{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/w08w952709/manifest","type":"Manifest","label":{"en":["200th Show Celebration, 1986-11-23"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5251"]}},{"label":{"en":["Date"]},"value":{"en":["1986-11-23 (Broadcast)"]}},{"label":{"en":["Description"]},"value":{"en":["On tape label: City Line #43 (Container Summary)","Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","The show celebrates and reflects on their 200th episode. Jaki Hall and B.T. Bentley interview Reggie Wright, show creator and developer. The show receives an award from the Governor's Office. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-006-015 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["On tape label: City Line #43","Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","The show celebrates and reflects on their 200th episode. Jaki Hall and B.T. Bentley interview Reggie Wright, show creator and developer. The show receives an award from the Governor's Office."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/273/small/thumbnail_206273_1692236731.jpg?1692236734","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-805753-tfe7me.mp4"]},"duration":3757.831,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/273/small/thumbnail_206273_1692236731.jpg?1692236734","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/273/original/open-uri20230817-805753-tfe7me.mp4?1692234593","type":"Video","format":"video/mp4","duration":3757.831,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-006-015.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"If from tbe Hill. This is the 200th broadcast of Jay Z TV's Award-Winning Magazine program. City Line with beefy Bentley Jackie Hall him on tier with News tab and Howard Anthony's entertaining. Well, thank you all in our studio audience for helping us to celebrate the 200th show of city life. We're looking forward to have a lot of fun today and showing you a little about a little bit about how the show is coming along in the last few years. Yeah, we're so excited. As you can see, we have dressed for the occasion because special occasions require special outfits and that's why we're looking like this at 1130 in the morning. That's right. You know, we've tried over the years to provide the Baltimore community in a larger area with a little taste of what the world is like around them. We try to be informative. We try to give them a sense of what's happening in the world today. Exactly. And one of the things that City Nine has been dedicated to from the very beginning and we'll continue to dedicate ourselves to, is that we are in touch with the community and with the kind of feedback that we get not only from our studio audience, but in the community as well. We think we're on target now to bring on the rest of the family. Harold Anthony and teen moms here to complete the back. Without proper. At some point we ought to have an audience like this every week. Oh, my. I think we could go on for 5000 shows that we got that question. How do you feel? I feel great. I feel marvelous, Jackie. It's fantastic experience. And we've got some fantastic and some things that we're very proud of to share with our audience.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=16.32,179.11"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I just can't wait until we do that. And this is going to be a politics know. We're going to call this the alkaline version. We're going to take the cream of the crop and we're going to push it at the folks at home. And I know they're just going to love it. So if you've got VCRs at home, you're going to want to cut them on right now. Are you to awaken the opera in the morning for everybody? I'm usually here this time every Sunday morning. So this is nothing different for me. I enjoy it. As a matter of fact, just having the chance to be with my elder family member here, One of the things that's been talked about is the very opening we have a chance to do. Some of the reflections on the show that we've done, the celebrities that we've talked about that the news items that you have hit over the four years plus we've been on the air. But one of my favorite subjects and I've got to deal with that one, is we're going to have a chance to talk to the creator of sitting a young man that when he was our executive producer, did not have a chance to show his face every single Sunday on the camera. But today we will be talking to Reggie Wright, the creator, and of course, to our current creator and producer, Ernest Winslow. You make the whole city Line family today and you're going to see snippets of the entire life of city life. We got some hot topics, oh, controversial shows that we've aired over the years. A lot of fun things. The other side of city line that we've either broken up or been broken up.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=179.44,259.779"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I guess what else we have coming up? The contest for sure. Oh, yeah, certainly. We have a trivia contest coming up and the audience will get a chance to participate as well as the folks at home. And we've got some great prizes lined up for the winners of that contest, which include dinner at Duke Martin's and two free tickets to see the Tap Dance Kid, which of course, was a smash on Broadway and a limousine ride up to Duke Martins and Betty. We have already lot of it. Okay. So let's go to our first break. And when we come back, boy, a 200 celebration of city line takes off. Today, NAACP. Testing. Welcome back to our Three Lions 200th anniversary show. And we're having a lot of fun already and do in the course of the next hour and a half or so, we're going to have a lot more fun. Right now, we have a very distinct pleasure of reintroducing many of you to the gentleman who is so key to what the show is today. He's a man who originated the concept and brought this show to life. Mr. Reggie. Right, Reggie. No kisses for me. Yeah, please. The audience missed that. But anyway, Reggie Wright, how did the idea of City Line come about in 1982? Well. The general manager at the time, Paul Yates, wanted the show to replace a show that was on the air at the time on Sunday live. And he said, Come up with some ideas. So I put together a treatment and. My associate producer, Stafford Bailey, and I presented a format. We didn't have a name for it. We just we had we knew we wanted to do, you know, something that would involve information, entertainment.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=259.93,468.8"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Uh, one of the things I wanted to do initially was to to have some kind of entertainment. And when I got here, the people said, uh, well, you know, having bands and that kind of stuff, we don't know about that. So at the time, videos were just coming on. So I said, That's a good way to, you know, to have the entertainment part of it as well. But it it, it really started as an idea that I did in Florida in a much smaller rehash where it's not a. I mean, it was like it was it was more here. I mean, Baltimore is a more exciting city is it has a lot more to offer and a lot more of facilities. You know, the station here is a lot better equipped to kind of pull off some of the stuff that I had thought about quite a while back. It's interesting, too, because. One of the things that we liked about it is that we were one of the first ones to really get involved in the showing of videos. Videos weren't as hot then in 82 as they were as they are now. And that was an interesting aspect of city life because we were showing videos long before the others even started thinking about them. Ready for the first show went on the air. When was it? In August of 82. August of 82. Did you have any idea that the concept would work as well as it did and survive as long as it had? Well, no, but I was hoping I had the work, you know? Yeah. You know, like I wanted it to work out. I thought that what we could do is just basically put some polish on something that, you know, ideas that you hear from people, what they would like to see on TV, and just kind of keep my my, you know.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=470.04,562.71"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, look, we're on the monitor. We have some looks on the monitor. Well, this is this is Jackie's first hairstyle for us. And what we want the audience to do is a sheet of paper. Take a sheet of paper and a pencil. And, Jack, you think this is Dan Hanson and Jackie Hall in our first show? And to Monty, of course. Oh, she's just a babe. Looks like Ruby Dee Dee. And of course, Tim White. Yeah. Yes. Oh, man. 96, 96. This is our first show, which really worked well. It was a it was a gentleman who had just written a book about Satan in the pulpit, which is, you know, very controversial subject about what black churches were or were not doing. And it really kind of kicked this off as to, you know, some creating some excitement, which is exactly what I want to create some excitement about the show before and after. How did you happen to come up with the idea of the family of hosts as opposed to one host or one or two co-hosts that was in keeping with the Jay Z philosophy of having a family and a family of host? Uh, that was our executive executive producer. Jerry Eaton's idea, I guess is one of the thing that I do want to highlight as well that has worked very well in the show, which is the student of the week. And the reason why I want to say that is because there's a gentleman here who's working with our stage manager of the day, George Mills. We call him the coach. He gave me an idea when I first started an Athlete of the Week, and I said, Well, not just athletes. I'd like to, you know, expose kids who have done who have excelled in athletics, you know, academics and everything.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=563.04,664.47"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's really worked well for T and myself. We won the School Bell Award on that. Indeed. And we're going to highlight that a little bit later on. But that's one of the awards that City Land has won over the years, too, which has been very, very rewarding for us. Give us a little of your background since we don't really we haven't had that opportunity to talk to you, but on the air, just to talk about your training and then bring it up a little more current. Well, I guess I guess we've missed you. Yeah. Do the Sunday mornings at 8:00 being here. Go ahead, Rebecca. No, I started in our communications in high school, uh, in radio. And, uh, I went to college and worked in radio and TV and graduate school at Kent State University and in telecommunications as well. And I got my first job as a stagehand and the camera operator at Maryland Public TV in Baltimore and Beatty's old place. And from there, I got a job in, uh, in Florida. And my first chance to produce and direct, uh, and I also worked for a while at Howard University Station, and, uh, I've been here since 82, and you're about to leave, as I'm sad to say. Yeah. I mean, I'm happy for you to be leaving, you know, going to, uh, cable Channel 13 sister station in Philadelphia as the, uh, uh, production coordinator for the local football market in the country right now. Before you know, let me ask you one quick question. Are you proud of your baby today? Oh, yeah. Yeah. So we have done we have done well by you. You have great. We wish you the alf the good work. Thank you. Wish you the absolute best, Reggie.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=665.13,767.07"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Thank you. Good luck on your new job. Thanks for joining us for our celebration today. All right, We've got a lot, lot more. One of the things that we'll be doing during the show is have a trivia quiz. Correct. And you have an opportunity to win some fabulous prizes. And we will tell you about that in just a moment. All right. I'm you in Houston. I'm Phil Donahue. I'm Bill Cosby. And I'm Robin Leach. On behalf of the rich and famous. We offer City Line seasons greetings for the 200th episode. Share. People are talking. Well, we know who they really are. I don't know. We've been having a lot of fun. And as we mentioned before, during the course of the show, we're going to be offering a home trivia quiz. And right now, I'm going to be part of some wonderful prizes. Oh, my dinner. Duke, Mark Martin. Also, two tickets to the tap dance kid and a chauffeur driven limousine the entire evening. So right now, I'm going to give you the trivia question, will be asking you to call in later on yet give us a chance. The question is, on what date in City Line first aired? On what date did City Line first dare to participate in a contest called 481 1313? And the lucky caller will be number 13 when we give that to. Well, that's lucky number 13 with the correct answer. Yes, but not just simply being 13. Okay. And what we'd like to ask our studio audience who joined us for today's celebration is of the 200 shows that we have and since that time, since we went on the air. Don't get. Yes, since we went on the air. What was your favorite show? What was your favorite show? And I'm going to start right here.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=767.46,1021.05"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Oh, God. What was your favorite show? Oh, I think the one about my idols. My son has AIDS. Why did you like that one? Well, I think it brought to light a lot of things about the subject of AIDS and about how the parents or the people who are involved with the victims really felt about the the disease. And that, you know, I think that it gave the public more to think about or to to understand. All right, great. How about you? What was your favorite city line show? Rap music and kids. Rap music and kids. What what did you like best about that? The raps that they said. All right, all right. There's nothing wrong with that. That was one of our favorites. Yes. Now, what we're going to do, we're going to go to we took our city line, as they say, on television. Yes. We took our City Line cameras to the streets and we wanted to enter the city and we wanted to find out exactly what our viewers out there had to say about their favorite shows. We're going to go to that tape right now. My favorite City Line show was a salute to France and Michael Jackson. Maybe. Gordon. Which one was my favorite? The one where they had an atheist and won the show. That was really That man is not perfect. We have that behind us. We have right there another four men, and that is the men and women. That is the force of God, men and women of be human, too. And it does not encourage response. The church is not a group of clubs which are politically active. You know, with all due respect to you, you know, one of the things that you're guilty of doing, I use the word guilty, especially with regards to you, is the fact that you are people preaching your own moral code and your own sense of values.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1021.65,1179.27"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I'm not gonna make that time to lay that killed 20 minutes or not. I like the show that they did on public housing. My question goes to the woman who's representing the city. Don't you think that. Well, wait a minute. I think no one here represents that he is representing the city. I am a resident resident who who feels positively about the public housing. Then love where I live. I love my home. I like my neighbors. And I'm going to tell you that that is wrong in our community can be corrected if our community itself. But often lazy bums don't organize themselves to do something about what anybody will do. I like a piece in question. I can finish the question, please. This is this is supposed to be free speech here, right? That's a question. My question is, don't you think that that money that they have all along, the chops, the innovation and all the projects can be used to renovate the 1500 vacant houses, the people in the city who need it? Are you making a speech by asking the question? I'm asking the question. Okay. But you said you think it could be straight. Sure. Absolutely. Last week, Phyllis. Last week, was it? Vanessa the real see once. What after after your back is turned, after you've done the film, there are people that do are doing the film. Their opinion of you is not very high. I mean, when you're dealing with doing sex on film. You do get treated a little bit like you're nothing. You know, So at some point you must have bought into that yourself. Right. Right. And you've low self esteem, but you don't want to really feel that because you still have to.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1179.9,1275.77"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I still have to be Vanessa Del Rio. I still have to be a star and make my living. I like to show when they had 30 Miles Davis. I guess the nature of your music beyond I hate to use that jazz label is so good, but you see, you had to use it because it makes black know. I hate to use it because I don't think that it's something that that your your music that's into your music. Let me tell you why I don't like jazz first. Okay. To me if. Okay. I was here in Baltimore years ago, and. I mean, it was to a kind of prejudice, right? I mean, it is now, you know. Yeah. I played Morgan State for. Free the union. Fine. Me. Okay. If someone says humor in their woman. And the point and she would say it was a jazz musician. They would right away put out a call for a black man. Mm hmm. And what we play, I think, is, is social music. They come from us in the air. Yeah, I think City Land is a very good show. I do like it. I like that. I you know, I. Every Sunday. Have a lot of fun. Yeah. Miles is everywhere. My favorite song? Well, I think Miles was my greatest challenge since being on television. Yes, he was standing here with us right now as Miss Jean Tucker Adams, a representative of the governor's office. Yes. Welcome to City Life. Thank you. It's a pleasure to be here, Jackie and Betty. And on behalf of Governor Hughes, I want to present this proclamation to you. It's going to name City Line a day in Maryland. Wonderful. And it reads. Whereas, WJC TV's City Line celebrates its 200th show on Sunday, November 23rd, 1986.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1275.89,1395.74"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And City Line provides outstanding coverage of community needs, concerns and interests for the betterment of American community. And hosts Jackie Hall, Betty Bentley team. And here, Howard Anthony. Producer Ernest Winn, born and associate producer Darcel Guy demonstrate skills, sensitivity and community awareness in the production of City Line and City Line. As the recipient of numerous service awards from community and professional organizations throughout the state of Maryland. Now, therefore, I, Harry Hughes, governor of the State of Maryland, do hereby proclaim November 23rd, 1986, as City Line Day in Maryland. And just a little more and commend this observance to all our citizens. Harry Hughes, Governor Lorraine, she and Secretary of State Jackie, congratulations to you and thank you. Thank you. Thank you. That was her resolve a little bit. Fantastic. We will. We will keep this forever. This is a milestone for us. Please do. Thank you. Okay. We will be back for additional celebration here on city lines. And don't forget now call in with the correct answer to the trivia question. We'll come back with some hot topics and some humorous topics as well. Stay with us. From the staff of Evening Magazine to City Life. Congratulations on your 200 shows. Yes. And thank you, Evelyn, for me as well. And we'd like to take this opportunity to welcome Steve Everson to the city, not city line to the WJC family. He is the new co-host of Evening magazine. So welcome to him. You know, it seems that all of Maryland is aware of the 200th celebration of city life. I think you're right, Jackie. And, you know, we mentioned before that we had, uh oh, some folks say their favorite shows. And I said Miles Davis was certainly one of my favorites. But we've had quite a few wonderful celebrities that have managed to grace our modest set here, and we have a lot of fun with them.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1397.27,1634.58"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I think right now we should, uh, give folks a taste of what that was like. And this is only a taste. Now your message, at least the message that we were getting through the media, the mass media, was burn this town down or whatever, and especially since you were rather close to our own community of Cambridge, Maryland. What is your message today? The Muslims message is that there is no good but Allah and Muhammad is his messenger. Speaking of Muhammad, even Abdullah, who lived 1400 years ago, who is an heir by birth, but who alas, is is a messenger that was sinful mankind. Again, the platform of human rights deals with in the fact that we understand and we believe that there is a creator, that a creator has created, man has and has not left him without guidance. Technically, in the sixties, the message was not only a thing of just burn a destruction, but it was a kind of idea, a thought of If there is no redress of grievance, then people have a right to express themselves or to try and bring about a situation whereby their grievance can be met, you know, in a fashion, in the fashion where they would be satisfied. It's not just blindly burning and looting as it was projected. I think that image was projected for a certain reason. Hey, get up here on the platform and just be close to our level living level. Welcome. Thank you for being here, Margo. It's a pleasure having you in city life. And it's just dangling there. You know, hang in there. How's your law firm doing these days? Well, that's, uh. He was probably my best friend, and he passed, and. And I just try to help out with the law firm.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1635.03,1763.83"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Mm hmm. Let me ask you a question. How long did it take you to do, Eisenberg, Katzenberg Whatever. BERG Or whatever? BERG You know, as Korn, Snyder and McClellan. EISENBERG And Katzenberg. Okay. How long did it take you? A long, Long. We'd like to bring her on now. It's our pleasure to introduce Ruby Dee. Morning and welcome to. Thank you, my dear. My dear sister. Hooray. Thank you for coming. We're excited about your coming is. Oh, I'm delighted to be here. What a glorious way to spend a Sunday morning with a great kick off for us for, you know, Black History Month and everything. To have someone of your stature join us is always a pleasure. But certainly at this time of year, it's even more great. Yes. Well, you know, Black History Month week, the significance of it is dawning on me more and more. I treasure it. You know, earlier on, I just took it for granted. I like to think of it as brotherhood, sisterhood, time and a chance to look back, look back at the history so that maybe we'll learn something from it. And most of all, I think I like it because it provides a kind of continuity. I don't I don't think it goes nearly deeply enough. Or is structures. A little bit about the diet and you mix the powder with just about any type of juice, anything. You can mix it with water. We suggest that, you know, one wouldn't stay on it just that alone longer than two weeks and you come back and you eat. But what I really suggest is people to use fruit to go into an all fruit diet. You know, the three strongest animals in the jungle, the gorilla, the elephant, the rhinoceros is nothing but fruit.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1764.16,1892.13"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And if if we get sick, too, then go to a hospital, you'll meet eaten friends is not going to send you a basket of steaks. They're not going to send you a basket of vegetables because of your basket of fruit. So fruit, is that good for you after you get sick? Think what would happen if we ate more while we were well? And so I really suggest that people that get into it eat as much fruit as you can. So basically your your plan purifies the body. If you if I cleanses the body out. Yeah. And the way you cleanses. But let me tell you what you could do. And it is kind of say you go through grade school, high school and college and you never told that one teaspoon full of bran three times a day, one teaspoon full of bread three times a day would eliminate 80% of everything we die from known as death to diseases and sickness. Now, how can something that small, you know, be something? Because the food we eat today is so overprocessed. It's a great honor for me to meet you. And I'm rather nervous and so intimidated because I've asked you this question. I read an interview, I think I believe it was in a Playboy during the 1960s. I believe Alex Haley interviewed you. And it and one of what I want to ask you is performing. You seem to have a great disdain for performance as opposed to going in the studio and working. And you've been greatly criticized for your tendency. Don't mean to maybe antagonize you, but tendency to turn your back to the audience when you perform. And critics and some of your fans don't believe that that is right of you, since they love you enough to pay for a ticket and come to see you perform because at least you should have the courtesy of standing before them and playing.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1893.06,1992.46"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I hope that didn't make you angry. So what's your question on why? Why do I turn my back on the audience? I don't turn my back. It's just that on a stage, a different sound, the stage and sound and the trumpet, it takes a better when you hit this side of stage might be better for a trumpet and the drums might be better or that way. So I always try to pick a spot where the drummer can where I can hear myself. That's really what's happening. Thank you very much. And it's indeed an honor to meet you. Thank you. And, Andre, we're all a little bit nervous. Thank you. Thank you. As well. Okay, let's take another call from home. Hi. You're in touch. Hello. How you doing? Okay. I'd like to know how what separates contemporary music from regular jazz also is because I find it sometimes hard to understand the type of music you're playing. I mean, I would like to get into it, but sometimes I find it hard to understand. So how do you separate the two? I see that the first thing I will tell you is it is good that you find it hard to understand because the music art, music is about expansion, you know, the music is trying to make you expand yourself and do things that you don't normally do. Just like there's a difference between music for recreation and music for education. I mean, recreational music is good too. It's just that you have to distinguish between the two of them real. Most of the times when you go to what they call contemporary jazz is just glorified pop music. And the way that you can tell is that at the core of jazz music is the conception of development.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=1993.75,2107.45"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And that means that if me and you are having a conversation, I'm not repeating the same thing over and over again to you. We're discussing something in some points. Issues are being raised and some solutions are being found within popular music. But you tend to have and I'm not once again, I'm not saying this is a negative thing. I'm just merely describing what it is. You have something that's repeated over and over again. In jazz, the musician is trying to improve whatever that is, is being repeated into different things. So it's hard for you to listen to because it requires you to use your mind in another type of way musically that you might not be used to, but it's just something that you have to just develop a taste for. Because I mean, I had to do it and I can really understand how people wouldn't like the kind of music that I play because I didn't like it even. Okay. Hi. You're in touch with our soap stars. Hello? Yes, go ahead. Hello. I want to know why are there more black food commercials doing the show Women than guys? And I'm asking all three of them. Okay. Why are there more blacks in commercials, in the commercials that appear during the time your show is on? Thank you. That's interesting. I'm not sure if I've been aware of it. Although it may represent the percentage of blacks on the soap that's in the commercials. I think that's the issue. I think that it represents who they think are watching. Mm hmm. You know, although I'm not quite sold on their numbers, but in terms of percentages and in terms of percentages of blacks on the soaps and the other white characters on the soaps, and then the blacks in the commercials and the whites in the commercials, they somehow think those percentages are equal to the percentage of viewers blacks watching as opposed to whites watch.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2108.89,2218.54"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Say that clearly. Yes. So I think that's the only reason, you know, most people that want to know why aren't there more blacks on television? You got to speak up. You got to write in. You got to write us letters. You have to write the producers letters. You have to let them know you're out there. We're back and we're talking to the lost family, at least three of the members of the lost family. And I've just learned that they're really eight siblings and four in the business. And hopefully Johnny Laws will be coming into the business soon. Ronnie Laws. Deborah Laws and Louise Laws. Louise, what is it like being on the road with your brother and sister? Well, let's see. Where can I start? He's pretty much a slave driver, I mean. Yeah, No, actually, it's been quite an experience because Ronnie is such a perfectionist, and watching him work is, for me, very up building. I'm learning so much from him. However, you know, I've been. I'm a little older, just a little. And so I started in the business little a little ahead of him. But I'm finding that I'm learning so much from him because he's right there. He's today. And in order to keep up, I have to check him out constantly. Yes. My name is Andrew Pelham, and I would like to know how does a songwriter get started in a business? The best thing to do, as far as I can see, is do as much listening as possible. It's always important to build on the foundation that was was established before, and that's whether you're playing jazz or playing, playing classical or whatever. Um, we have a tremendously long heritage of, of jazz music dating back years.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2218.9,2343.23"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So what I would, what I would say is to build on that and build on that tradition, to pick up the baton that someone's giving you. And right from there. Thank you. Where do you go from there as a budding songwriter in terms of getting your material listened to or performed? Well, as far as performance, I would say you could find out where some of the names are playing. What I did was find out where a good friend of mine, George Benson, was performing. Oh, okay. Just just hang on. Minor talent. Well, it's great to have friends like that, but, you know, you really hang out. You go to them and you just let them know I'm a writer and let them see you. You have to also you have to go do it. You know, nobody's going to come to you. That's a career that you really can't have something. You think it's great. I'm sorry. No, that's great. Lonnie, what were you like? I would just make some tapes and, uh. Of what? You composition and give them out to the right people. Oh, wow. That was just a sampling of the celebrities we've had, as you said, gracing our meager stamp. But whew. A lot more going to come on City long hot topics, hot topics and coming up. That's right. More celebrities and a lot of fun stuff. Also reminded by the trivia question, don't call yet. We'll let you know when it's time to call. We're going to take a break right now. Stay with us. We're the Baltimore Sun and we'd like to wish City Line congratulations on its 200th broadcast. And welcome back to the 200th broadcast celebration of City Line, a team on tier How to have your back with us.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2344.1,2544.1"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know, as we said before, City Line is trying to cover a variety of topics. And sometimes we've not always carried favor with our audience. We start off a few things in our day, haven't we? That's certainly true. We certainly have stirred many a kettle. Well, you know, that's what a show like this is all about. You want to air both sides of different views. I mean, because it's really dull. If everybody's on one side, you know, the boat sinks. It's like people in a rowboat, it sinks. If you have opposing views, you got a good show. And that's a part of the credibility that we've been able to maintain since we've been on the air for the four and four years. And so and that's why we commit ourselves to it even as we go on. But I get the feeling that we're being eulogized here any minute. Anyway, let's go on the hot topic. That's right. We've got some clips here, some shows that were very stimulating, to say the least. Did you think you were going to die? Well, yeah, sure. They had already hung two of my brothers. There wasn't anything else for me to take but that I was going to die. They beat me all the way up to the courthouse, square the bar for their fight to please help the crowd to clear pass through there so they could get raw all the way up to the police station, which was a block to the courthouse, along with one a block away from the county jail. And when I got out there, there was Tommy and Abe hanging on the tree. And then somebody said, Where's the rope? They got the rope and they put it around my neck.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2544.43,2640.46"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So roughly that cause the rope burn. And they began shoving me and beating me up under the tree where Tommy. And they were hanging. And I remembered my mother had always told us, Children, whenever you need God, always call on him. And he told us about the thief on the cross, how the thief had told Jesus to forgive him for his sins, and Christ had told him Today, you'll be with me in paradise. And I looked up to heaven and I said, Give me my sins with me. And just like that, a voice came with an eerie sound, like in some old movie. And it said, Take this boy back. He had nothing to do with any shooting, raping anybody. And then the hand that had been rough and ready and had killed suddenly became soft and tender and kind and remove the rope from my neck. As a mother and realizing that your son had AIDS, what stages did he go through and how did you feel watching him go through it? How did the disease change him physically? My son. But very. He lost a lot of weight. But his mind was very good. He had all the hopes of. Beaten. You know, getting back on his feet and going back to school and things like that. But it took its toll. Yes. Yes. And. Not I. Think my son died a long time ago. Because he. And just going back every day, I would go to the hospital twice a day and. And things like that. And just to see him like he was. It was killing me, too. So you think that he gave up spiritually? Yes, Because. We did a lot of talking. A lot of talk. And then. He was tired.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2640.82,2788.57"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"He was tired of fighting. And he would always tell me to. I'm fighting for you. Everything is not negative. There's a lot of people who are glad to have met blacks for 52 or $55 a month rent because they can't afford to have the wealth. So you have to have a stepping stone in public housing, is it not the country? Sure, a lot of us cannot do any better and we have no other place to go. But in not having any other place to go, I don't think it's fair to us to be stacked up like a can of sardines. Okay. We have to write those things in elevators that are nasty all the time. Go in management office. The office You will not see a roach in the best maintenance personnel works for management is spotless, and near the floors are always waxed and clean. Or if you got a repair job, for instance, if your refrigerator blows up in your apartment, you got a baby. You don't want your milk messed up. Those management don't care about you. If they have refrigerator go up in the middle office, they have a refrigerator stove. Everything that we basically have they have over it is well kept. They'll get over there. Fix that, but not for a tenant. Okay. Past do take a question from the audience. They should not be there, period, because management is lax. That's Mr. Brody. May I say, for all them, they don't give a shit about nobody. Okay. You know, the. Yes, that is correct. Okay. Have you ever considered yourself at any point prior to your becoming a woman or your fulfillment as a woman, as being a homosexual? Can you make that differentiation for us? No, because homosexuals are individuals that desire the same sex.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2789.23,2893.98"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Mm hmm. Whereas down in my transformation, I have always felt that I was the woman female and homosexuals could be male or female, but they weren't the same sex. Whereas the vows contained like that, I was never went through my surgery. Okay. Let's go back to your childhood. At what point did the female in you start coming out? I practiced me when I was about eight years old. I began to have different feelings. What sorts of things did you experience? I mean, both. Both in terms of your own feelings as well as the way people interacted with you? Well, I knew that I was different from other individuals, other male individuals. That is. I never had the same desires. I always wanted my own style. I always wanted to be left alone. Very neat, very clean, just not rough at all. I think in your book you referred to at some point in your childhood a training in your your train or something for a doll. I mean, how real was that experience and what was it like? Oh, it just made me feel different when I found someone that would make the train. It's a girl around a corner. She's so outraged over how it's like, Oh, my God, I have a bag of my own. What am I going to do with it when I get home? You know? No, we we said in the opening material that you were a woman trapped inside of a man's body. Was that an accurate portrayal for you? Did you honestly feel trapped? Well, I like to use the statement as to I had to get my body in tune with my mind. My mind was always that of a female. I've always felt that way.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2894.61,2993.02"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And therefore, I thought a small correction had to be made. And that, of course, was with the removal of my male organs. We're back exploring the psychic realm with Reverend Hazel Purcell and Marsha Hunt. Roger, see if we can find out a little bit about city language. All right. Okay. You're going to use the tarot cards, right? I'm going to do I'm going to draw a card and just see where you're at on the on the on the show. And I've got the Queen of cups. And that would be saying that things are stable and balanced and developing the potential. Now, we'll see what the outcome is. Now, no guarantees on these. Okay. Oh, great. You've got a trump card, you got the chariot card. And that would be saying that. Your goals that you have for the show are going to be actualized and in a very significant way because it's a trump card. So it's a major outcome to interest. Okay, that's good to hear this early in the season. Yeah. Where do you shoot, brother? Well, I tell you know, I have been nearly every place on my body, uh, like with my neck finger. 12 feet. Let me just show you my feet. This is what drugs can do to children, to all the young children in the country today. Stay away from these drugs. Look at this. Look at my day. Look at the size of my leg. I'm literally a deformed man. And this is this is too girly. This is a good leg. This is good leg. What kind of a life is it? You need? I mean, well, how do you function like this, man? Well, we have to. You do live from day to day. You don't know what you're going to do when you go and you work.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=2993.95,3141.34"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I speak for myself sometimes. Just totally giving up on life. Just to drugs. More or less. Give me a world I can hide in. You know, with everyone, it seems no president and no, you know, governor. And everyone is the same. We're all junkies. Have you ever been approached by some of the gun? Yes, I have. MAN three quarter lambskin stolen on Easter Sunday of last year. This happened at school? No, this was outside of school playground or something like that in front of a Gino's and someone your age or what I see was my age. They just walked up to you, presented the gun and said, Give me the coat. Somewhat like that. And are you aware of things like that happening with other people that you know? Yes. A lot. Yes. How does it make you feel? Well, I'm not I don't feel scared to wear anything anywhere because I know the law watches out for me. You're not concerned about yourself carrying a gun? I wouldn't carry a gun. That's good to hear. Well, we have someone on the phone now who is a it's a special thrown in from a young man that we're going to call Darrel Smith. That is not his real name, but that's to protect him because he carries a gun. And we want to go now and talk to him about his lifestyle as a member of the young culture. Hi, Darrell. Are you there? Yes. Okay. This is Jackie Hall. And I'm going to be like, thank you for calling in. Now, we've been talking about the YOS, some considered good and some considered a little bad and a little dangerous. I understand that you carry a gun. Is that correct? That's right. Why is that? For protection against the other guys, Meaning other girls or someone in particular? Yeah, mainly other, you know, because they try to take what's mine and what's yours, by the way, that you're protecting.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=3141.97,3263.22"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Like my tennis shoes, my pants, my shirt, my school rules. Doesn't this kind of breed itself if you carry a gun? Have you ever used your gun? Quite a few times. Well, with this, not cause someone else to pick up a gun against you. Oh, they already have their. I just got mine out first. Oh, I see. Did you shoot someone? Oh, yeah. Have you ever killed them? Oh. Tell us some of the circumstances under which you've actually had to use it. About the confrontations walking down the street to try to rob. And what did you do? Shot. You just pulled out a gun and shot them. Was there any conversation between you? Yeah. Give me a stop. And I wasn't able to get my stuff to know how many guns are out there, Daryl. And I mean, with how many guns are out there. A lot of them is more than you can imagine. Fundamentally. Na na na na na na na. Oh, oh, oh on. You know, So now that our audience knows exactly what we're talking about, Mr. Berger's act is performing blackface. And I think we have a number of questions in that regard. Yes, sir. Yes. I would like to know why did you have to resort to Mr. Jolson's act? Obviously, you have talent and look, could use your face to express that. Why did you had to resort back to using blackface? Well to keep. To keep it as as pure as possible. When you say you have talent. That's what I do best. And you talk about less than routine. That's what I do best. That's imitation like right, of John the Jolson thing. We do a lot more than Jolson, but that's what we do best.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=3264.39,3400.43"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That's the headline. But let me ask Mr. Berger. At what point did it come to your awareness that there were people who were offended by the blackface, not the routine itself, so much as you're wearing the blackface? I personally. I have never. When I did the show. I've never had anybody. Come to me and say they were offended by it. So it was really the incident at the Hilton Hotel in 82 that at least created some kind of controversy. Exactly. That was the first time and the only time. Let me ask you, in kind of tagging along on that question, we just got, would your imitation of Jolson be just as effective without blackface? I don't think so, primarily because when you look just as we were sitting here talking, you said to me, you don't look the same, you know, that kind of thing. When you look at me doing Jolson without makeup and without costume, you look at me doing Jolson. When you look at me in costume and with makeup, you look at our girls. We're all hot topics. We've got a lot more coming up. Don't go away. Stay with us. We'll be right back. What TV show at Channel 13 is celebrating its 200th broadcast. Now, here's this week's community calendar. For more than four years, the community calendar has given area groups and civic organizations an opportunity to promote their fundraising activities. Hello, I'm Jonathan Klein. We are extremely proud to present you this 200th broadcast of the award winning Urban Affairs magazine City Line. This is a unique community forum offering information, advice and debate on issues that affect Baltimoreans in all walks of life and city lines. Community calendar is a key element of that public service.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273#t=3400.73,3680.17"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105513/file/206273/transcript/48924/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"City Line is just one of many WG programs produced locally with a commitment to the community. People are talking square off kids, powerful Ebony magazine and a host of specials and award winning documentaries are all part of that commitment. We're proud of these efforts and encourage you to let us serve you. If your group or organization would like to announce an event, please write us in care of City Line. WJC TV Television Hill, Baltimore, Maryland 212, one, one. Or call us for further information at 46600013. Between the hours of nine and five. Thank you, Mr. Klein, Vice president and general manager of WJC Technology. Beautiful. You know, I'm enjoying this show, I hope, as much as our audience at home. And even though in the last segment we showed you some of the hot topics, they were kind of heavy issues. Cityline has had fun, too. 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