{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://marmia.aviaryplatform.com/iiif/x921c1w02w/manifest","type":"Manifest","label":{"en":["Christmas Show, 1988-12-18"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","metadata":[{"label":{"en":["Source Metadata URI"]},"value":{"en":["https://marmia.libraryhost.com/repositories/2/archival_objects/5299"]}},{"label":{"en":["Date"]},"value":{"en":["1988-12-18 (Creation)"]}},{"label":{"en":["Description"]},"value":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content. (Content warning)","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program. (Funding note)","Christmas guests include Eugene Bartell from the Mayor's Office of Homeless Services and Carol Melvin and Tamy from the Womens Housing Coalition. Christmas performances include the Enon Baptist Church Choir and Umoja Sasa. Harold Anthony interviews playright, August Wilson. (Scope and Content Note)"]}},{"label":{"en":["Format"]},"value":{"en":["1 U-matic"]}},{"label":{"en":["Identifier"]},"value":{"en":["WJZ-CTYLN-009-013 (Identifier)"]}},{"label":{"en":["Series Title"]},"value":{"en":["City Line"]}}],"summary":{"en":["Be advised that this video may contain sensitive, triggering, and offensive language and content.","Digitized with funding provided by the Council on Library and Information Resources' \"Digitizing Hidden Special Collections and Archives: Amplifying Unheard Voices\" grant program.","Christmas guests include Eugene Bartell from the Mayor's Office of Homeless Services and Carol Melvin and Tamy from the Womens Housing Coalition. Christmas performances include the Enon Baptist Church Choir and Umoja Sasa. Harold Anthony interviews playright, August Wilson."]},"provider":[{"id":"https://marmia.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["MARMIA"]},"homepage":[{"id":"https://marmia.aviaryplatform.com/","type":"Text","label":{"en":["MARMIA"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/053/original/cropped-marmia-logo-copy1.png?1586173104","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/352/small/thumbnail_206352_1692296254.jpg?1692296283","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352","type":"Canvas","label":{"en":["Media File 1 of 1 - open-uri20230817-109546-xr0csl.mp4"]},"duration":1792.734,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/206/352/small/thumbnail_206352_1692296254.jpg?1692296283","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/content/1","type":"AnnotationPage","items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-marmia.s3.wasabisys.com/collection_resource_files/resource_files/000/206/352/original/open-uri20230817-109546-xr0csl.mp4?1692293316","type":"Video","format":"video/mp4","duration":1792.734,"width":640,"height":360},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352","metadata":[]}]}],"annotations":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987","type":"AnnotationPage","label":{"en":["AUTO_TRINT_WJZ-CTYLN-009-013.mp4 [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Hi, I'm Jackie Hall. And I'm Harold Anthony. Welcome to City Life. The holiday season marks the time when most of us can enjoy the gathering of friends and family in our homes. But for many, an estimated 1700 in Baltimore alone. Friends may gather, but not in a home. Today on City Line, we'll talk about being homeless and what we can do to help those less fortunate. And later in our show, we'll celebrate the season with the Union Baptist Church Choir and then some storytelling by the Mojo. SASSA Storytellers. August Wilson, the Pulitzer Prize winning playwright, will also be here to tell us about his rising success and the play Joe Turner's Come and Gone, which recently opened at center stage. So please stay with us for this special edition of City Line. Yeah. Yeah. I'd like to welcome you very quickly to a very special edition of City Line. I first wanted to begin by introducing our three guests here, starting from left to right, we have Mr. Eugene Bartell representing the mayor's office. In the middle. We have Tammy, who recently found herself in an unfortunate situation of being homeless. And on the right, we have Ms.. Carol Melvin from the Women's Housing Coalition. I'd like to welcome you all to today's edition of City Life. Thank you. Okay. Let me start off, Eugene, by asking you, what exactly is the mayor's office doing to make the situation of the homeless a little a little less heavy during this holiday season, especially during this cold weather? Yes, particularly during the the cold weather. The city has opened. It has approximately 200 more shelter beds that are available during the November to the March a period of time. As you know, during the winter, there will be those periods of extreme weather.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=101.18,225.99"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And the mayor has established an extreme weather plan, which means that the city will do everything within its power to ensure that there are no turn a ways for shelter during periods of extreme weather. Part of what will make that happen is there is an MBTA bus that goes out and performs the outreach and transports homeless persons from the streets to area shelters. And then if there are periods of extreme weather where the shelters are full, we will then open additional shelters so that we would be able to accommodate all that need shelter, particularly during periods of very extreme weather Carol. What what are some of the private organizations doing in addition to what the city is doing or maybe even the state? What are some of the private organizations doing? Well, private organizations are plugging in both in terms of actually providing emergency shelter and providing transitional housing with straight stays, ranging generally from six months up to two years, and focusing also on what is the greatest need, which is more low income housing throughout the state through advocacy and trying to develop creative projects that will loosen up some more low income housing in our community. Okay, Tammy, why don't we get you in on this? You can give us a clear picture firsthand of what it's like to be homeless, especially during the winter season and especially during the holiday season. Why don't you relate some of your experiences? First of all, the Women's Housing Coalition, I've been there for a couple of months now and through some bad times that I had, it was available to me. And being in this home has been really great for me to teach me and. Well, well, let let me help you out a little, because look to look at you and to listen to you.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=226.71,349.71"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know, you are not the picture of a homeless person that the average person would draw. You know, it makes you realize that there but for the grace of God, go I. How did you end up in your particular situation? Through outside counseling, through problems that I had. I was introduced to the Women's Housing Coalition and it was recommended that I go there through financial problems. And it's helping me a lot because to learn about my financial problems, saving a lot, you know. And would you what would you say to other women who are in the same predicament that you were in? Being being in a house that I'm in, it's not as bad as a lot of people would think. It's a loving home, a friendly atmosphere, and it helps you to grow. You know, it's teaching you how to become a productive member of society and to know that you don't have to live out on the streets. Because I didn't live out on the streets, you know, And it was a place that was available for me. Fantastic. That's great. But, Eugene, is this the the typical picture that you find with those who are homeless? Yes, I think it really is to a certain extent. Many homeless are hidden. What we see on the streets with many persons who are perhaps alcoholic or chronically mentally ill really represent perhaps the tip of the iceberg. But the true facts of homelessness are that families and children are very often the victims of homelessness. It's a realize that there are many, many families who live in doubled and tripled up housing situations in the city. Those persons are episodically homeless. They might, through the course of the year, be homeless four or five or six times, but you typically would not perhaps see them literally on the street.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=350.16,486.21"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, some you certainly do, but to a large extent, that portion of homeless remains hidden. Well, in a recent Sun Papers article, they gave the figures that there are some 1500 homeless people at any given time in the Baltimore area and that the city will provide up to 900 a shelter for 900 of these homeless people. That still leaves 600 people out on the streets. How do you intend to provide shelter for the extra 600 people? Well, it is true that there is a shortage of emergency shelter beds. And while the figure is is has some merit that 1500 people do seek shelter, many of those persons and are living in very temporary kinds of situations that are, you know, doubled down and tripled up. Do you also provide food as well as shelter in some of these situations? Yes. The the typical emergency shelter will provide food, the lodging, as well as some attempt to begin to get people hooked up with social services so that they can begin to either get income resources or other benefits that they are entitled to. Carol, how do the how does the coalition work to be sure that you meet as many of the needs as possible without duplicating? We provide transitional housing. Women may live with us for up to a year. And primarily our role is to just be as much of a support system as we can for the residents. That includes linking them to the resources in the community that are available to them, from income assistance to employment training to the actual job search to helping them find permanent housing. And once they are placed actually providing in-home follow up for up to six months to make sure they're adjusting to living independently for those who need it in terms of budgeting assistance, landlord tenant problems that they might encounter.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=486.99,613.68"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We also do advocacy around the issue of homelessness to see that there are more housing and shelter resources for homeless people and we are working towards developing permanent housing for low income needs are still unmet. Now you've done quite a listing there. What needs are still unmet? Housing, low income housing, affordable housing for people with very limited. Incomes and also support services. And of course, the mayor has targeted the vacant houses that would be turned into livable units for low to moderate incomes, correct? That's right. The mayor has a very strong commitment to developing low income housing in the city. As a matter of fact, the city is engaged in developing two sorrows single room occupancy buildings, and these would be shared facilities where person would have a single room to themselves and then shared restroom facilities and so forth. Okay. But what can some of our home viewers do in order to lend a hand? Well, in the in the little longer term, in the next couple of months, we're going to be faced with the supporting legislation at the state level for low income housing, as well as for increase in income benefits. Okay. But for our viewers now, we have a list of some organizations that you can contact. Those of you who are in the listening audience who would like to help. And if you want the names and numbers of the specific agencies and organizations that are working with them, contact Action for the Homeless. We'll show you that list now. And thank you all for being here with us today. Thank you for having us. How messed up. And now the Enon Baptist Church will delight us with the sounds of the season, followed up by the humongous also storytellers with a special story of wisdom.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=614.79,901.38"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh. That's. Time. Yeah, yeah, yeah, yeah. Yeah. Oh, yeah. Oh. You got to hand it to me. Oh, man. Oh, man. You know, you have a pretty big. Oh. I. Oh. Oh. Oh. Ow! Ow, ow, Ow! The story we'd like to share with you is called Mr. Umoja and his two sons. The story originates in Zimbabwe. Mr. Moja was a very old man and a very wise man. You see, Mr. Moja knew that it was time for him to pass on to live in heaven with the ancestors. And it is usually the tradition that all of the family wealth be handed over to the oldest son. What is his dilemma? You probably say he had two sons. Yes, but Mr. Moja had twin sons. Mr. Mosa had to think of a plan that would help him decide which of the two sons was the wisest sons. He called his sons together and he saved my sons. I have brought you here today. As you know, the time is drawing near where I must go visit the elders in heaven. I love you both. And I love you equally. But I must decide which of you is the wisest and deserving of my title. Therefore, I have devised the task. I built two rooms. Each room is identical. I will give you £10. And with that, you are to fill the room from top to bottom, from side to side. Using no more than the £10. We have one full moon in which to accomplish this task. Oh, now. £10 and one full moon. The cycle of one month. And my goodness, what a task will tie you in to wonder. They wandered all around the forest and they meditated on this thing.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=907.23,1112.14"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And finally the sun rose and the moon became full again. And they were ready outyou approached the task like this. He bought all sorts of things. He bought boxes of trinkets and sculptures and things, and he stepped in and rearranged. But he could not accomplish the task. He could not fill the room from top to bottom, from side to side. And he had truly tried. He tried his very best. So he didn't feel too bad with two. One, on the other hand, approached the situation a little bit differently. He came in to the room and he had something under his shirt and the people gathered around and they said, What is he trying to do? What does he expect to do? It appears as though he has nothing for him, but he placed something on the floor of the room and then he took out a match and he lit a candle and the light from the candle, it filled the room from top to bottom, from side to side with lightness. Lightness and brightness. And my goodness, was he proud? And Mr. Mojo was proud, too. And he approached the room and he said, My son, you have filled the room with light brightness knowledge. This is echo. Truly knowledge can fill the empty mind just as light can fill the into. This is good. This is good, he said. This is good. The light from the candle had filled the room from top to bottom, from side to side. It is good. Soon Mr. Mosher passed on away and he went to live with the ancestors in heaven. And the brothers shared all the family wealth. And they lived in peace. Umoja and harmony. That was fabulous. We'll be back with the 1987 Pulitzer Prize winner August Wilson, right after this.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=1112.83,1273.11"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"August Wilson, the author of Joe Turner's Come and Gone, was recently in town. I had a chance to talk with him. In 1987, you collected the coveted Pulitzer Prize for your work Fences. How do you feel about your new celebrity status? I feel good. I mean, it was really good win that. At the same time, it's a piece of paper hanging on the wall. He turned around and it was just typewriters in there. So despite all that, I try to keep the focus on the work. You please have chronicled the history of black people from the early 1900s. Do you plan on doing a play for every decade from 1900 up until 1988? I do. And in fact, I didn't start out with in the grand design, I have a play called Jitney, which was set in 1971. Then I wrote a play called Fulton Street, which was set in 1941, and then I wrote Ma Rainey's Black Bottom, which was set in 1927. So I said, Well, why don't I just continue to do this? And then I wrote Fences, which was set in 1957. And then the Piano Lesson, which is set in 1936, and I just finished a play called Two Trains Running, which is set in 1968. So I'm almost finished. Did you have any indication when you were younger that you would grow up to be a great writer? Well, I knew I was going to be a writer. I mean, I always, since I can remember walking into the Carnegie Library in Pittsburgh and seeing the Negro section of the library, that I realized that that it was possible for a black person to write a book and to get it published. And I began to read Langston Hughes and.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=1296.53,1407.89"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I was Ellison's Invisible Man, and I wanted my book to be right up there on the shelf with him. So I knew early on when he was on, he wanted to do. And my mother always told me, You can do anything you want to do. It's a matter of applying yourself. So I very consciously set out to become a writer and to learn to be a better writer. Each time that I write something, I try to make it better than the last time I dropped out of high school when I was 15, and I spent the next five years in a library reading books. I was amazing that all the knowledge that man had accumulated was written down. And that all you needed to have the key to unlocking the key to be able to read that you could learn to do anything from the from the books. And then when I left my mother's house at 20, I went out in the streets in the black community of Pittsburgh to find out what it was that they had to teach me. And it was there that I met lifelong friends who who nurtured me, who taught me, and ultimately the people who had provided my life with meaning. Do you draw your characters from people that you knew in your life, or are these people that you just invented? They're entirely inventive characters. I mean, I know my own the characters have any particular people. Yet at the same time, I'm making them up out of my self. And the self that I am making them up out of is a composite of a lot of different experiences and a lot of different things. I didn't always value the way black spoken and always value the language.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=1410.33,1507.96"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I thought in order to make art out of it that you had to change it. And then when I began to realize that there was a poetry and a value inherent in the language, fortunately I realized that you didn't have to change it. It's just a matter of listening and paying it the respect that it was due. So once I began to listen to the characters, as opposed to trying to force words into their mouth, then my art changed tremendously. Now I had a friend of mine, Rob Penney, in Pittsburgh, who was a playwright, and I had asked him years ago, How do you make them talk? And he looked at me. He said, You don't listen to them. You see, But I didn't take his advice. It was many years later that I finally began to listen. Who turn has come and gone recently. You've been dead center stage here in Baltimore. Why don't you tell me a little bit about the play? Actually, Joe Turner's Come and Gone is a play. The original title was No Man's Land. Crockett, Which is a title or a painting by Rumi or Bearden, which is a border and a boarding house scene. And there's a figure in the painting of a man sitting at the table with a coat and hat on and this posture of abject defeat. And I became intrigued with that figure in the painting, and I wondered why he was sitting there and what could have been the circumstance of his life that led him to be sitting in this boardinghouse in Pittsburgh. And so I began to to try to discover who he is in the process of writing the play. I came across a song by W.C. Handy called Joe Turner's Come and Gone, which was about Joe Turner, who was the father of Pete Turner, the governor of the state of Tennessee, near the turn of the century, who used to press Negroes into peonage and women made up the song.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=1508.35,1615.69"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"They tell me Joe Turner's Come and Gone. He got my man and gone. And so when I heard the song, I put the two things together. I realized that that is what had happened to Joe, to the character Harold Loomis, and why he was sitting at the table because he had been caught by Joe Turner and spent seven years in bondage. And then I can use this seven years as a representative of the 400 years of slavery of blacks in America. So then I had a metaphor for. For that to go as far as your future plans would projects are you working on now? I just finished a play called Two Trains Running, which is set in 1968, and I ever played the piano lesson, which we're going to do in Chicago in January. If you could do anything outside of write, what would it be? Geez, I can't imagine anything other than that will probably be cooking since I spent a good deal of my young adult life working in restaurants as a cook. You have a job waiting for you up in Pittsburgh? I do, yes. As a cook? Yes. Well, we would certainly miss you on the literary scene. Keep on writing. And by all means, I hope the public keeps on supporting you and continued success to you. Thank you very much. Thank you very much for joining me. Sure. Well, that's all we have time for today. I'm Harold Anthony, wishing you a merry Christmas. I'm Jackie Hall and happy Kwanzaa. Jersey recommended Jersey and. Journalist be sure to follow up on. And. They see. We disagree. We disagree. I don't think anybody.","format":"text/plain"},"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=1616.32,1746.46"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/transcript/48987/annotation/12","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/987/original/open-uri20230817-2853-nizl8n?1692305686","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/048/987/original/open-uri20230817-2853-nizl8n?1692305686"}]},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/index/82858","type":"AnnotationPage","label":{"en":["Christmas Show, 1988-12-18 03-22-2024 21:42 [Index]"]},"items":[{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/index/82858/annotation/13","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Guest interview","format":"text/plain","label":{"en":["Title"]}}],"target":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352#t=165.0,727.0"},{"id":"https://marmia.aviaryplatform.com/collections/948/collection_resources/105582/file/206352/index/82858/annotation/14","type":"Annotation","motivation":"supplementing","body":[{"type":"TextualBody","value":"Eugene Bartell, Mayor's Office of Homeless Services; 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