely beautiful. Your group is going to be performing this evening, I believe, at Centennial Caroline United Methodist Church. That's right. I got it right. And that's at 730. And it's a fund raiser. And you'll be at the Baltimore Museum of Art at oh one today. Thank you for gracing our stages here on City Line. We appreciate your being here. Thanks a lot. We'll be back in just a moment with more on. Yes, General Greg. You sit right here for me, Right? Welcome back to your city line. It is a great way to start the show. I love it. Definitely. Definitely. You know, the issue and the question and the hope of cable television in Baltimore has been a long time in coming. Just within the last year or so, ground has been broken and service is now up in some parts of the city. And I guess there are still a lot of questions about it for those who don't have cable yet. So we have a very special individual here going to tell us a little bit about what's happening with the United Cable here in Baltimore. General Arthur Gregg, welcome to City Life. Thank you very much. It's good to be with you.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=569.0,743.21"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"All right. Tell us a little bit about where United Cable is so far in terms of wiring up Baltimore and be happy to in the city of Baltimore. We have about a thousand miles of cable to be laid. We have completed just a little over 100 miles or about 10% of the project. And we are now serving about 7000 homes in the city of Baltimore. The entire build will take us into 1989. Okay, great. And the way I understand the way the service is being built is that it's not just one part of the city now that has access to the cable or the several parts of the city, or is it basically emanating from one section? It's basically emanating from one section now. But but we will very rapidly, though, reach several sections of the city until a complete build is made in 1989. Okay. Tell us about programing. How will you actually get a full schedule of programs once it is totally operated? There are 70 channels available on the system and we have a publication now that that's that's in circulation, telling what offerings we have on each of the channels. The thing that cable does for the city of Baltimore and for other cities is that it certainly extends the programing that's available for most of us in the city of Baltimore. Without cable, the local television stations we can receive and perhaps even some can can reach out as far as Washington, D.C. So you'll have 78 channels that 70 channel, 70 channels. So how will it be programed? Eventually, we will broadcast all of the local stations here in Baltimore, of course. And then we will also bring in additional programing through satellite feeds. As an example, there will be seven channels just for movies and there will be 12 channels devoted to community access.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=743.45,876.91"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So it substantially expands the programing available to the residents of Baltimore. Now, Public Access, tell us what that's all about and how does one get involved in that? To get their own concept and public access makes it possible for individuals and groups to produce their own programs and to cable cash their programs over the system and cover such areas as education, religion, government, sports. Just about anything that is of interest to the people of Baltimore can be covered in community access. I indicated there are 12 channels reserved for community access. That program is managed from the mayor's Office of Cable and Communication, headed by Bob Smith, who incidentally, is just an outstanding cable administrator. There are two channels activated now, a channel of 40, 49 and 45 activated and community access. And I would expect that in time the city will form an advisory group to develop detailed programing and bring in the various interested groups throughout the city of Baltimore. Let's talk a little bit more about your main area of concern, which deals with, uh, I guess, the minority hiring practices and compliance with the city charter. You tell us a little bit about your specific role. I'll be glad to. Uh, for the last two years, I was the vice president and general manager of the cable system in New Orleans, Louisiana. And I felt that my experience there in building and operating a cable system and working very closely with the city of New Orleans, that that experience could be useful here in Baltimore. I know that United Cable has made a very serious commitment to the city of Baltimore and to serving all segments of the city. And I agree to work for United Cable as a consultant here in Baltimore.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=877.87,1007.99"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And some of the things that I'm primarily interested in is the interface with the various city officials, the local stockholders. It would be of interest to you to know that 25% of the ownership of United Cable of Baltimore is held by local stockholders. So working with that group is important. That group is headed by Dr. Chazelle. Yes. Let me interrupt you only because we're running out of time. Yes. How many jobs will be created in the community by United Cable's being in the area? At the moment, we have 70 employees working directly for United Cable. And of the 70 employees. Uh, 60% are minorities. Now, in addition to that, there are about 200 employees working for various contractors involved in the building and the operation of the cable system here in Baltimore. That's what we have at present. Now, obviously, these numbers will increase as the bill is expanded here in Baltimore. Now, for anyone who's listening to us now, watching us now who's interested in getting a show on cable television through United Cable, what where will they call? Where will they write? They should write. I call the mayor's Office of Cable and Communication. And the chief of that office is Mr. Bob Smith. Okay, gentlemen, great. Thank you very much. Hopefully we'll have a chance to chat with you again before the system is complete. We appreciate your being here. Thank you very much. It's a pleasure being with you. Thank you. Got more say. The line coming up. Don't forget the hotline later on in the show. Stay with us. Coming up on newscast, a state of emergency ignored in two countries on my sister, Ruby. After 16 years in the shadow of Patti LaBelle, Nona Hendrix has stepped into the spotlight and you'll see the results when I feature a smash hit.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1009.16,1135.98"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Why should I cry? On today's entertainment page. You just go to your. I got rid of him altogether. You mean between the sounds, stuff and everything? Not all the way down. You got fights and stuff? Yeah. Okay. What a good question. Could you speak for Sure. Okay. My name is Michael Fletcher. I'm at the Evening Sun, and I've been working picket lines for four days. Tired of it? Okay. Good afternoon, everyone. The strike at the Baltimore Sun Papers and an extended state of emergency overseas tops our newscast for this week. I might say Sara Bay. The strike of the Baltimore Sun Papers marks off its fourth day today. About a third of the staff at the Sun have kept to their decision to stay off the job until an equitable settlement is reached. 650 members of the Newspaper Guild continue to walk the line in front of their place of employment. Some papers publisher Reg Murphy vowed last week to continue putting out a newspaper, and that's been done even though the publications are much thinner than readers are used to. We're all familiar with the bylines we read in the paper, but this strike involves much more than reporters. With me today is Michael Fletcher, a reporter for The Evening Sun. Michael has been with the paper for about five years and covers city issues. Good afternoon, Mike. Good afternoon. Thanks for joining us. My pleasure. What are the main issues of this strike? Really, the main issue really is fairness. On the one hand, you have a company is projected to make over $30 million this year, this year asking reporters and others for givebacks. And those givebacks, especially medical givebacks, might eat away anyway that's been offered by the company for the next three years.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1136.28,1343.52"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, who besides reporters are involved in this? You have a whole range of people, from people to classified advertising, people who sell display advertising. You have people that work in the mailroom with the newspaper. You even have carpenters and carpenters assistants in the Newspaper guild. And those people make much less than reporters. I know the publisher, Richard Murphy, has said on TV and often quoted what US reporters make. But reporters comprise less than half of the guild, and many people are making under $200 a week and have been offered raises of totaling $39 for two years. And as I said earlier, the cost of the medical premiums would probably outstrip any real they get if we accepted that. Well, where do things stand right now in the negotiations? Well, yesterday, the the guild offered a counterproposal to two management. One of the things proposed was to have the people at the very top of the scale, the reporters and some of the copy editors actually give up some of their raises that some of the rest has been offered and try to accept a smaller raise to free up some money so the people at the lower end of the pay scale could get more significant raises. But so far, management has not responded. Well, how is the strike affected you personally? Well, in a lot of ways you get no sleep. You've been all over the place and it really makes you think about your role in a company and sort of, you know, where you fit in and you sort of lose morale, if you will. You see it as more of a cold business relationship. And what about all the people that are striking? Is there any unity there? Oh, sure, sure.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1344.57,1425.72"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There's a lot of cohesion. That's the one thing that keeps you going because it's you know, otherwise it feels so, so isolated and so forth. But people are really nice to one another in a line. We know we're in a good fight together and we know it's a just cause. What can all the readers do to help? Well, we've been asking readers to cancel their subscriptions to the Sun and Intro. You know, that's something that I think should be done. And we've been trying to get community support, asking people to join our picket lines in front of a newspaper and hopefully people would come to a rally we're having tomorrow at 4:00 and instead to the newspaper tomorrow at four in front of the well, what's next? What's the next step? Well, it's an in management's quite, if you will. I mean, we've given them a counterproposal and hopefully they'll respond favorably, but we'll have to wait and see about that. Yeah, I guess we all will. My guest has been Michael Fletcher of The Evening Sun. Thank you, Mike. Thank. In international news, the specter of repression continues to hang over the country of South Africa today. President P.W. Botha reinstated the yearlong state of emergency late last week for yet another year term. The emergency law restricts freedoms of speech, movement and assembly already limited by apartheid. The announcement sparked riots and resistance in several sectors of the country. Anti-Apartheid sentiment has been vocalized by all nationalities of South Africans. President Botha is adamant in his stand and so is his opposition. We will not talk to these people. We will fight them for the simple reason that they are part and parcel of the terrorist because we sit in the world of today.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1425.93,1515.48"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I think we all know that P.W. would have to go home. But in the days of the country that is going to announce tonight, I think is imposing the state of emergency. What can we say to him? He has announced a major reimposing the state of emergency. We are saying it to an end to ending the State of the Union. Residents in Panama City ignored the state of emergency in that country this week. They took to the streets with rocks and bottles, clanging pots and barricades of fire against police bullets, billy clubs and tear gas. The government ordered all schools closed through next week, an attempt to defuze the protests. The riots erupted when news leaked that General Noriega rigged the 1984 presidential election and was involved in the murder of two prominent Panamanians. The opposition wants the United States government to remove Noriega from Panama. In Seoul, South Korea, thousands of students divided, government warning against breaching law and order by staging violent demonstrations in 11 cities across the country. More than 16,000 students protested on 28 campuses, clashing with riot police for the fourth day in a row. The protests were sparked earlier this week when President Chandu hwan nominated his party chairman for president, virtually assuring his succession to power in the next election. This week's riots have been the most violent since Chiang took power in 1980. In national news, the drug scandal surrounding several elected officials in Atlanta, Georgia, has apparently not affected former state Senator Julian Bond. Bond says he is not under investigation. And while a federal grand jury questioned Atlanta Mayor Andrew Young, the jury has not called Bond to testify. The scandal started when Mrs. Julian Bond allegedly told police her husband and several other prominent Atlanta has used cocaine.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1516.74,1632.99"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She later recanted her statement. The California Supreme Court was not so kind to former Black Panther leader Huey Newton this week. The court upheld Newton's 1978 conviction for possession of an illegal weapon. The conviction stemmed from a 1974 incident when Newton's Taylor was pistol whipped in Oakland. Newton, who is 44, has 20 months to serve on the sentence. Women might have come a long way in the last few years, but one California woman has light years to go. The road ahead for Dr. Mae Jemison goes in one direction up. Things are looking up for the NASA's space program these days. 15 new astronaut trainees have been added to the roster, including a 31 year old general practitioner from Los Angeles. I'm really excited. I'm thrilled. I'm still a little bit numb at finding out that I'm going to be going down to Houston. I'm very excited. Dr. Mae Jemison is the first African-American woman to be selected for astronaut training. She applied in October of 1985, but her plans were put on hold after the Challenger accident. It doesn't frighten me because of the Challenger accident, because there are always risks that are involved. And I think when you apply to become an astronaut and you decide that's what you want to do, you know about those risks and you decide that you're willing to take them. President Eisenhower started the thrust into space in the 1950s, but it was John F Kennedy who put the first American in a capsule. Dr. Jemison starts her training as a mission specialist on August 24th. After that, the sky's the limit. No leadership at the helm of Georgia. Spelman College spells good news for the women at that institution. Dr. Johnnetta Cole has been named Spelman first African African-American woman president.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1633.8,1742.25"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Spelman has the added distinction of being the highest endowed historically black institution on the United Negro College Funds list. Spelman Endowment reached over $33 million for the 1985 school year. Broadway's highest honor went to one of this country's favorite African-American actors this week. James Earl Jones accepted a Tony for his performance in the play Fences at the awards ceremony Monday night. Under city line skies today. It's sunny and humid with highs reaching the mid to upper eighties and light winds. That's news cap for this week. Enjoy the day and the rest of the week ahead. I'm my sister, bay. Now back to jack and betty and the city line hot line coming up next. Now, here's this week's community calendar. Hello, my name is Jan Costello. Across the homestead, Montebello, Santa Sir Joanna Douglas College will hold its first homecoming celebration beginning Sunday, June 28th through Sunday, July 5th. There will be a cocktail, sip and alumni welcome reception as champagne, toast and roast and a family softball game and picnic. Dr. Eleanor Holmes Norton will be the commencement speaker, and we especially invite the alumni to come out and take part in these events. For further information, please call 2760306. Hello, my name is Lynnette Bennett Rice. The Southwestern High Alumni Association invites all of its alumni to enjoy a Moonlight cruise on Saturday, June 27th from 10:30 p.m. to 1:30 a.m., there will be refreshments, live entertainment door prizes and T-shirts will be on sale. Proceeds will benefit the scholarship fund. For tickets and further information, please call 3628271. Hello, my name is Vanessa Jackson Johnson. Turn out Performing Arts Center invites you to the third Annual Choreographers Dance Collection competition on Saturday, June 20th, at the Baltimore Museum of Art. A reception will begin at 630, followed by show at 730 featuring Maria morales.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1743.18,1963.23"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Diana Can dancers from Peabody Institute, Glass Studios and Marilyn Gaston. For ticket and further information, please call 8899190. If your group or organization would like to announce an event, please write us in care of City Line. WJC TV Television Hill, Baltimore, Maryland 212, one one. Or call us for further information at 4660013. Between the hours of nine and five and. Well, we are back. We've had so much already. And guess what? There's so much more to do on City Line today. And City Line Crew is a very bold and great ride. We're going to try something different from anything that we've ever tried in the five years we've been on the air. It's called the City Line Hotline and the number is 481 1313, and nobody has won it yet. But anyway, if you have anything that's on your mind, we want to hear from you. It may have to do with AIDS and may have to do with the upcoming city elections, whether it's for the mayor's position or city council president or it may have to do with what else. Oh, I thought you had it all. No. Anything else? Yeah, there's some calls already. One 1330. We want to hear from you. Just tell us what's on your mind so that we can get a real sense of what the community feels. You want to get started? Sure. I'm ready if we're brave. Hello. You're alive. Live on City Lines Hotline. Hello. Call her. Okay. Let's try it up. Hello. You live on City Lines Hotline? Oh, yes, I'm calling. Hello? Yeah, you're here. We hear you. Oh, okay. That's a little get cut off. Look, I was calling because I wanted to know the group that was on Sweet Honey arrived.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1963.98,2104.68"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes. Um, I wanted to go to that church thing tonight, and all I got was Centennial Chorale Methodist Church. Okay, that's nice. I don't know where it is or anything. Could you help me? Yes, it's on Caroline. It's on Monument Street, right? I'm not sure. Monument Street. That's what our audience is telling us. It's at 737 at the UN. We're going to get. See, this is. This is all played by here. Here instead of this thing. Okay. Yes. Centennial Caroline Street, United Methodist Church, 1029 East Monument Street, four blocks west of Johns Hopkins Hospital. And it's at 7:30 p.m. tonight. And it's sweet, honey. In the rock. That's right. Okay. Okay. We've been of service already. Thanks for your call. Thanks a lot. Hello. You live on City Lions hotline. Hello? Hello? Yes, go ahead, please. Oh, I was calling to make a comment. Go right ahead. You have to turn the television down because it can throw you off. Okay. Well, I was calling make a comment on the black on black crime. Mm hmm. Go ahead. Um, I wanted to say that I is, you know, terrible that these people are doing this to one another. We are supposed to be brothers and sisters, and I'm 20 years old and I'm a student, and sometimes I feel as though I need to get out and party, as they say. And then I'm getting to the point where I don't even want to go anywhere because I'm afraid if I look at someone wrong or step on someone's foot, that they may pull out a gun and shoot me. It is a very sad state of affairs. You know, we just did a four part series called Blacks at the Crossroads, and we addressed ourselves to that very issue.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2105.15,2209.74"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And we did talk about some solutions. Let's hear from you. What do you think can be done to reduce the amount of crime Black on black crime. Well. Any ideas? Well, all I can say is that I. From what I can see, it's a lot of guys, a lot of black guys doing that to other black guys. And I think. Is is. It has to go back to the family. Cause I was raised, you know that we're supposed to love one another, respect one another. But it's gotten to the point where they don't even care about one another. You know, it's just like life is nothing to them over. I think that if they had some kind of self worth within themselves, maybe instead of, you know, shooting someone, they can help someone, you know, you're positive to them. All right. Thank you. You're welcome. You know, the sad part is that, you know, while I think she's right, to a large extent, it is young black males hurting other young black males. There are a lot of innocent bystanders getting hurt at the same time. Hello, You live on City Lines hotline? Uh, hello. I was listening to the previous caller, uh, what she was saying about the black on black crime. I think a lot of it comes back to the parents not taking responsibility for their children's actions. Okay. Okay. Thank you so much. Let's try another one. To the point. Hello, everyone. Hotline warning. First of all, I'd like to congratulate the both of you. Hello? Yes, we're here for your five years on the air, and I wish you many more. Thank you. Question is, how do you go about getting in now? They were so busy clapping over you, we didn't hear you repeat what you said.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2210.1,2315.33"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The question is, I would like to find out how. Talk directly to us. Don't listen to your television. I would like to find out how you go about getting to be an announcer to announce the activities on satellite. Great, Betty. Great question. We have a audience coordinator here by the name of Mark O'Mara. And if you call the station during the week between nine and five and you have a group message for a nonprofit type of affair or whatever. Mark, I will be glad to help you out. Can I get a number? It's 4660013. But that's during Monday and Friday, 9 to 5. Thanks a lot and thank you. Let's try one quick one, one question. Hello, You're on the air. Hello? Yes, sir. Go ahead. Oh, hi. I'm I was watching the program and I heard someone call about the subject on black on black crime. And myself, I was born and raised in New York, and, um, being a, you know, being in the military station in the Washington area for the last five years. And as a result of that, I've come to see black on black crime from like, a totally different aspect. And I think one of the main problems that we have with black on black crime is the lack of responsibility. All right. But I would not just totally blame black, black parents. Okay. Even the black youth, for that matter. All right. I blame it on the fact of a lot of the negligence of a lot of so-called black role models. Okay. We have certain as well. We have many leaders here, United States today. All right. Who are basically going off in a whole bunch of different tangents. Okay. So we'll have to ask you to bring it to a close because we've got to take a break.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2315.93,2417.87"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay. All righty. Thanks for calling. You're welcome. Bye bye. Okay. We're going to continue. Bravely so city lines, hot line. After this message, we want you to continue to call us at 481 13, 13. Let us know what's on your mind on the city line. Hotline. Welcome back. You're in touch with City Lines Hotline. Our first effort at getting the home viewers to let us know what's on their mind. And we're going to go to a call right now. Hello, your live on City Line. Oh, my name is Ernie. Well, I'm the grandmother of the young man, Johnson that was killed in actually last week. Okay. I'm calling concerning my grandson's death and asking for possibly some help from you and other people that are listening. Um, the young man who killed my son has not been caught yet, and I'm. Can't ask people what they helped me. I'm trying to raise money for a reward leading to the capture of the young man. And he was a very popular young man in the city and with his teammates and each person, a nuance would just tell me something. I think we would have enough maybe to come. Somebody would come forth to ask some questions. My son died with my neighbors and he wasn't any reason for his death. I don't want him to become just another black child in the city that was just killed last week. And people talk about and then that's what they forget about him. He wasn't he was too good for that. He was going to the service. He was going to get married to my daughter. Uh, when he came out and they were going to try to have a life together, Ernie was just like a son to me.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2418.35,2595.59"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I have two children and I was my third. And the young man, Mr. the I took him away from me and I'm asking people that are listening right now to please help me. Okay. Listen, we appreciate your call and we wish you a good deal of luck in your efforts. The number, possibly, if I could tell people. And if he can do so quickly. Okay. The number they can reach would be three, six, seven, 8417. And they can call and get further information about the site. Okay. Good luck to you already. And if you did not get that number, you can just call us at City Line and we will make the information available to whoever decides to call. Let's try another call. Okay. Hello. You live on City Line? Okay. Hello. Your live on satellite? Yes. Good evening. Um, I like a, uh. I enjoy watching the show. Well, thank you. And, uh, you know, I'm glad that, you know, someone has taken our time to talk about juveniles and the crime rates in the city, because it's it's it needs attention. My concern is that, yes, this is the home to where it begins for the control of young people. But, you know, I have a question about our juvenile system and our justice system of our young people for. I was in court downtown, um, the other day, and I was sitting there watching our young people, young kids, 12, 13 years of age as they brought them through in chains and handcuffs. Uh, to me, it's a bad situation that's not trying to turn our young people around. This introducing to what the justice system will do to them if they go out here and watch someone in the head, steal something solid, go home in shackles or whatever, and take them before probably a judge that's had a bad day.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2595.8,2703.1"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay. So listen, we try to keep it brief so that we can get some other calls. Then. Do you have a quick point that you want to make about it, that we ought to do something to bring our justice system in a better way of some kind of way to train our young people to instead of showing them that the wrong way, locking them up, that's way out. Okay. Well, we appreciate your call. We thank you for that. Thank you. All right. I know one thing that just celebrated its 10th anniversary is that whole program called Scared Straight. And they said that that did make an impact in the long run. But maybe there are many more skilled straights that are necessary. Hello, your live on City Line's hotline, and could you make it quick? Hello, CALLER. Okay, let's try again. That was quick. Hello. You live on the city lines hotline? Yes. The summer to, um. To to to emphasize, I think a lot of points that to have been made, if you can do so quickly. Yeah. Um, I think, you know, there's a segment of black males in Baltimore that are somewhat successful. I think that could play a large part in the neighborhoods. But just going out in the streets, I mean, most of us know where these areas are. We could just take it upon ourselves to go out there and to talk to these young boys, these young guys, and try to get them to go. Right. And also the the public school system, they could do they could make an effort with the criminal justice system, the courts, the correction, parole and probation and juvenile service, and would develop a program that would come up with an education module to be implemented in a curriculum in a certain grade level for juveniles about the criminal justice system that could deter crime, possibly.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2703.64,2796.3"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay, sir. Good ideas. Thank you, Carla. One quick one, another quick one. Hello. Your live on City Lions hotline. Yes. I like to talk about an issue quickly. We're almost out of time. Would you like to talk about. Everyone is talking about blacks need to do something. We need to go back to the black churches. The churches are an important part in our black heritage. We need to work through them, to go through the communities and to organize things to help us to to get things together. You know, we always want to put the blame there. We need to put the blame on ourselves and work with it and work through it and try to get it together. Thank you. And we thank you. Well, that's. Let me first say my first attempt at a hotline, and we enjoyed that. We're going to do that again. In fact, next week it's going to be all hotline. Okay. Sounds good to me. No, not really. We'll be back in just a moment right after this break and the entertainment page. And stay with us. Hi, I'm Harold Mathews. The one time lyrical force behind the pop soul trio LaBelle has emerged as a thoughtful and compelling explorer along the front lines of new rock, blending folk and new wave and techno pop into a highly individualized style, constant change, growth and fearless experimentation that characterize the career of Mona Hendrix. Raised in the South Trenton, New Jersey, ghetto, known to develop the political consciousness while still in her early teens, a political consciousness that is often reflected in her music of today. Early in her career, Nona scored a top ten hit called I Sold My Heart to the Junk Man while she was still with Patti LaBelle and the Blue Belles.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2796.96,3031.61"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Throughout her career, the Blue Belles enjoyed moderate success, but they never really attained recognition equal to their talents. After changing managers, the Blue Belles were assured success. They changed the name to LaBelle and incorporated the writing talents of Nola, and soon the sky was the limit. This success was short lived, however, because after a creative dispute with Patti, Nona left the group, and the group soon afterwards disbanded. While Patti stayed pretty much mainstream in her style, no, look at her to the left and experimented with some heavy rock, having satisfied her inner cry for individuality. Known as Back to Where she belongs and is once again enjoying the fruits of commercial success with her latest called Why Should I Cry? He has known Edwards. I. You'll know. Oh. That's. Having learned to trust our musical instincts. That was known as Hendrix, sailing comfortably on a new wave of success. You know, Moana isn't the only performer riding high on the wave of success. The super smooth soul singer Luther Vandross recently managed to sell out New York Madison Square Garden in 6 hours. Because of public demand, promoters had to add three additional shows, which were also immediately sold out. Where it has it that this type of Luther mania has been happening wherever the superstar performs. Hey, Baltimore, listen up, because back by popular demand is the second annual Adults Night Out sponsored by Sutton Williams at the all new Shake and Bake Family Fun Center. Now, I had a chance to attend the last one. And let me tell you, I had a ball, y'all. This time around promises to be even bigger and better. Now, here's what's on the agenda. Roller skating, two free bowling games. Bingo for cash and prizes, Card tables, disco, live jazz featuring the red hot sounds of coast to coast, a $50 cash drawing every hour.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=3032.27,3321.28"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And this affair will be professionally catered. It's all happening this Friday, June 19th, from 11 p.m. to 3 a.m.. Now, keep in mind that this affair is for adults only. For ticket information, call 2336844 or 4664388. The joint will definitely be jumpin. Finally, this year's Jay Z TV 13 Baltimore Jazz Festival dedicated to Eubie Blake, invites all area jazz artists who compete for the opportunity to perform on the same bill as an old time jazz great. On the concluding night of the festival stage at the Pier six Concert Pavilion Saturday, August 15th at 8 p.m.. Interested performers and groups should submit their cassette tapes along with the group Leader's name, address and phone number, as well as the names and address of the participants performing on the tape. To Jazz Quest's Care of the Baltimore Center for the Performing Arts, Hopkins Plaza, Baltimore, Maryland. 212001. Now you've got to hurry because entries must be received by June 15th. For more information on Jazz Quest, call the Baltimore Center for Performing Arts at 6254230. And keep in mind, if you're group, organization or place of business is planning an entertainment event, please let me know about it at least three weeks in advance. Simply drop me a line in care of City Line WJC TV Television, 13 TV Hill, Baltimore, Maryland. Two one, two, one, one. Don't let your event be the best kept secret in town. And with that, another pages turn. I'm Howard Anthony, inviting you back next week when I'll feature the latest from Deniece Williams. I'll see you there. All right. Thank you, Harold. Very good video there. We enjoyed that. We want to give you the phone number again for those of you who would like to contribute to the fund, that one of our callers on the Silly Line hotline mentioned in reference to finding the person who is accused of killing the young man this past week.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=3321.73,3448.9"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The number is 3678417. For those of you in our community who would like to contribute to that fund, hopefully to bring about some justice in that case. And for those of you who didn't get through on the city on hotline, but who have show topics that you'd like to share with us. Write us here. Care of city line, Care of TV, television, Hill, Baltimore. Two one, two, one, one. We'd love to hear from you. And next week, we're going to take the opportunity to read some of the letters that particularly were related to the four part series we did, Blacks at the Crossroads. We want to take some time to read some of your comments on that series and hopefully you'll enjoy it. Oh, yes. Next week. Next week. Compatibility Unlimited's a very interesting dating service that requires participants to be tested for AIDS. Yes. And you know, everybody's wondering, where do you meet good folk these days? Well, that's one way of doing it. We're going to find out. Ability Unlimited. You want to be part of that show call now. Eight one 1313. I'm Betty Banks. I'm Jackie Hall. Have a good day. Bye bye.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=3449.68,3505.6"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/transcript/48943/annotation/24","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/943/original/open-uri20230817-2847-opn5ky?1692288099","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/943/original/open-uri20230817-2847-opn5ky?1692288099"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426","type":"AnnotationPage","label":{"en":["Hot Line; Sunpapers Strike, 1987-06-14 02-15-2024 18:53 [Index]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/25","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Musical performance","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=131.0,711.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/26","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Sweet Honey in the Rock","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=131.0,711.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/27","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=711.0,1267.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/28","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Arthur J. Gregg, United Cable of Baltimore Consultant","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=711.0,1267.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/29","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Newscap with Isisara Bey","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1267.0,2987.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/30","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Baltimore Sunpapers strike; Interview with Michael Fletcher, Evening Sun Reporter; South Africa state of emergency; Apartheid; Panama City protest; South Korea student protest; Julian Bond; Huey Newton; Mae Jemison; Johnnetta Cole; Spelman College; James Earl Jones","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=1267.0,2987.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/31","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Entertainment Page with Harold Anthony","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2987.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297/index/82426/annotation/32","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Nona Hendryx; Luther Vandross","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105543/file/206297#t=2987.0"}]}]}]}