{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/qr4nk3828s/manifest","type":"Manifest","label":{"en":["The Fat Boys; Yo; Black memorabilia; Leon Isaac Kennedy, circa 1985"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/13985"]}},{"label":{"en":["Date"]},"value":{"en":["circa 1985 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Content includes the following: a performance and interview with the New York rap group, The Fat Boys; a segment on asking Baltimoreans, \"What is a yo?\"; a segment about Black memorabilia; an interview with Leon Isaac Kennedy. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-UNKN-010-006 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Content includes the following: a performance and interview with the New York rap group, The Fat Boys; a segment on asking Baltimoreans, \"What is a yo?\"; a segment about Black memorabilia; an interview with Leon Isaac Kennedy."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/267/474/small/open-uri20250314-1605153-ptxjyb_1741973153.jpg?1741973154","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474","type":"Canvas","label":{"en":["Media File 1 of 2 - open-uri20250314-1605153-ptxjyb.mp4"]},"duration":1330.474,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/267/474/small/open-uri20250314-1605153-ptxjyb_1741973153.jpg?1741973154","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/267/474/original/open-uri20250314-1605153-ptxjyb.mp4?1741973152","type":"Video","format":"video/mp4","duration":1330.474,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-UNKN-010-006_FFV1.ia.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Brrr, stick em! Ha, ha, ha! Stick em! Brrr! Stick em, ha ha ha! Stick em. Brrr stick em. Ha ha ha stick em We gonna rock the beatbox in a fresh funky rhythm! Now with a mind-blowing body rocking D3MC and to all the homeboys and the LAD we're gonna rock a fist beat and to the sucker MCs we said his DJ name is Grandmaster Doc and we'll repeat it if we have to we're going to take it from the bottom and straight to the top so check it out party people it's the human beatbox","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=13.45,44.63"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Ha ha ha ha, you will be fine. Ha ha, ha ha.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=45.73,48.21"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Meet the Fat Boys, wrapping up the country with 800 pounds of heavy, fresh sounds. For these three New York teenagers, Mark Morales, Damon Lindley, and Darren Robinson, life has not been the same since they won the Tim Tan Apple Rap Contest.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=50.79,64.349"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Get rhythm up the beat, call fast. Tip up the fresh mood, individual rap, mark your G. Now I'm Mark your G, but you can call me the Prince. And I have a slight problem that I couldn't solve since I wasn't tired. See, I owe but eight.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=64.43,75.59"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Professionally known as Prince Mark E.D., Cool Rock Sky, and the Human Beatbox, their unique performance style is one that's chart-breaking albums, national and European tours, and major television appearances. But how has they developed this offbeat technique that is admired by thousands of young people? Darren, the Human beatbox robbins, that explains how he developed his percussive sound.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=76.58,97.52"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e The real stuff is, you know, a long time ago, you know, I like one of the drum set, right? But you know I couldn't afford one at the time. So, you now, I just started listening to the records and tracing the beats with the records. You know, just had nothing to do. Because every time I used to take out two pencils and bang on a pan because I wanted a drum set. But I just start listening to records as the years come. Then I just stopped picking up a beat.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=98.43,123.23"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 5:\u003c/strong\u003e Ha ha ha ha! When I try to, you know, express is, you know, how I feel and sometimes how I feel and, sometimes, you, know, jokes. Sometimes, you now, I try put humans into a rap, a rap by the way. I try to make it funny, you just to please the crowd. That's why I really am an entertainer, not really a rapper, but an entertainer.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=131.39,151.86"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e We try to be comedy rappers. We put something new in rapping that's comedy. Like we got a human beat box and two rappers rapping about funny things, about eating pizza, all that. When it starts up in my face didn't even think about","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=152.77,167.77"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e The days I ate, but when the bill came up, boy","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=168.04,170.54"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 3:\u003c/strong\u003e Now that they have successful recording and video careers, the Fat Boys often make personal appearances and autograph sessions like this one at Baltimore's Mondawmin Mall. And even though they've arrived to celebrity status, they still have time for a little fun.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=170.64,184.4"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e We did it!","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=185.15,185.73"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e You know the passion is great, and the beef's so good!","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=190.2,192.58"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e They say rock and roll wasn't gonna be around too long, it's still there. Then hip-hop came in, like, rappers, like Rammus and Flash, Riaz 5, Curtis Blow, and they're still around, they're making more records. And now we came in and we like headed straight for the top, and our goal is to go to the top as number one group in America. So I think rap will be around for a long time, if that keeps going on.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=193.38,215.98"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e We're gonna take it from the bottom, and say to the top, check it out, part of people is the human beatbox.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=221.2,226.02"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Ah, ah, ah. Oh, eh, oh, eh. Yeah!","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=227.67,231.39"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 1:\u003c/strong\u003e Who's on the top? Guaranteed to rock. From a pop star. It's the...","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=237.02,240.48"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e They tell me a person 16 and under.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=269.98,272.44"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 8:\u003c/strong\u003e Yo, there's a person that's supposed to be a slickster, you know. Gangster, walk around in the street with a little gold on his neck, a little buckle walking around here with his Pumas or his Nikes, you know, and he's supposed be the everyday round slick guy, you know, that nobody can tell him nothing, you're hard-headed, but he know everything, you","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=272.92,287.88"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 9:\u003c/strong\u003e I have no idea what a yo is except the other half of a yo-yo.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=288.73,292.53"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 10:\u003c/strong\u003e They're the kind of fellas that stand on the corner and don't have no morals, no respect, no anything.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=293.34,298.04"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 4:\u003c/strong\u003e Yo, to me, it's some kind of little slick young fella.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=298.84,302.28"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 11:\u003c/strong\u003e A yo is an ignorant person. A yo a young beboppa with a boombox.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=302.79,310.11"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 12:\u003c/strong\u003e He can tell a yo if you see one. Because a yo will have like his cap, will be at the tip of his head about to fall off, and wear BBDs and flavored leaves and expensive Adidas and stuff like that.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=311.1,325.12"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 13:\u003c/strong\u003e It's not the dress. It's the things they consider for doing, as like robbing, hurting people, stealing. A young person, a teenager, in this modern day time, may be considered as, we call a hopper, or at one point, we used to call them jitterbugs. And right now, today, they call them yo's.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=325.79,346.13"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 14:\u003c/strong\u003e $10 for a 10, a good 12 and a half, 12 and half a second, 12, 15, 15 dollars, but then 17 and a 1, 17 and half, 20 dollars now, we got 20 dollars bid all the way back, two and a one, we got 22, we do it in five, five, five, we call it five, we got twenty-two and a a.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=429.85,443.29"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e The number of those collecting black memorabilia in the Baltimore metropolitan area has escalated over recent years. Many people are finding that accumulated antiques, once viewed as junk, can easily be converted into sizable amounts of cash. Auctions solely devoted to black Americana and black memorability to date have only occurred in and around the Baltimore, Washington area. Items up for bid at these auctions include handmade rugs, ceramic dolls, movie billboards, Extraordinary paintings, original prints, and many, many oddities exhibiting Black Americana. For the most part, blacks have tended to shy away from collecting Black Americanna. Stereotypical characters exhibiting exaggerated features such as large red lips, wide noses, and enlarged eyes have been termed ugly and offensive. Many view these items as relics of racism.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=445.56,501.6"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 15:\u003c/strong\u003e Well, some of them, I think, are sort of a stereotype. And I don't like them, especially in the black items. They'll accentuate perhaps large lips or the nose, or they'll have many kitchen items, whereas the blacks are usually kept in the kitchen or as servants. I don' like items like that.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=503.09,520.01"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e Nevertheless, others continue to build their collections, believing that memorabilia is in fact a chronological history of a people.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=520.71,528.81"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 16:\u003c/strong\u003e I've been collecting black prints for quite some time because to me, the ones that I've collected are kind of chronological history of black.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=529.64,541.08"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 17:\u003c/strong\u003e I'm interested in obtaining some black memorabilia, particularly anything that I can gather that pertained to my father, who was one of the original Goldust twin models.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=542.06,552.3"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 18:\u003c/strong\u003e It's something that I've always thought has been neglected, the history of the black Americana, particularly in this country. So many of the people, particularly the black people, were into black Africa and their heritage, but they've eliminated a lot of what the United States did commercially with blacks.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=553.31,570.25"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e Many items can be easily dated, thus illustrating the manner in which blacks were depicted in movies, artwork, and print advertisements. As the popularity of collecting black memorabilia grows, so does the price of each item. Many collectibles originally costing pennies now demand exorbitant inflated prices.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=576.58,607.77"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 19:\u003c/strong\u003e I think it's a fad. I think a lot of people are into it and a lot of people are getting things and they don't know the value and therefore the price is going up and things are getting very scarce.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=608.81,618.45"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 16:\u003c/strong\u003e Collecting black memorabilia is getting to be very hard, because the prices have shot up. Whites realize that blacks want to collect some of their history. So the prices are almost out of sight. And you could practically pick up something for $2 or $3 originally, but not now.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=619.37,637.37"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 20:\u003c/strong\u003e Plastic material is bringing more, a higher percentage. Based on what it originally cost. An item which was sold for a dime or a dollar is now $25, $35, $40.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=638.13,653.52"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 7:\u003c/strong\u003e If you are interested in starting your own black memorabilia collection, here are a few pointers. First, decide the purpose of your collection. If your collection is to be used solely for exhibition, you want to gather items of similar appearance and interest. This will generate greater visual impact. If your collections is to used solely to resell purposes, you will want to establish specialty, thus creating a market for other collectors. Become knowledgeable about pieces you wish to purchase. This will ensure against overpayment. Never buy from a collector you don't know or are not familiar with. Shy away from large marketplaces. Prices here tend to be overinflated. Be sure to frequent auctions and antique shops, not to mention trading with reputable collectors. Fifth, never buy an expensive piece of memorabilia on impulse. You may end up with a collectible that you are not able to trade or sell. And finally, before selling and after purchasing items, Be sure to have them appraised by an accredited appraiser or curator. In terms of historical preservation and esthetic beauty, collecting black memorabilia can prove to be a very rewarding experience.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=655.2,743.13"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e Now hollywood uh... Vice squad is that uh... Taking advantage of the miami vice craze that's hitting the nation","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=777.97,784.45"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e I don't think so. Now, why it was named that is really, I think, because Jim Dougherty, who wrote it, used to be on the Hollywood Vice squad. And what he wrote was a realistic piece of Hollywood Boulevard nightlife, as seen from a vice cop's point of view. So it's a very realistic slice of drama, I thing. Hollywood Boulevards by day is nice, it's souvenirs, it's people shopping. At night it's a bunch of, uh... Strange people walking the streets and he caught the realism of that.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=785.01,817.85"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e Are you playing detective Jerry Hawkins?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=818.27,820.25"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e No, I'm one of the weird people walking the streets. No, I play a Hollywood vice cop, yeah.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=820.83,826.18"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e Let me ask you, will we expect to see you in silk and linen suits with t-shirts? What's your role like?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=826.42,835.4"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e It was an interesting role for me because as this vice cop I really think that he had fantasies of being an actor or something because he was always going under cover. And every time he went under cover he'd play a different character. So I got to play three different characters.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=836.09,850.69"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 23:\u003c/strong\u003e Hey, Mr. Debussy. Right on time, sir. Hey, this is Veronica. Nice to meet you. I've got two works of art set up for tonight, two. You start with the tune. They'll provide the entertainment for the boys at the bar there. And if everything goes all right, you're good. Man, what are you talking about? Take it or leave it.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=851.37,878.01"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 6:\u003c/strong\u003e Yeah, boss.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=884.819,885.2"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e Man, he is full of fun and games. I want some two of you to trick with two of his ladies. Oh, right, a little, uh, fringe benefit, huh? Just in case you don't have enough charm for a freebie. Man, your elevator don't quite make it to the top.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=886.65,906.98"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 2:\u003c/strong\u003e Thanks for watching! Yeah!","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=907.94,922.65"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e Does this represent your becoming a legitimate actor as opposed to what you played in Penitentiary One and Two and Body and Soul and some of the others you did prior to this?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=932.0,942.22"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e You know, once again, it's identification. In other words, to me, I was always a legitimate actor because those roles, even though they seem natural, it called for some good acting to make them natural. For example, with Penitentiary, One and Two and Body and Soul, people, after they saw those, they said, well, you used to be a boxer. Well, the truth of the matter was I had never put boxing gloves on. Until penitentiary so to learn to pull that off realistically uh... Took a lot of training it took a lotta effort uh... Body and soul to me was a stretch as an actor there were a lot tender moments there were tears there was uh... Being braggadocious there was being humble all in one film i trained uh... Hard for those roles","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=943.82,993.43"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e But did Penitentiary 1 and 2 and Body and Soul, which you did earlier in your career, come at the tail end of the blaxploitation flick?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=994.14,1002.52"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e No, I don't. First of all, the black exploitation era was in the 70s, actually, late 60s, early 70s. And also, I think that people must be very aware of labels. For example, if I and Glenn Terman had done the sting, then it would be labeled black exploitation, two black men pulling riffs on people. But Newman and Redford can do it. It's stylish. It If I had written and produced Looking for Mr. Goodbar, then it's Leon ripping off and exploiting our black women. But Diane Keaton can do it. She's nominated for an Academy Award. If I have done Midnight Express with all that profanity and all that violence, it certainly would have been labeled black exploitation. Yet it got nominated for Academy Award What if I had done Scarface with all that cocaine and everything? What would it have been labeled? So I'm not going to allow myself or my works. Be pigeonholed or labeled. I'm going to do whatever the creative juices call for me to do as long as I do it in a way where I'm not hurting anyone.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1003.94,1069.73"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e What happened to your marriage?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1070.82,1071.84"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e Um, it was just one of those things where when we were together we were in love with each other, we were happy, we we're together for ten years, so I'm thankful for those times. Uh, I think that the constant traveling, the constant pressure on her career, the constant pressures on my career took its toll and um, you change. So, rather than dwell upon it. I'm thankful for the time that we had together. We're still good friends. I'm happy for her current happiness. And life continues to go on.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1073.99,1107.76"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e Do you think there was any occupational competition there?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1107.98,1111.06"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e There never was. We always worked well as a team. We were both very happy for each other. You know, when you love someone, you don't separate the two. In other words, when good things happened for Jane, I was as happy as if it had happened to me. I worked very hard on her behalf and to help establish her, so I certainly wouldn't be jealous of any good that happened for her.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1111.86,1135.42"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e Well, what can we look forward to from Leon Isaac Kennedy?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1136.56,1139.08"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e Well you can also look forward to Nights of the City, which is coming out in a few weeks. Nights Of The City is my version of West Side Story, 1986, gangs, rumbles, music, dancing. Lots of interesting people in that one too to work with. Special guest stars Smokey Robinson, Curtis Blow, the Fat Boys, Casey from Casey and the Sunshine Band, dramatically Nicholas Campbell and John Mungati. It was a nice exchange, it was a working ensemble.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1140.41,1167.97"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e Was this your own product?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1168.88,1169.78"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 22:\u003c/strong\u003e Yes, I wrote it and produced it. I'm just putting my money where my mouth is.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1170.35,1174.27"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003eSpeaker 21:\u003c/strong\u003e We thank you for coming to City9. It's my pleasure. And much success to you in the future.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474#t=1175.6,1179.66"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267474/transcript/79469/annotation/60","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/469/original/trint_WJZ-UNKN-010-006_FFV1_transcript.vtt?1746817298","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/079/469/original/trint_WJZ-UNKN-010-006_FFV1_transcript.vtt?1746817298"}]}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267475","type":"Canvas","label":{"en":["Media File 2 of 2 - open-uri20250314-1605153-u5t6ad.mp4"]},"duration":1330.474,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/267/475/small/open-uri20250314-1605153-u5t6ad_1741973167.jpg?1741973168","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267475/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267475/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/267/475/original/open-uri20250314-1605153-u5t6ad.mp4?1741973165","type":"Video","format":"video/mp4","duration":1330.474,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/144700/file/267475","metadata":[]}]}],"annotations":[]}]}