{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/m61bk1821f/manifest","type":"Manifest","label":{"en":["Great Blacks in Wax Museum, 1989-02-08"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5305"]}},{"label":{"en":["Date"]},"value":{"en":["1989-02-08 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["On tape label: Dano Bunn/Gabrielle Goodman (Container Summary)","Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Jaki Hall interviews Dr. Elmer Martin and Tulani Salahu-Din from the Blacks in Wax Museum in Baltimore. Harold Anthony interviews David Alan Bunn and Gabrielle Goodman who star in the production, \"Video.\" \"Video\" was written and produced by David Alan Bunn and WJZ-TV is a co-sponsor of the production as part of its contribution to Black History Month. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-010-004 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["On tape label: Dano Bunn/Gabrielle Goodman","Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Jaki Hall interviews Dr. Elmer Martin and Tulani Salahu-Din from the Blacks in Wax Museum in Baltimore. Harold Anthony interviews David Alan Bunn and Gabrielle Goodman who star in the production, \"Video.\" \"Video\" was written and produced by David Alan Bunn and WJZ-TV is a co-sponsor of the production as part of its contribution to Black History Month."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/368/small/thumbnail_206368_1712687642.jpg?1712673252","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-109546-4ndl43.mp4"]},"duration":1826.835,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/368/small/thumbnail_206368_1712687642.jpg?1712673252","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/368/original/open-uri20230817-109546-4ndl43.mp4?1692297118","type":"Video","format":"video/mp4","duration":1826.835,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-010-004.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Hi, I'm Jackie Hall. And I'm Harold Anthony. Welcome to City Life. During Black History Month, what better way to celebrate the history of African-Americans than to visit Baltimore's own great blocks and wax museum? If you haven't yet, you'll want to after today's show. And something else you'll want to check out during this Black History Month is the soulful musical comedy video, which is homegrown and starts at the Meyerhoff later this month. We're going to sample just a little bit of that play today. So stay with us. City Line is next. Yeah. Happy Black History Month to each and every one of you. And I can't think of a better way to celebrate the month than to have our guests with us today. Thank you for coming by. Dr. Elmer Martin, co-founder of Great Blacks and Wax Museum. And to Lonnie Salahuddin, the director of Great blacks and blacks. Thank you both for coming. Thank you. You know, when I went to see it recently, the museum on North Avenue, I was almost in tears to think that your dream was realized. Do you have that same feeling as you move throughout it, Dr. Martin? Well, we've been crying for a long time over the whole affair, but it's been quite an adventure for us. And the museum never would have been put together without the support of a great number of people. I give credit to my wife. Yes. Co-Founder Sacrifices that both of us have had to make. But as I said before, it never would have taken place without the great support of the Baltimore community. Why was it so important for you to open great blacks and wax? I mean, what was the drive in you and your wife to really get it started and get it open? The dominant motivating force was the young people.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=71.87,197.82"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We had a sense that they didn't know much about the culture and the history. Also, our belief was that there is a relationship between a lack of knowledge about history and low self-esteem, feelings of inferiority, self-hatred, the relationship between knowing your history and not feeling inferior, not experience and self-hatred. We wanted young black people to see the museum as a social weapon to combat feelings that they were nobody. We wanted them to see that accomplishment and achievement of people who have come a long way. That's Alana. You're the director of the museum. Do you do you do you see this happening when the young people come through and they say, wow, I didn't know this Or look, I didn't, you know, didn't know this person had done such and such. Yes. Because often after groups have passed through the museum, I will meet with them in the lobby and talk with them, and they will share with me some of the things that they have learned while they tour the museum. And you can see their eyes light up with pride and a sense of self esteem when they, you know, convey to me the things they learned when they were inside. Now, there are 100 figures in 35 different settings, right? Yes. Let's look sample some of the slides that we have showing the figures at the museum. Let's look at them. What do we see here? Well, go ahead. Okay. Akhenaten the father of monotheism. They are to the left. That's him. Mm hmm. And the Queen of Sheba. Makeba and the father of medicine, Imhotep. Now, many people don't know that, do we? We. We attribute hypocrisies, right as the father of this. Right. And this is what the correction perhaps, of history that is a correction of history can be.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=199.17,310.75"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay, Give us let's look at some more slides. This is a slave scene on a slave ship. We wanted people to get some sense of the horror of what was called the Middle Passage. Many folks don't know, but over 60 million blacks did not make it to this country. Only one third of all the people that were set out for America as slaves arrived in America. You know, when you see that diagram of how closely packed the slaves were, it's amazing that any made it right. That's true. They made a conscious choice whether or not to pack them in as tight as they could to to pack them in lightly and to see if they could maybe save some of them. The task was to pack them in. Let's see some more of the slides. Okay. That's Crispus Attucks. He was one of the first persons to die in the American Revolution and some others. Bishop Richard Ireland. I'm. I'm getting my own people. Ben. Andrew. Right. That. Andrew Brown. Andrew Brown Okay, that's Bishop Richard and that's Richard out on the found that AME Church. Yes. Okay. That's going to be exciting. Go ahead. The children really like this one. This is Henry Box Brown, and he shipped himself in a box. This is the actual size of the box here from Virginia to Philadelphia. Okay. We should all know those people. Frederick Douglass and he the great emancipator from Baltimore. Sojourner Truth, also a great abolitionist. An emancipator. Exactly. Dan Brown We have quite as well as blacks who have contributed to the progress of black people in the museum. This lady. We don't have a name for her because she can represent any black woman who was a sharecropper. And that's a scene sharecropping scene in the museum.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=311.26,437.18"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Do you know what I liked? You had stuffed animals as well. Some of the figures were animated. There were taped discussions with some of them. Tell us about about some of those. We purposely put in a little stuffed squirrel that you saw in the little kitten, you know, to attract little children, because we do have children from pre-K to third grade. And and, you know, those little things appeal to children of that age group. We do you special effects you mentioned them there was one figure that actually breeds and we just do that to make it to animate things to make it as lifelike as possible. You know it's it's it's quite an accomplishment to you because it is the first black black wax museum in the country. That's right. How did you research to get it started? It was a very difficult process since it was the first museum of this kind in the nation. But as I said before, we had tremendous help. We used Morgan faculty, we used a cop and faculty, and some people over at Harvard University lend us a hand in terms of doing all the great research and enabled us to put the museum together. Okay. We're going to continue our tour in just a moment. So stay with us. It. So growth is a nation in which 25 million blacks are held in virtual slavery by a vicious, racist system called apartheid. We've had. Were all over California. We're back doing an in-studio tour of Baltimore's Great Blacks and Wax Museum with the co-founder and the director. You know, when I was there, the the the figures seemed so lifelike and the skin texture and the nails and the eyes were almost fascinating. What is the material that's used? Well, there's a lot of different material for the wax figures.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=437.81,635.87"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's primarily beeswax off a wax figure that we're going to take on the road. They mixed beeswax and vial because it is more sturdy. The eyes are actually made out of glass. They are the same as that you will use of. Unfortunately, you lost an eye and they are very expensive. It cost around $300 a piece. Really? Hair is put into the scalp. One strand at a time. Is punched in with a needle to make it look like it's growing right out of the the head of the of the skull. And the clothes, as I learned, are pretty much authentic in some instances. They are the actual clothes of some of the people who are portrayed. That's right. With Carter G. Watson, for example, we've been very fortunate. We had some of his clothing items donated to the museum, and we are in the process of getting items for people like Daniel, Chappie, James, Jenna Watts, Abby James and others. We have a great costumer who does research and will bring the clothes up to the original thing. Okay, fabulous. Let's look at some more slides then and explain who they are. This is Charles Drew, considered to be the father of blood plasma. Looks just like him, too, by the way. In fact, his daughter showing of his visit to the museum doing a grand opening. Louis Latimer, he was an inventor. OC others. And Daniel Chappie James. This figure was sponsored by the Kappa Alpha PSI fraternity. We have a fun figure campaign that allows organizations and families to actually pay for the purchase and exhibition of a wax figure mind. He was the first black four star general. Okay. Here we have a group of writers, James Baldwin, Phillis Wheatley, Richard Wright, and Zora Neale Hurston.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=636.5,749.18"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes. Now, if we could keep that slide up. Now, what? The thing that almost shocked me as I looked at this particular scene was the kitchen that moved and Phillis Wheatley lap. I was shocked. In fact, I did like that. I couldn't believe it. So talk about that a little bit of why the kitten in her lap, which is great. Oh, I had mentioned earlier that we, you know, put little animals in there to attract the attention of the little ones to come to the museum. Children from daycare centers, we get many of them. And one thing I like about that particular exhibit, we highlight the black classics. Did you notice those books in the background? Yes, We have the actual names of a lot of the black classic rock additional slides. That's the great Marcus Garvey. Back to Africa movement. That's right. Now, I understand you're going to be you will be changing the automobile. Yes, we're going to change the automobile because the most popular picture is with Garvey in the automobile. And we're going to make it lifesize and lifelike as possible. Now, we didn't say anything about the figure or the they're very it looks almost exactly like him, as if he could move and walk into the future, I guess Malcolm X and Malcolm X. And that's one of my favorite figures because the likenesses very close. Mm hmm. You know, large Malik al-Shabab. It certainly is. Martin King. Martin Luther King Junior. A younger looking. A younger looking one. And we are looking forward to having an actual talking. KING Given his I Have a Dream speech so that in the near future, look forward to that. Fantastic. And the father of African-American History Month. We thought it would be very appropriate to put him in the in the front of the museum, welcoming everybody to great blacks and whites, because he is considered to be the father of African American history.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=749.84,860.75"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And he really started the thrust, you know, in the early twenties to to study and to promote the study and preservation of our history. Let's talk a little bit about the programs you started as we were looking at the slides, but more of the programs that great blacks and what we have a volunteer program that's a two component program which is comprised of a youth internship program and an adult volunteer program. The adults work in the areas of promotion, advertising, office operations, programing and educational development. And we just had a group of youth from Cherry Hill, the K Hat Youth program, to complete three months, a group, blacks and whites, a three month internship. And we instituted the youth internship for two reasons one, to provide a structured environment for youth to come to afterschool and during the summer to really discover and develop certain skills and talents. And secondly, to give them a sense of their history so that they could use those skills and talents to advance the race as well as society in general. Fantastic. What about the future? What's on the drawing board for you? Dr. Martin Well, we have a number of things to do there. We cannot run out of figures, and that is, do you need more space? Yes, for sure. We're going to develop the second floor of the museum and have a multipurpose room. We're going to start special specializing in certain areas such as politics, business, the professions and so forth. Sooner or later, we're going to have more entertainers and more sports figures in there. We don't have that many yet. And don't forget Palm Bay. So I was excited about that. Oh, we started a great space scene that's going to be in place this year.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=861.47,968.9"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We're going to feature the two astronauts, Ron McNair and Deon Bluford. And our space scene is going to be very, very exciting because we're going to actually have the planets for the kids to study. Well, thank you both for being here. Dr. Elmer Martin And to Lani Salahuddin, thank you for being here so much. And thank you for keeping us focused. So if you haven't been there to the Great Blocks and Wax Museum, please try to get by there this month for sure. Now, the community calendar with Bebe and C.C. Winans doing the heaven. Now. There's no more useful guys. Cost me time. Just taking this lives for you. Wall Street Circle. Can you imagine someone like the never ending? No one. And your older brother. I. Love will never cease. We're willing to die. Construction. He was fun to. In all. Reach them, and they're definitely one of my favorite inspirational tunes. Bebe And One Ends With Heaven. Listen, if you have anything to do. Do it very quickly. You don't want to miss this next segment. It's all about a hot new play being produced right here in Baltimore. It's called Video. We'll tell you all about it right after this break. Stick out your chin and let me see your grin. Come on. Go. Come. You know why Morgan on the show. No, no, no, no, no. Oh, my God. Good luck. It'll stop the show. Really? With the lube in the denied sky? No. Stop. Stop! Get. Stop. So. Oh. Absolutely incredible. Gabrielle Goodman. David Byrne. Come over here and join me. Walk with me, talk with me. Have a seat here. Of course, that was one of the numbers that you'll be performing in this new play that's being produced here.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=969.69,1271.13"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Video, right. Video, video. You bought your own avatar that led up to that. Tell me, why don't you tell me a little bit about the play without giving too much up? Okay. Video is a contemporary, soulful adaptation of My Fair Lady is a contemporary version of Pygmalion, if you will, which is My Fair Lady, about a New York record producer who makes a bet with a friend of his that he can take anyone off the street and make them successful in rackets. And unfortunately, sales are down all over the country. So they try this new technique out. The beginning of the 1980s, known as video production works, career skyrockets and will let you see the rest when you come to the show. Of course you two are brother sister team. Your parents have got to be just absolutely proud. I mean, you know, I've always heard that it's not polite to ask a lady what her age is, especially on camera. But I'm going to put you on the spot, aren't you? Big time. You are 25 years old and you have accomplished so much. You wrote video, of course. And you also did the music for. Yes. Yes. The words, music and book. Okay. So this isn't something you just woke up one morning and, you know, you had trained. Yes, I am a graduate of Berklee College of Music and I'm from Berkeley. I used to do lecture series at Harvard University in 75, and I moved to New York, where I was extremely fortunate and blessed to have the opportunity to work with. And I'm still working with Luther Henderson, who was responsible for such shows as Ain't Misbehavin. And he did a lot of arranging for Duke Ellington and a lot of arranging for Rodgers and Hammerstein on Broadway.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=1271.64,1369.08"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So I started off as an apprentice for Luther, and about two years ago Luther said, Look, I want you to come on into the office and be a partner with me. I'm like, You're kidding me. Yeah. So that's pretty much how I got my start into working with shows and that type of thing. With Luther, I've worked on several Broadway shows off Broadway shows and recordings for Columbia Records for the Canadian Brass and the London Philharmonic Orchestra on RCA Records. So it's been a lot of fun. And you've also had your own TV show at one time. Yeah, Yeah, that was when I was in high school is a show called The Street Scene. It was produced on another network as a Channel 45, and that's okay. Gabrielle, you're no stranger to the business either. I mean, you were. Yeah, well, I've been working with Roberta Flack for the past four years, and I've been working with her. I've had the pleasure of working with Quincy Jones side, Garrett, you name it. A number of notable people. And of course, I've seen you with Norman and, of course, Norman Connors. Yes. He gave me my start as lead vocalist. Yes. In the name of the song is one on one and on the Yes, My One and Only Love is the single that we did, the video one we saw. We had a look at that video not too long ago. Let's let's run down some of the people who are involved in this production, because as I understand it, you pulled out some heavyweight talent from the Baltimore area that in order to get there, it's an all star production from the behind the scenes and to the front of the scenes. We first of all, we started with the director, the Tony Award winning actress.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=1369.92,1464.57"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She's on a Beverly. Also, we have Mr. Samuel Wilson, who's the head of the Reno Playhouse, directed the first presentation at the Reno Playhouse, and he's acting as artistic consultant for this production. Also, we have people. We have such people. First of all, you're in it. We saw the applause. APPLAUSE. It was a cameo appearance, along with Sandy Maltby, who also has a cameo appearance. Also, Travis Winkie will be providing the fashions. Sylvester Campbell from the School of the Arts will be doing the choreography. Gail Hemphill. Danica will be stage managing the show, and Dr. Nathan Cotter will be conducting the 25 piece orchestra. So we're very excited. Well, I'm very excited about being in it. As a matter of fact, I hear that you have something in lieu of a paycheck that you were going to give to me. Oh, a paycheck I don't want to pay in lieu of a paycheck. Well, we do have is is a fantastic okay for you. I hope it's I hope it's the right size and everything. We'll hope so. Oh, but listen, I've really enjoyed talking with you. But what I'd like to do is listen to you musically a little bit more. We'll get another number from the play. Sure. Ladies and gentlemen, David Bowen and Gabrielle Goodman. So it. Hold on to the stream inside with. I can say with pride. Oh, God. Oh, my God. And nothing and no. Can stop me. So with five. The first time I try out when they're not up and try again. Because I walk away. No, I never. To down bad. I'm aware. No, I can take the test. And that life will offer me. And I. It will be the. But I also am. Turn this turn inside.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=1464.84,1636.71"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I can say with pride. Oh, my God. Stop me. A real feel good production. It's one of those plays where if you feel bad, go down. It'll make you feel good. If you already feel good, it'll make you feel better. Meyerhoff The 25th and 26th of February make it a point to be indeed fabulous. Next week, What are we doing next week? We continue our celebration of African-American History Month. So be with us then. I'm Harold Anthony. I'm Jackie Hall. Enjoy your month. So there's two sides. I'm concerned with Floyd. In a stop me. If I hold on to the stream. And some women. Oh, God. I can't do it right. I gotta make.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=1641.13,1762.98"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/transcript/48979/annotation/13","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/979/original/open-uri20230817-2859-36b93b?1692305072","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/979/original/open-uri20230817-2859-36b93b?1692305072"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/index/83071","type":"AnnotationPage","label":{"en":["Great Blacks in Wax Museum, 1989-02-08 04-09-2024 17:43 [Index]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/index/83071/annotation/14","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview ","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=133.0,995.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/index/83071/annotation/15","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Dr. Elmer Martin, Co-founder and Board President Blacks In Wax Museum; Tulani Salahu-Din, Director, Blacks In Wax Museum","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=133.0,995.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/index/83071/annotation/16","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Music video feature; Community calendar","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=995.0,1207.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/index/83071/annotation/17","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Bebe and Cece Winans","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=995.0,1207.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/index/83071/annotation/18","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Entertainment Page with Harold Anthony","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=1207.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368/index/83071/annotation/19","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Interview with David Alan Bunn, Playwrite, \"Video\" and Gabrielle Goodman, Recording Artist","format":"text/plain","label":{"en":["Synopsis"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105611/file/206368#t=1207.0"}]}]}]}