{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/s17sn02k5r/manifest","type":"Manifest","label":{"en":["Morgan State University Choir 4, 1988-11"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/11820"]}},{"label":{"en":["Date"]},"value":{"en":["1988-11 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Dr. Nathan M. Carter, who led the Morgan State University Choir, rehearses with the choir. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-EVMAG-151-005 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["Evening Magazine"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Dr. Nathan M. Carter, who led the Morgan State University Choir, rehearses with the choir."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/216/775/small/open-uri20231116-484-8ut6ak_1700163245.jpg?1700145246","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20250108-2687357-a00los.mp4"]},"duration":1343.652,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/216/775/small/open-uri20231116-484-8ut6ak_1700163245.jpg?1700145246","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/216/775/original/open-uri20250108-2687357-a00los.mp4?1736369753","type":"Video","format":"video/mp4","duration":1343.652,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/transcript/61568","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-EVMAG-151-005.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/transcript/61568/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Oh, yeah, that was bad. Yeah, that would be someone saying oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh. Yeah. So how do you think why did you decide what you wanted to get there in time? Please. If I could. A path to peace. That's one of them. No sleep on it. What was that? Oh, no. Oh. Oh. The thing is that the same thing that punctuate about making us think about now that we haven't changed because that's not what the first piece that looks different. Let's take it past the the last movements. I was in the first place for today's speech. That is just beginning. I think my whole thing is break up that story. I'm not going to go. Yeah. I don't know what I would do. Come on. A diaphragm. Oh, yeah. Oh, yeah. Oh, no, no, no. Oh, I don't feel bad, obviously. No, but I mean, even not rehearsed. Did you do it like you'd have game one, basically. Ready? Oh, oh, oh. Did you give up that part? Yeah, I did not. Now, look, we're going to start at about 848 and then leave it on. You've got to keep up with that part of the topic. For that year, you didn't want to do that. Many people think instead of getting the first one together, they had to be able to and out of that. But we really don't have that. He hit his head. Oh, maybe I should look out for the ball. He did. Hello. Here he is. Speaking of your brother, how old is. Ow! Ow, ow, Ow! And they go, Oh, no, I don't want to read that. Oh, you don't want to read it.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775#t=1.22,439.25"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/transcript/61568/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Oh, they know that money is going to be hit. Oh, that that young prince is telling them how to read it. Oh, they knew. But when they hit, oh, they go off all they do. Hey, they were bad. Yeah. Why did you do your job? I didn't do it. What do. On Christmas Day. We have so many people that live for us. But I'll tell you this, we got to go through it and we haven't begun to cry. I had to do a little bit of everything I want to do, you know, in a relaxed mode. I want to try something while they're pretty happy with all the time I've had. You are going to sing next Sunday that I haven't started with you, but it's a magnificent arrangement of a young, blessed assurance. Now you want to know just what happened. Let's just real quick. That drops. Now that you're familiar with the melodies, they are not just. I want to do the part. That's way I want to start. What we are faced with. Don't forget, we have a call rehearsal tomorrow night. Everybody at 8:00 and nobody leaves. There is a discussion about tomorrow morning. That's not what we believe about That does not suggest that we're not going to respond to even shift some people. We're going to do this on. Oh, by the way, the group that was in New York. This is the man, the words that we signed with the Greg Smith Singers, this entire arrangement, the one that everybody know that you know, that the words, you know, they remember us. What happened? Guess all three foot forward bonobos have been rated one, two, three. And you know what else? I don't expect you to do anything but go up and down the fences if you're not sure about.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775#t=439.95,624.9"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/transcript/61568/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, why do we have to flatten that demand pick up? But at the same time, I don't just if you have somebody who never try to get me to see. So I think we can do more. Whenever the notes go back to. Exaggerate the most. Come on. Try the game. Oh. Oh. 000003 What to see How to Do It Public face to a game. I want to go. Let us front that. That would be how can we do anything that way? How many times have I said that and made. Oh, long story. Oh, God. I thought I was supposed Lot of allowed to go. Oh. Hey. What really makes the final three year fresh theme heavily framed by the very scope. And. Once you take the same you have for people to on. Yeah. Oh, you see, that was a common mistake. Great to be here. Know. That kind of introduction. The way she's done it now, lets it out to the base to do that. Starting on the top of page two. How will the tell? The last two parts of phase two. That would be. After the Big Apple. Three. Oh. You ask them to say it. Who play ball. Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, 000. Three cowboys. No. So do it again and I'll do it again. Ow, ow, ow, ow, Ow, ow, Ow! Was. Ow! Ow, ow, Ow! The. Okay, everybody that bravely, we know where we are. This is a tough place to go back home to see. You got to come out of the rat race, right? Oh. Oh, well, Will. The name needs to be familiar to you. Wander away on for years like the one we love, the late. This particular.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775#t=629.41,1048.349"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/transcript/61568/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It was done by him just prior to. Is the above number. Well, the so. The phrase is real, but everybody who gains. I was able to listen to I. Three. One Who? I don't believe. I don't believe it. Is it the same? No, not. From the beginning. I knew. Why? Do you understand what I was doing? Okay. You think? Come on. Elvis. But you're not the one who. I want to talk about that. They wanted to. Why are you so lost in the fact. I just wanted to go with what I'm doing now to tell you everything. What I'm not going to see now, even though you did it, I didn't hear you move through. You got to make more. The motion may move from your defense to the state. Doesn't make sense to go to just if it's nothing special, so do it, you know. But again, your motion needs to be accentuated. Oh, you got a little bit there. Who?","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775#t=1051.34,1251.54"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/transcript/61568","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/114037/file/216775/transcript/61568/annotation/5","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/061/568/original/open-uri20231117-3098633-mn827f?1700180731","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/061/568/original/open-uri20231117-3098633-mn827f?1700180731"}]}]}]}