{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/mc8rb6xh71/manifest","type":"Manifest","label":{"en":["Child Abuse, 1989-04-12"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5312"]}},{"label":{"en":["Date"]},"value":{"en":["1989-04-12 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Judy Rhodes and Marsha Hightower-Hopkins outline some of the causes of child abuse and highlight several resources available for parents and concerned adults who may need help or assistance relating to child abuse. Richard Dickson and a group from the University of Maryland, College Park give a benefit fashion show with all proceeds going to the prevention of child abuse. Harold Anthony interviews Jacques Burvick. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-010-011 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Judy Rhodes and Marsha Hightower-Hopkins outline some of the causes of child abuse and highlight several resources available for parents and concerned adults who may need help or assistance relating to child abuse. Richard Dickson and a group from the University of Maryland, College Park give a benefit fashion show with all proceeds going to the prevention of child abuse. Harold Anthony interviews Jacques Burvick."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/380/small/thumbnail_206380_1692301312.jpg?1692301313","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-109546-f6rho4.mp4"]},"duration":1705.647,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/380/small/thumbnail_206380_1692301312.jpg?1692301313","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/380/original/open-uri20230817-109546-f6rho4.mp4?1692298039","type":"Video","format":"video/mp4","duration":1705.647,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-010-011.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Hi and welcome to City Line. I'm Jackie Hall. And I'm Harold Anthony. Over the last two years, there's been an alarming increase in child abuse and neglect. Last year, 30,000 cases were reported right here in Maryland and D.C.. April is National Child Abuse Prevention Month. And today on City Line, we'll learn how to recognize child abuse and get help before it happens. And later in our show, music producer Jack Burbank, who has written and produced fallen enlisted Smith, Melba moore and Norman Connors will be here and give us a peek behind the scenes in the record business. All of that and more next on Cityline. Yeah. Yeah. Welcome to this edition of City Line. As we said, April is National Child Abuse Prevention Month, and we're here to talk about it with our guests, who are Judy Rhodes, executive director of Family Stress Services. Welcome to City Line and also Marcia Hopkins, who is the community services director of the same agency. Thank you both for coming. Thank you. I guess the question is why? Why do you think there is so much child abuse being reported? And as we said in our opener, 30,000 cases alone in the past two years here in our own area. Well, we believe that it a great deal of it has to do with awareness. There has been a 225% increase in nationwide 2.2 million children. Cases were reported last year. And we hope that not more children are being abused, although that the statistics could very well show that in the future. What we don't know is who isn't being abused. So we can only talk about the cases. So you're saying that perhaps that increase is really just the amount of reporting that's being done versus the amount that used to be reported years ago? That's a part of it.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=58.01,190.52"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And we hope that awareness is is increasing that. But what we're also seeing is that substance abuse is playing a very large part in the cases that are reported. Last year in the District of Columbia, over 90% of the cases of abuse were perpetrated by the caregivers were substance abusers. Why is that, do you think? They're generally out of control or not aware of what they're doing or what. In any situation where you are out of control, where you are experiencing a lot of stress, where you don't have control in your life. It's very easy for this to happen, and there frequently aren't people in the household to put a stop to it before the abuse occurs and we get involved afterwards. And our organization is trying to find ways to get in there and stop it before the hurt happens. Okay, Marcia, besides the substance abuse or who is likely to abuse children? Well, first, I like to follow up on what Judy said about the public's awareness of child abuse. I think, too, what you have is now that you have a drug epidemic. You have parents who are now substance abusers who are abusing their children. And that type of abuse, I think, is more prevalent or more obvious nowadays than it was maybe two decades ago. Whereas you had the crack mother who was on crack who might be severely neglecting her child. Well, that's obvious to the school system and that's obvious to hospitals and other professionals that come in contact with this child. Whereas a couple of decades ago, maybe physical abuse or sexual abuse or emotional abuse might have been the types of things that were reported. And these types of persons, school teachers and what have you are the professionals that come in contact with the child might not have seen the more severe neglect cases that are being reported nowadays.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=190.73,303.98"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So I think again, it is public awareness. So so neglect is considered child abuse. Oh, certainly. What other parts to that definition of what child abuse is? Physical abuse. Okay. Emotional abuse, verbal abuse, sexual abuse. The difference between emotional abuse and verbal abuse and verbal abuse is exactly what it says. Being very rough, being very hard with someone verbally emotional abuse is just negatively talking to a child, putting them down. Yes, but emotional abuse is denying that child the the the rights that it needs as a human being to grow. Mm hmm. Now, again, who who is likely to abuse children other than the substance abuse? Well, you know, we find that abuse really crosses all economic lines. You find that your middle class persons who are experiencing stress may abuse children. Children. Immaturity leads one to abuse children. A cycle of abuse by your own parents may lead you to abuse your children. So a bully is not a typical type profile of this person from this poor community is is, you know, more likely to cut across lines, across economic lines. And also what you find is that a lot of times when you don't parents who don't have resources to turn to, parents who were under stress from varying, you know, various aspects of their life and don't have any place to turn. You see, these are the persons that may be more prone to snap at that child, whereas other persons who having the resources that enable them to stop for a moment and think about it and maybe count to ten might not be as likely. Let me ask you then, are parents or friends or loved ones or whatever? Who abuse are they likely to have been abused children themselves? Yes.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=304.79,423.69"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Yes, Yes. What what the statistics show us is that there is a cycle of abuse and that is what we're focusing in on prevention. That is what we trying to attack that cycle. What we've found is that most abusers were themselves abused as children in one shape or form. And what you try to attack when you focus on prevention is that cycle. Let's get that child whose parent is abusing him or her and focusing in on trying to teach parenting skills so that when that child who might already have a child you're seeing is beginning another cycle of abuse, might know how to counteract what he or she has been taught in terms of child rearing practices. So we have to attack that cycle of abuse. We have to attack parenting. How do you parent? How do you go about meeting the needs of children in without being abusive? Let's just kind of put this in focus. What kinds of numbers are we talking about? Even nationwide, for instance, you said that it's gone up 250%. What kind of numbers are we talking about? Last year, it was over 2.2 million cases reported. And that's just the cases that get to the CPS agencies. And the CPS is Child Protective Services that it's not all the cases that are filtered out, but that does not show. By the time that child gets there is how many times an abuse cases had to be reported before the child becomes a case that is workable. When you talk about numbers like that, what is going wrong? Why are we doing this to children? Why are we abusing children? Because you can get away with it. It had been that you could get away with it. That happens to be the innocent population that what? When we were children, what happens in the house stays in the house.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=424.24,531.6"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Those things are changing. Don't we like children? Yes. Yes. Don't we like children? Yes, we love our children. But sometimes we don't know how else to react to situations. A stressful situation is something that could happen at any time. A young mother with a with a 18 month old crying and a three year old pulling at her skirts and the rice is boiling over on the stove and the phone is ringing and the sink is backing up and you lash out. And you we have to find better ways to handle that kind of stressful situation. We have to find that sense of that because that's a good point. On which to come back on after this break. We'll be back in just a moment. Just before that break, we were talking about more positive ways to handle stress in the family or in the home situation. Let's talk a little bit about that so that we reduce the numbers of abuse cases against children just to find some helpful hints on what you can do on your day in your day to day activities. In the case that I just described, it's it's it would be perfectly all right to step away, turn the stove off and let the sink run over and pick up the baby and walk out of the room for a bit, walk around the block, get away from that situation that is causing you so much stress. Or as we try to encourage people, especially in the national capital areas, pick up the telephone and call a hotline, there is a support system in most of the communities and we will provide support for you and give you a chance to vent. Vent with us. Great. Now, don't take it out on that child.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=533.04,706.9"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'd like to add to that in terms of factors that might come into play, in terms of people abusing children, I think we have to look at societal factors and that is the prevalence of violence and sex that we see on television and in our society. And certainly this has to play some role in, you know, sensitizing persons to how to relate to other people. So certainly that has to come into play somehow. Okay. We mentioned that April is National Child Prevention Child Abuse Prevention Month. And we've been joined by Richard Dickson, who is a student at the University of Maryland College Park. Thank you for joining us. Thank you for having me. Yes. And the reason I had to mention that April is is the prevention month for child abuse is that you're involved in an interesting project at the University of Maryland. Tell us a little bit about it and why would the students feel such a need to get involved in this? Okay. Well, because April is Child Abuse Prevention Month, we as students have heard a lot about what's going on and making people more aware of the fact that it is Child Abuse Prevention Month Being a member of a Pi Kappa Alpha fraternity at the University of Maryland. We do many philanthropic events to help charities. And when I found out that it was Child Abuse Prevention Month, I thought, well, this is the perfect time to come out with making people more aware of the child abuse problem in the country. What about that special project that you had the last weekend in April? A company called Aqua Joe. It's a clothing company and they have stores all over the country. We convinced to sponsor what they call an AKA mania, which will be at Ritchie Coliseum at the University of Maryland on April 28th, 29th and 30th.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=707.59,815.11"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And what it is, is they'll bring their clothing in approximately 30,000 of the latest fashions that they have 30,000 pieces, 30,000 pieces, and bring it to the University of Maryland at wholesale prices and sell the goods to promote Child Abuse Prevention Month. And a percentage of the sales will go to the organization as well as to which organization to the Family Strength and Service Center. I see. Okay. How would you utilize funds such as that to strengthen your programs, Judy and Marcia? Well, we'd use them for outreach programs. That's one of our biggest needs right now, is to get out there and get into the community, provide publications, provide more support from our hotline, provide greater training for our people. But just to get out there and give away what we're trying to do is one of our major programs to give away child abuse prevention. Make it the housewives responsibility or the dads responsibility and get it into the community and make it the church's responsibility, because that's where prevention is going to get stopped at, is when we stop is when we do it in the home. Let's talk about your hotline, though, who mans your hotline and what kinds of services do you offer by phone to those who are in need? The hotline is staffed by trained volunteers. They all undergo an eight week training course before they take on calls. It's a 24 hour crisis intervention helpline and we deal with family issues, child abuse being our primary concern. But you can't deal with child abuse if you can't deal with the other issues within the home that cause the abuse. And we do receive some suicide calls. We also act as a referral base to other agencies and organizations who are dealing with children and family issues in the area.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=816.28,917.74"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And we provide a referral base of over 1200 referrals. Let me ask you, all of you, both of you for sure, because you're working with the service. What is the recovery process like for a child who has been abused and take it to the even to the point of when they become adults? Well, depending on the type of abuse that occurred, for instance, with sexual abuse, children who have been sexually abused, what you want to do is you want to provide counseling with them. Oftentimes you want to get them to. Began to feel good about themselves, good about their body, to know that they did not do anything wrong. So you're building with all of the abused children. You're building self-esteem. Is it a long process? Oh, certainly. Certainly. You don't want them to fall victims and stay victims and victimize anyone else for the rest of their life. Right. And you just trying to stop the cycle. Thank you so much, Judy Rhodes, Marcia Hopkins and Richard Dickson for coming. And again, we'd like to remind our audience about April 29th to the 30th. Right. A mania. That's at the University of Maryland. And here are some numbers on the screen as well that if you need help for the hotline, please call. Thank you for being here. Thank you. In. The mellow sound from Norman Kohn is his latest effort called Passion. And I have a man sitting here with me now who was very influential, very instrumental, I should say, in the production of that album. He's Mr. Jock Berbick. And not only did he help Norman Connors put his latest piece together, but you've also worked with. Now, I'm not in the habit of name dropping, but we want folks to know that you're not just some local yokel.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=918.58,1077.62"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You've worked with Bobby Humphrey, George McRae, Tom Brown, Atlantic star, Melba moore, of course, Baltimore's Gabrielle Goodman. Spencer, right on this latest project. All good friends of mine. Yeah. What's it like working with these people? It's learning. It's like learning. Every time you work with them, something different happens. And artists like Gabrielle Goodman. She can sing anything from opera to jazz to funk. And you never know what she might have come up with. Or Phyllis Hyman. She's the best at what she does. And she teaches you and you give your 50% and she gives her 80. And, uh, it's always wonderful to work with people who know as much as you do, if not more. Mm hmm. So you're the producer. They're the artist. They give and you try to get them to give even more. Mm hmm. So it's. It's a good experience. It's really good. Now, just a few weeks ago, I had the privilege of watching you for the second time. Encore performance down at the fish market. And just so the folks just won't think you're one of the boys in the band. This guy also co-produced Norman Connors latest album. Your performer, I mean, you were you were a man of many, many talents. Well, you say some of that. What is the hardest aspect of what you do as far as production or performing or actually it all evenly? It's, uh, it all comes out about the same. If you want to learn to play piano, you have to put in the years to produce. You have to put in the years to be on stage as a performer. You have to put in the years. And it's not easy. Mm hmm. It just takes time and a lot of love.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=1078.19,1172.3"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Mm hmm. Um, probably the one that counts the most is probably production. Mm hmm. Because if you make a mistake, you know, only playing with your life with a lot of lives and money. So it's very important. What sort of background is one need to be a producer? And exactly what does a producer do? First off, producers responsible for a hit record or failure? Mm hmm. In what sense? Coming out of the studio, he's responsible for taking in artists and repertoire songs and making it work. So you're almost like the chef who is a chef. You're still together, you're a chef, and it doesn't always have to work. Mm hmm. Sometimes you have bombs, sometimes, you know, coming out of the studio that is not going to work. Mm hmm. And that's a bad feeling. Most of the time, you're lucky, and you get over. You know, you've got to be incredibly versatile because you're not the last time, but the time before. The last time you were performing on stage and out of the audience. Philip Hammond and Gary Bortz. Yeah. You all had a little impromptu like Jazz Session. That happens. That happens. Yeah. Good friends of ours, as you know, Norman, uh, practically lives down the street from Phyllis Hyman. They grew up together, and so we're all good friends. And whenever they're in town, in town together, they'll show up and they'll sing and sing and perform and perform wherever we play. So it's no problem getting them up on stage and having them sing a song that they want to do, or sometimes they don't want to sing or play. And sometimes they force them to get up. Hmm. I've had the opportunity to meet Phyllis and Norman Barry and quite a few of them.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=1172.81,1266.2"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They are all, you know, really down to earth, hilarious people. If you had any favorites to pick, which ones would they be or is that you'd like to perform with? To perform live. How? You put me on the spot. Do any of them leave you? And are they all doing? Like I was saying before, they all I learned from all of those people. Mm hmm. They're all we're all very close friends, but they're. They're their depth. Their artistic depth is awesome. Mm hmm. A person like Phyllis Hyman, when she sings, you listen and you hear new things every time. And so you. You're forced to even play even around her. Even extend yourself even more. So it's a beautiful feeling being with them, around them and knowing them. Mm hmm. But it's not it's not all, you know, apple pie either. I mean, I'm sure it's the underbelly of the business. There's a seedy side of the business. Sure. This business is rough times. I mean, would you advise your children to pursue a career in music? Sure I would, but they'd have to go about it the right way. They have to have certain guarantees. I think education. You need your education. Um, formal education. You have to learn your craft very well before you can get out there and compete with the Stevie Wonder's with the Whitney Houston's. They can all perform and teach, and they all know theory. And so you you this is what you're coming up against on the onset. So you. You know this. You prepare for it. Mm hmm. And that involves education. Straight up you. I fail to mention that, uh, I can call you local talent now. I mean, you make your home in Baltimore. I've been here for three and a half years.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=1266.32,1364.32"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Uh huh. Uh, not exactly local. I live here, but I find a lot of my work is in L.A. and New York. London? Oh, I didn't mean that. Like Central Asia. Oh, no. Beautiful place to work in. You can breathe here. Uh, New York City. It's a little little tighter than this. Than this place. Why did you decide to, you know, kind of like, hang your hat here. Well, for one thing, I can write here. Mm hmm. I was lured here by a very beautiful woman. Knocked me dead. I sort of came here and found out that the place is actually, uh. You can work here. A lot of things happening here. Hmm. Uh, and, uh, probably in the future, I'll be digging into a lot of the local talent. Uh huh. And producing. Uh huh. I'm sure other folks out there who are aspiring towards music. Glad to hear that. Sure. You know, because, of course, Norman Connors came here and he plucked Gabriel Goodman, you know, right offshore down there. Sure. You recently worked on a project with Angela Bovill. Yes. I hear there's an interesting story accompanying there. Yeah. Angie's record started out with some, not with Norman Connors, with some other producers. And they finished seven songs. Mm hmm. Uh, that were unacceptable to the A\u0026R man. Mm hmm. They didn't like any of the songs, so they threw all the songs out. And we're talking maybe $200,000 they just threw out. And they called Norman and said, We're in trouble. We have to start all over again from scratch. Can you help us? Norman said, Of course. Uh, he made a phone call to me. He says we need a song to show that we can get this project started again.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380#t=1364.77,1460.68"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105622/file/206380/transcript/48970/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I wrote a song for Angie called In Love His Eyes. Mm hmm. Uh, she loved it. Uh, the company loved it, And so that gave them the go ahead to pull Norman in and do the rest of the record the right way, so to speak. Mm hmm. Not that the other way was wrong, but their other songs didn't sound like Angie. Both feel the stuff that Norman did. Sounds like Angie Butterfield. The song that I wrote. And I know Angie very well from years past and fits her fits her whole life. So it rubbed her right And it worked well. Well, and they both are very fortunate to have you working on their projects with them. As a matter of fact, I have a copy of Norman Con is his latest album also Angela Both If we can get a title shot of these two folks, we want to run out to your record store. That's what they look like. Okay. Angela. Both We'll hear on CD and Norman Connors. We're going to take a look at a cut from Norman Connors, his passion album. It features Gabrielle Goodman on lead vocals while we take a look at the community calendar. Thanks again for joining me. My pleasure. And call me. All the girls in. He's had so much fun making that video. Well, unfortunately, that's about all the time we have for today. So I'm here on Anthony. I'm Jackie Hall. Have a good, good Sunday. Love me. My dreams come true. I'll be. When. 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