{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/w950g3jw9w/manifest","type":"Manifest","label":{"en":["Heaven and Earth dub"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/25714"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 Betacam"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-FLDTP-006-027 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["Field Tapes"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/253/879/small/thumbnail_253879_1728349489.jpg?1728349491","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20250109-552-84871.mp4"]},"duration":435.977,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/253/879/small/thumbnail_253879_1728349489.jpg?1728349491","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/253/879/original/open-uri20250109-552-84871.mp4?1736438692","type":"Video","format":"video/mp4","duration":435.977,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/transcript/71619","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-FLDTP-006-027_ffv1.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/transcript/71619/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"16th century, Japan was shaped by great warlords who went into battle to unite and control the nation. More than just a Japanese Western. Heaven and Earth is a historically accurate film about those samurai leaders. But the production is also reshaping life on its Canadian location. Work with a total budget of $60 million. Heaven and Earth is the largest costume drama in 30 years. 3000 extras, 800 horses, 500 filmmakers and crew were all assembled on the prairies of the Stony Indian Preserve near Calgary. The size and scope of this samurai epic would make even Cecil v de Mille proud. What listing on your home got to play critically. When I came here from Japan, I felt like I was entering a battlefield. Making a film is the real battle where I know something major can be accomplished. The producer and director, Hirooki Goto Kawa, chose to transform the Canadian Rockies into feudal Japan because no location in Japan was large enough to stage the enormous battle scenes. Besides Alberta, Canada was the only place in the world where he could buy enough horses for the film. And here in Morley Flats, there is not a phone pole or a highway in sight. You guys are looking great. Take a look at each other. Make sure that none of you look like your You had a couple last night. Foot soldiers that were there where the front lines were, the troops, the grunts. Canada had enough horses, but samurai warriors are hard to come by. When the battle cry sounded, Canadian students, rodeo wranglers and native Indians all answered the call. Blue eyed blonds were transformed overnight into Prairie Samurai. Everything under the 16th century armor is not what it seems. What I've enjoyed working with all of the women out here on your house.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879#t=68.96,179.43"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/transcript/71619/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I've never been in some place where there have been so many beautiful women in my life. It's just. It's fantastic. And you're either you're freezing or you're dying of heat. And the best days were the days that were freezing. You only have one. You could always find someone to cuddle with. Not since Lawrence of Arabia mobilized 4000 Bedouins has a movie employed so many extras. Mixing Canadian wranglers with Japanese history often made cross-cultural stew. For instance, when the crew began shooting, they set up both Western and Japanese kitchens. As it turned out, the Japanese crew were eating the Western food and the locals ate the Japanese cuisine. I like you. How do you say with us? You know. I tell you what. And I thought, yes, Yeah, I like you for the Japanese stars and the Canadian extras. The six week shoot is a cross between a cultural exchange program and a crash course at Berlitz. Our August isn't so stupid. But she concedes she does. It's been great. It's just been great. It's just been an education for me only because I've learned about eight phrases in Japanese and lots and lots of words that I never thought I'd ever know. Off. Heaven and Earth chronicles the great confrontation between two warlords, Jhingan and the noble Kenshin played by Takaaki Inoki. When you're in a movie that's this big, even the star has to worry about it like a Cordiner puts it in such an immense land, such beautiful scenery. If I don't put in a top notch performance, I'm going to be overshadowed by the landscape. I got that kind of stuff. The Canadian staff doesn't refer to me as a director. They call me the emperor. It's no wonder they call him emperor.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879#t=179.91,288.02"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/transcript/71619/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Director Kadokawa is Japan's most powerful producer and its second biggest publisher. The man could be a movie himself. In Spain, he is currently building a replica of the Santa Maria, which he plans to sail from Barcelona to Tokyo next year. Kadokawa is a poet and a high Shinto priest. To top it off, the local tribe made him an honorary Indian chief. It was one of the emperor's biggest headaches is communicating with his troops. Kadokawa gives orders to his Japanese aide, who tells the interpreter to tell the Canadian director to tell the extras. No wonder there's confusion in the ranks. Holiday. Reload down your reload it, You're back up by now. Each Canadian has learned that to get along, you have to know one key phrase of Japanese. What? Which means? I don't know. That seems to be the phrase of the day. What's happening? Well, what color on base should Amanda wake up? That's a sad Japanese war chant that we all had to sing in unison. It's kind of neat. Yoii, yoii. That means rolling your eyes. O o o o the. Somehow this ragtag army of Canadians, Indians and Japanese may manage to make one of the great movies of all time. And if it's a worldwide hit, you can watch out for heaven and earth, too. I have a feeling a lot of us will be back to doing the sequel as the sequels plan to hear.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879#t=288.53,401.27"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/transcript/71619","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/136867/file/253879/transcript/71619/annotation/4","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/071/619/original/trint_WJZ-FLDTP-006-027_ffv1_transcript.vtt?1728352724","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/071/619/original/trint_WJZ-FLDTP-006-027_ffv1_transcript.vtt?1728352724"}]}]}]}