{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/vx05x27169/manifest","type":"Manifest","label":{"en":["Jazz Explosion, 1987-06-07"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5268"]}},{"label":{"en":["Date"]},"value":{"en":["1987-06-07 (Broadcast)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Roy Ayers, Bobbi Humphrey, Lonnie Liston Smith and Noel Pointer are interviewed and perform. 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Hi, I'm Jackie Hall, and we have been waiting for this day for a long time. Sure have. I'm Betty, but we've got two old friends and two new friends here to entertain you today. Yes, This is City Line's June Jazz explosion featuring where's Bobby Humphrey, Lonnie Liston Smith and Noel Pointer will have a great bit of fun today. Right now. Here they are. It's. Oh. Now, here's this week's community calendar. Hello. My name is Charmaine Marshall. The critical care unit of Johns Hopkins Hospital will sponsor a mini workshop on Tuesday, June 9th, from 5 to 9 and June 13 from one until 5 p.m. and the Johns Hopkins University Myer Auditorium. There will be lectures and many workshops, all to assist the no critical care nurses, medical research, emergency room nurses and senior students. For more information, please call 9552560. Thank you. Hello. My name is Jan Costello. GROSS. The Homestead Montebello Center, Sedona Douglas College Alumni Association invites you to be a part of their homecoming celebration from Sunday, June 28th through Sunday, July 5th. There will be a cocktail sip on June 28th and alumni welcome reception on June 29th. A champagne toast and release on July 2nd. And Dr. Eleanor Holmes Norton will be the commencement speaker on July 5th. To be a part of these and the many other activities planned for your entertainment and fulfillment, please call 2760306. Hello, my name is Rodney Maltin. Marilyn, this for gymnastics invites you to a fundraiser benefit on Monday, June 15th, from 5 to 9 p.m. at the 32nd Street Plaza and the Classics Lounge. There will be a buffet dinner, dancing, a comedy showcase, and more. Proceeds support Baltimore's Jubilee Rock Bar, Maryland's Olympic Gymnastics hopeful for the future.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=7.56,558.95"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For tickets and further information, call 728758. If your group or organization would like to announce an event, please write us in care of City Line WJC TV Television Hill, Baltimore, Maryland 212, one one. Or call us for further information at 466013 between the hours of nine and five. Welcome back. Honestly, we're already having a lot of fun. And right now, I want to reintroduce you to our wonderful guests today. From left to right, Mr. Lonnie Liston Smith, our own Lonnie Liston's. Mitt Romney has been here before. His visit, visited us last year and we're glad to have him back. Next, Mr. no pointers are pleasure for I know to be here for the first time. Well be. And of course, the lovely Bobby Humphrey also for the. Oh, please. Yes. Yes. The senior citizen boy. It's been it's been about a year since Roy and Lonnie were here last time around. And we hear of Tom Brown. How did the four of you get together for this particular. We've been working together and at different times sometimes. The two of us. Three of us. All of us. And and it's nice for us to get together. We got together this time because a very fine promoter, Jim McNeill, decided to bring us in Baltimore. Wonderful. Well, thank you, Jeff. And we want to give Jim a round of applause right now. I want to bring up what it takes people with creative thoughts to bring creative music into town. So of course, I got it together with Bobby Nolan, and we're here now for biggies in music. How in the world do you make it work and that you don't clash because of the egos and an individual reputation? How do you make it work? I feel because we're all creative individuals and musicians as well as being great friends.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=559.97,712.39"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's something that we have done for a long time, and it's something that we enjoy. And hey, is Quincy Jones, as we leave the egos outside the door of a famous recording session and it's about playing the music. All right. I've got to ask. No, you look a little taken back a few minutes before we went on the air with these crazy people. How do you manage to keep yourself in step with what's going on? You seem to be the more laid back, I think. Well, one of the reasons I'm a nut myself, that's the only way I can deal with it. I'm just the I'm crazy person myself. And I just enjoy just hanging out and having a good time with my friends. And that's all it's about. I think the most laid by person is not really what I want to see. But see, when you don't see him at the hotels. Oh, we got know he's on. We want to go into that and invite our home audience into this. 481 1313 If you have questions of any of our guests or all of our guests. Call us now at 41, 13, 13. Loni, you were here before. Yes. Have you been back to this area in the meantime? When is the last time you went back to Morgan you were a graduate of Morgan? Actually, I haven't been back to Morgan in a while, But, you know, I'm still proud to be a graduate. But I have been back. I was supposed to do the radio show last night, but it's something, you know, mishap or something. You're going to have to come back and go to. Morgan is something that they have because they're proud of you. They're great.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=713.26,805.44"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Bobby, how did you get started? I'm originally from Dallas, Texas, and I won a music scholarship to Texas Southern University in Houston and SMU in Dallas. And I just had this dream to participate in music recording particularly. And I came to New York summer of 71, and I've stayed ever since. And I was the first female signed to Blue Note two weeks after I arrived. And it's just something that I love doing. Yes. Like you don't know how to drive. You have a lot of fun when you're together. And I think that's what motivates us. I think that's what we really get. We really groove with each other. We have a lot of fun. We keep a good, positive vibe and we act crazy and, you know, crazy. Just crazy. Well, Bobby's always been crazy to us. It's just having fun, having a good time. Like, you know, Lionel Hampton. He was crazy, you know? He still is, right. Okay. But I mean, like that. I mean, people like that give us motivation and stimulation. And these people give me that stimulation and motivation. Me of the movie. I know the title. I don't know it too much, but I would say it's a Wonderful Life. That's a love that I love. It's a Wonderful life, Bobby. Something that I know. The good life. The good life. Let's talk about let's talk about the instruments. I like the blend of the instruments, the flute with the violin and the vibes. The violin and the blend is so beautiful. It's almost with almost the same sound. But there's something that you would say that because I commented on it earlier, that, you know, it was such a nice say that this was it. I don't think I was tripping or anything, but I said, no, this is a beautiful instrumentation.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=805.89,903.45"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We must use it more. It's like the the orchestra. I mean, you have the stranger winds and percussion, right? And what more do you need? Now, we should give folks a little preview. You all will be appearing on June 12th, I believe. I try to do Meyerhoff one day, and that ought to be a great show. Joining you is the Tosca Hazan. Nadia, you'll be on the show to get out of your group. And I'd like to say that that's a very beautiful room. And it's we've worked that before on two other explosions, if I'm not mistaken. And it's a beautiful room. And and those of you who haven't purchased your ticket, purchase them immediately, if not since the 12th of June. Confetti is painting my plug. And you know what we're keeping Keep this a secret. But we are going to throw down, you know, you know the jug with the present. 1130 Oh, wait, 1130 You know, that's what's going to happen. Everything's going to jump off. At what time is the show? 7:00. Is it seven? Well, something like that. 8:00. I get that seven, in a way, to make sure you get it right. Is there more? And we thought you were giving it all up to us today. Oh, there is a lot. Oh, come on. We haven't talked about Boo boo, la la. You cannot get people out on television. We had to get them out to see it in here. That's right. You know what I mean? I got to get a grip. It's like we just give you a little spot. Spot spots in pieces, Bits and pieces. There's some wonderful bits and pieces that we've been listening to these four guys rehearse all morning, and I can't wait to hear some more.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=904.53,994.23"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And we are going to hear a lot more before the show is over. But again, we invite you to call in and we're going to be talking with our audience if they have some questions. So please take this opportunity to get into these people's minds and find out where they're going, if they will allow us to like a blue violin. I have never seen a blue violin in my life, and I used to play the violin, but never blue. Well, as you can see, I love the color blue. Did you paint it yourself? No. This violin was purchased in New York. Incidentally, I'm a New Yorker, and I just saw it. It was made by the Bach. It's very company. And there's something else that's kind of unique about it in that it has five strings on it. Most violins only have four strings, but this has a lower viola strings so I can get down into the lower register. And when I'm hooked up to my electronics, I can even get down like a double bass. Oh, hello. So. Oh, yeah. No, I've seen you do some very interesting things. And one time I believe you were here in town down at the Maryland Institute College of Art, where you're performing. And this is no lie. This guy was playing the piano and the violin at the same time. Oh, my. Oh, no, I. I started out as a keyboard player and. Well, the story is that I come from a very musical family, and my mother was a music teacher, so she started me out on keyboards. And when I reached the age of ten, I decided that it was really the violin that I wanted. So it's very natural for me to want to just merge those things together.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=994.37,1091.27"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I get kind of caught up in the logistics of of playing and singing and all of that. But somehow it seems to work for me that there are some folks at home that like to talk to you. We're going to go through them now. I call her. You're on live on City Line. Hello. CALLER Hi. CALLER Okay, we want to change your mind now. You mentioned your mother. I have an album where your mother sings with you. Does she still perform with you periodically? Periodically, yes. As a matter of fact, my mother's pretty amazing this weekend coming up. Matter of fact, next Sunday, I'm going to be appearing with actor John Amos in New York. And my mother is the producer of that concert. So we're trying to we're getting ready to fill a 2000 seat auditorium there. And Mom's is in charge, so. Oh, yeah. We'll try again for call from home. Hi, caller, You're on the air. We hope you're great. Go ahead. Yes, I'd like to say hi to all again, but I wouldn't touch very specifically. I'm looking for the certain LP No strangers to love and ubiquity and I can't seem to find him. I can't find the man. I will tell you what happened. There's those albums out of print. Unfortunately, if you didn't get two or three free copies when they came out, it's all over. And let's say Polydor, the company that put them out at the time, decides to rerelease them. So it's all over. If you can find somebody with a tape, I suggest you a tape recorder, a tape tape it from somebody. They charge those coming out on CD or anything like that. I don't know. It's on another label. I'm on a new label now.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1091.75,1188.42"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"CBS okay, what about that end? Yeah, but, you know, that's that's those those records no longer exist as far as release. Can I thank you calling. I guess people can always remember if either one of us have a hit record at all. You also comes out automatically. Yeah, they release it because then they rerelease everything so they can sell, you know, they can sell the old stuff. Then the onus is on another label. I have a comment also is that if you usually if you want an old record like that, if you will just seek out and find a rare record shop, sometimes you can find some pretty interesting things. And I know because I collect some rare violin albums, what you write and you might find some records and Colony records in New York City, they have all they have a lot of records are put in. Might be one guy. So I've got to take a break for a minute. So has more music, but we're going to come right back. So please stay with us. Up next on news, camp investments and rights at home. Complete divestment abroad. My sister, eBay. Okay. This is City Line's June jazz explosion with lawyers Bobby Humphrey, Noel Pointer and Lonnie Liston Smith. Roy, we talked about just about the other instruments. And you mentioned Lionel Hampton. Was he your influence and you're taking a blindfold? You gave him my first set of five mallets, those mallets I played with. And a lot of people say he laid some spiritual vibes on me because some 17 years later, I started playing the vibes like, No, I came from a very musical family. My mother taught piano and so it was a very natural thing. I always knew I was going to be a musician, you know? So yeah.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1189.02,1439.43"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Lionel Hampton Great with the instruments today. I mean, old playing an electric violin, the vibes that have changed since you first started playing the instrument itself. In terms of technical things, I think that Lionel Hampton is the main innovator of the instrument. He's the one that made the instruments big before before he came along. It was just used as a symphonic instrument in symphonies and orchestras, and he came along and started making instruments big and swing and groove and personality with it. And, you know, he's a great one of the greatest showman, showman of all time. The instrument blends beautifully with the flute. For years, Phil Jackson and Frank Wess did a number of albums together. Do you recall some of those albums in the early days? But the unusual part of this instrumentation is the violin, which really gives it another whole different color, whole different flavor, a different yes. We're going to take another call from home. Hi. CALLER, you're on the air. Yes, I'd like to first say hello to all the guests and welcome to Baltimore. Hi, Bobby. This question is basically for you. My name is Crystal. I'd like to know, being a young black female flutist, did you have any reservations about breaking into show business? No, I did not, because it reminds me of an interview I did a couple of weeks ago, as a matter of fact. And the particular interview kept asking me what the negative aspects and I always knew and as you all see that I am female. So that's without saying I'm a musician and that's because I enjoy what I'm doing. And I guess my attitude has always been one who looks at the positive and the business side of it. I fortunately have always had my own group.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1440.03,1546.65"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I've never really worked as a side person and it's just really what I enjoy doing. I never had any problem with the males of the music business because I love these guys, men, particularly black men. My father was the greatest black man that I knew. As you say, I feel very strongly about this. No problem. And we have no problem. No problem with Bobby. Thank you. What happened? Because you played and you met Bobby. You are unique in music, aren't you? Yes, I am. And that was one of the reasons selling points that I was the first female signed to Blue Note Records in 71. The record companies are looking at the bottom line. Frankly, it was a uniqueness. It was something that had not been done before. And hey, they could sell records. That's what they're in the business of doing and I just enjoy. So you were in the right person at the right time. Okay, another call caller. Are you in touch with our guests? Hello? Anybody? Yes. You're on the air. Okay. I like to speak to Moyers. I'd like to know, how did you come up with the title? Let me kiss you and your pupil, Lala. You have to cover. I can't tell you right now because you have to come to the concert. Because if I tell you now that you know, you got it, you got to come to the concert to find out. But let me tell you something. It's a it's a big secret. I think if you can find out on. Well, that's right. Thank you. Thank you. That's true. You know, there is a song called that, so they can come for that. Okay. This is about time that we take a short break here.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1546.92,1636.62"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We've got to do a little news thing, and we want to toss to our good friend in the NEWSROOM. This is our big. Thank you, Jacqui, Betty. Good afternoon, everyone. A debate over civil rights at home. A fight for human rights abroad tops our newscast this week. How might this are be? The topic of civil rights? Is just one of the issues captivating the minds of Americans now, particularly in the light of the bicentennial of the United States Constitution? The truths the Founding fathers held to be self-evident have been hard to find for some Americans even 200 years after the fact. With me today is Commissioner Jack Leeds of the State Workers Compensation Commission. Commissioner Leeds has been an attorney for 30 years. He has done extensive work in constitutional law in his private practice, including taking a case to the Fourth Circuit Court of Appeals. Good afternoon, Commissioner. Hello, sir. How are you? All right. Supreme Court Justice Thurgood Marshall recently said the celebration of the Constitution is a hollow one, since the rights of minorities and women were not even considered at the Constitutional Convention. How do you feel about this? Well, as a associate Supreme Court justice and as an attorney, I'd be inclined to agree with Justice Marshall in any regard. But certainly I am very much in agreement with what he says about the Constitution, because if you remember, most of the men involved in its writing and implementation were men of means and therefore men of property. And those property rights were, I think, most significant in the writing and implementation and implementation of the Constitution. The Constitution makes a couple of references to the status of persons, namely in the 3/5 clause and in the 1808 clause. And later on, Chief Justice Roger Tanny also referred to persons in the Dred Scott decision.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1636.77,1749.27"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"What is a legal person and what were persons of African descent considered? Well, persons of African descent, unfortunately, were considered less than persons and with no rights that anyone had to respect because they were not members recognized in the family of nations as real people, people, real people, citizens where people that can act and chattel slaves was the first time you had a group of people who, as chattels, were pure property, who could only be act of the bond. And they cannot act, only react to the 13th, 14th and 15th Amendments freed the slaves, granted citizenship and gave the right to vote. Do you feel these were effective in bringing the slaves into the body politic or making them legal persons? No, I do not. The fact is, I think that either because they were hastily conceived or maybe part malice, because they wanted to punish the South and leave the ex-slaves there among the former slave holders of whatever reason, the the the thinking was not clear. The 13th Amendment only physically freed the slaves. The 14th was an attempt at citizenship, which at best create a second class citizenship and the third, the Voting Rights Amendment. Why do you have to have voting rights amendments every ten years if you want a citizen to have the right to vote? Absolutely. Well, what suggestions would you have for bringing about not just civil but human rights for persons of African descent? Well, I think that there was at some point the naturalization proceeding whereby the former slaves, even their descendants, have to be returned to their proper names and actual citizenship, not a second class type under the first original article of the Constitution. Thank you so much for joining us this morning. Commissioner leads Nationwide celebrations for the constitution will culminate on the 4th of July, Independence Day.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1750.05,1856.94"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"My pleasure. In international news, human rights struggles in South Africa continue on both sides of the globe. Earlier this week, Reverend Leon Sullivan, author of The Sullivan Principles, renounced his measures of gradual reform in South Africa. Sullivan drew up the plan ten years ago as a voluntary code of ethics and employment for corporations doing business in South Africa. Sullivan now favors complete withdrawal of big corporations doing business in South Africa. He denounced the Botha regime for dragging its feet in abolishing apartheid and believes conditions there have worsened since the recent conservative win in the May elections. South African President P.W. Botha took his case to the people this week in a landmark visit to the ghettos outside Johannesburg. He made a personal pitch to the local town council for his National Multiracial Advisory Board. But he was told the nation's 25 million blacks will accept nothing less than full equality in parliament. The six townships administered by the local council include Sharpeville and Sebokeng, both known cradles of dissent in South Africa. A case of bad press forming public opinion. That's what Reverend Jesse Jackson thinks about the fraud indictment against the United States Representative Harold Ford. Jackson compared Ford's case to the biblical crucifixion, but he stopped short of saying Tennessee's only African-American congressman was innocent of the charges against him. Ford is charged in a 19 count bank and mail fraud indictment for allegedly swapping political favors for bogus bank loans. And national news, the AIDS crisis. This has moved into a United States military court. A soldier at Army Fort Huachuca in Arizona faces court martial for having sex with three other soldiers without telling them he had the AIDS virus. Private Adrian Morris is charged with aggravated assault against two female and one male soldier.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1857.6,1970.06"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's the first case of its kind to go to a jury in any U.S. court. Maryland's Brian Lee Tribble has the hardest of his court days behind him now. He left his fate in the hands of a jury and they ruled in his favor. Tribble was pronounced not guilty of all charges stemming from the cocaine death of his friend Len Bias. The state tried to prove Tribble was the person who provided the cocaine. The night bias died. So overwhelmed right now. I really don't know how to explain myself. And I'm just glad that the system didn't fail me. That's the only comments I really have right now. Did you have any doubt in your mind for a moment? There's always some doubt. I think when you're in a system with this much pressure and with these many things, it's very difficult to to not be without doubt. I think any time that we have 12 people in our community giving us six, seven days out of their lives listening as they did, they took notes carefully. The justice is served. Even if we disagree with their verdict, we respect it and we're satisfied the system works. Testimony from Bias as two roommates cast doubt on exactly who brought the cocaine that night. Tribble still faces two counts of obstructing justice, and the Bias family is considering filing suit for the damage to their son's reputation. In sports, Dwight Gooden planted two feet solidly on the comeback trail Friday night. He pitched a win in his first major league outing since returning from drug rehabilitation treatment for cocaine abuse. Gordon left for 28 days of treatment back in April. Then it was weeks of pitching and batting practice until the final test on Friday. That's the test he passed.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=1970.84,2068.35"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Much to the dismay of the Pirates, the Mets won 5 to 1. It was ten years in coming, but track star Edwin Moses now feels the twinges of the agony of defeat. Moses lost his first race since 1977 by a 10th of a second to American runner Danny Harris. Harris, ten years younger than Moses, clocked in at a half second slower than the world record Edwin Moses still holds a month ago. We told you about a for Kids Sake program called No Hang UPS. It's a telephone service sponsored by WJZ TV and the Sheppard Pratt Education Center. No hang UPS offers taped messages on 25 different topics, specifically for teenagers during the months of April and May. Three topics logged in over 1000 calls each. They were thinking about sex. That was the top topic at over 1800 calls. Next, it was followed by love, followed by falling in love at a close to 1600. And homosexuality in teens with just over a thousand calls under city line skies today, mostly sunny and warm highs reaching the mid to upper eighties. But carry your umbrella, though there's a slight chance of an afternoon thunderstorm. Enjoy the day in the week ahead. I my sister Robyn. Now back to Jacqui and Betty for more of city line. Thank you, Isocell. And we'd like to tell you that there is a new number for no hang ups because it has been so popular among teens. It's a254 880 254 804. No, hang up. It's good to hear that that's going so well. We're going to go pay some bills right now. But when we come back, more of Bobby Humphrey No Pointer Boy airs in London. Listen, Smith, stay with us. I want you to blow. And you.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=2069.04,2223.06"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So show us how you're going to start. It's going to go. Here. Know. In. How. Yeah. I. No. All of the. For.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295#t=2225.22,2889.67"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105541/file/206295/transcript/48939/annotation/17","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/939/original/open-uri20230817-2847-d8bipc?1692287691","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/939/original/open-uri20230817-2847-d8bipc?1692287691"}]}]}]}